SKU: KN.KEN10318
UPC: 822795103182.
Designed for a first contest or recital performance, this grade 1-2 collections contain 14 pieces that have been carefully edited by tubist Michael Salzman, and edited by Carl Strommen. The free downloadable piano accompaniment MP3s will be an invaluable tool for students. Solo book sold separately (#10317). Available in SmartMusicContents:The Water Is Wide (traditional); Scotland The Brave (traditional); Chester (Billings); Arirang (Korean folk song); 'O Sole Mio (Capua); Stephen Foster Medley (Foster); Haydn's Surprise (Haydn); At The Fireplace (Warshawsky); O Canada (Lavallee); Largo (Dvorak); Tambourin (Rameau): Hatikvah (traditional); Themes From March Slav (Tschaikowsky); Adagio (Beethoven).
SKU: KN.KEN10317
UPC: 822795103175.
Designed for a first contest or recital performance, this grade 1-2 collections contain 14 pieces that have been carefully edited by tubist Michael Salzman, and edited by Carl Strommen. The free downloadable piano accompaniment MP3s will be an invaluable tool for students. Piano book sold separately (#10318). Available in SmartMusicContents:The Water Is Wide (traditional); Scotland The Brave (traditional); Chester (Billings); Arirang (Korean folk song); 'O Sole Mio (Capua); Stephen Foster Medley (Foster); Haydn's Surprise (Haydn); At The Fireplace (Warshawsky); O Canada (Lavallee); Largo (Dvorak); Tambourin (Rameau): Hatikvah (traditional); Themes From March Slav (Tschaikowsky); Adagio (Beethoven).
SKU: BT.EMBZ8378
English-German-Hungarian.
The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning to play the piano.Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right from the firstlessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection. Playing - is just playing. It requires a great deal of freedom and initiative from the performer. On no account should the written image be taken seriously but the written image must be taken extremely seriously as regards the musical process, the quality of sound and silence. We should trust the picture of the printed notes and let is exert its influence upon us. The graphic picture conveys an idea about the arrangement in time of even the most free pieces. We should make use of all that we know and remember of free declamation, folk-music parlando-rubato, of Gregorian chant and of all that improvisational musical practice has ever brought forth.Let us tackle bravely even the most difficult task without being afraid of making mistakes: we should try to create valid proportions, unity and continuity out of the long and short values - just for our own pleasure! (BMC CD 139).
SKU: MN.56-0108
UPC: 688670221255. English, Latin. Psalms 142; Jeremiah 3:48, 52, 56.
Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, SATB choir and piano. This fourth movement of the larger work is inspired by the extraordinary story of Irena Sendler née Krzyżanowska, a Polish nurse and head of Å»egota, the Polish Council to Aid Jews in the Second World War, whose personal interventions saved the lives of approximately 2,500 Jewish children in the Warsaw Ghetto, smuggling them to safety, acts of humanitarian bravery that eventually caused her arrest and torture by the Gestapo. She is honoured as Righteous Amongst the Nations at Yad Vashem, Jerusalem. The Latin texts of this movement are taken from the Book of Lamentations (“My eye hath run down with streams of water, for the destruction of the daughter of my people. My enemies have chased me and caught me like a bird, without cause…â€) and from Psalm 142, the Old Testament being the meeting-point of Sendler’s Catholicism and the Jewish tradition of those whose lives she saved. Duration 6:19.
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