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Schumann
INSTRUMENTS
INSTRUMENTS
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Schumann - Brahms - Kirchner Band 4
Piano solo
Schott
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the g...
(+)
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann, Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms, the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms' Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. / Piano
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Schumann - Brahms - Kirchner Band 4
Piano solo
Wiener Urtext
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the g...
(+)
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann, Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms, the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms' Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. / Piano
19.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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Schumann For Guitar (Arr.Martin Hegel)
Guitar
[Sheet music]
Schott
30 Transcriptions. Par SCHUMANN ROBERT. The edition Schumann for Guitar is an in...
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30 Transcriptions. Par SCHUMANN ROBERT. The edition Schumann for Guitar is an interesting attempt to transfer Robert Schumann's romantic, lyrical music to the guitar. As a consequence, new tonal possibilities present themselves for the guitar repertoire, particularly in view of the fact that Schumann himself never composed an original piece for guitar. This volume naturally contains pieces from the famous piano cycles Album für die Jugend, Kinderszenen and Albumblätter, but also some lieder like Mondnacht or Im wunderschönen Monat Mai. Special highlights of the volume are the original Schumann transcriptions by Francisco Tárrega (1852-1909) which prove that guitarists studied Schumann's music as early as the 19th century. Schumann for Guitar is ideal for concerts and music lessons, but also for private music-making. The pieces are of easy to intermediate technical difficulty so that even amateur guitar players will enjoy the pieces! / Niveau : Facile à Moyen / Recueil / Guitare
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Robert Schumann: Phantasiestücke Op. 12: Piano: Instrumental Work
Piano solo
ABRSM Publishing
Schumann's Phantasiestucke has been published as part of ABRSM's 'Signature' Ser...
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Schumann's Phantasiestucke has been published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Includes informative introductions and performance notes.
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Robert Schumann: A First Book of Schumann: Piano: Instrumental Album
Piano solo
Dover Publications
For The Beginning Pianist-This beginner's piano book spotlights the music of one...
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For The Beginning Pianist-This beginner's piano book spotlights the music of one of the Romantic movement's most influential composers Robert Schumann. Its easy-to-play renditions of Schumann's beloved works progressively increase in difficulty and are accessible to novices of all ages.Contents include selections from Forest Scenes Scenes from Childhood Album for the Young and Carnaval a collection of short pieces representing revelers at a masked ball. Selections include 'Traumerei ' 'Happy Farmer ' 'Papillons ' and other melodies for solo piano.Dover Original.
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Johannes Brahms: Brahms Mendelssohn And Schumann Organ Works: Organ:
Organ
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Advanced
Dover Publications
When Brahms Mendelssohn and Schumann composed for the organ all three turned f...
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When Brahms Mendelssohn and Schumann composed for the organ all three turned for inspiration to the musical style of the late Baroque period. Includes 11 'Choral Preludes' by Brahms three 'Preludes And Fugues' by Mendelssohn six 'Fugues' by Schumann and other works by the composers.
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Grieg And Schumann Piano Concertos: With Orchestral Reduction For Second Piano
2 Pianos, 4 hands
[Sheet music]
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Advanced
Dover Publications
Le Concerto de Grieg in A Minor, Op.. 16, et le Concerto de Schumann en la mineu...
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Le Concerto de Grieg in A Minor, Op.. 16, et le Concerto de Schumann en la mineur, op. 54 - deux des plus populaires de tous les concertos pour piano du répertoire - réimprimé dans les éditions qui font autorité. Dans chaque cas, la partie de piano 2ème est une réduction d'orchestre, en fournissant des pianistes avec le format 2-piano qui est la méthode standard pour les répétitions.Réimpression de sélections de Concerto en la mineur pour piano, op. 54, G. Schirmer, Inc, New York, 1918 et Konzert für Klavier, op. 16, A-??Moll, C. F. Peters, Francfort, n.c. / 2 Pianos
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Clara Schumann: Piano Music: Piano: Instrumental Album
Piano solo
Dover Publications
Selected and with an Introduction by Nancy B. Reichs-Among the leading pianists ...
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Selected and with an Introduction by Nancy B. Reichs-Among the leading pianists of the 19th century Clara Schumann was a respected published composer in her lifetime regarded by her contemporaries as a member of the avant-garde 'new romantic' school. Praised by such greats as Chopin Brahms Mendelssohn and Liszt her music is being heard again today in recitals and new recordings. This rare collection reproduced mainly from the classic Breitkopf and Hartel edition of 1879 is introduced by Dr.Nancy B. Reich.
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90 Songs (SCHUMANN ROBERT)
Low voice, Piano
[Score]
IMC (International Music Co.)
Par SCHUMANN ROBERT. Langue: German, English,/ Répertoire / Basse et Piano
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Robert Schumann: Schumann – A Listener's Guide: Reference Books
Amadeus Press
Includes full-length audio CD-Over the course of some three dozen volumes Amade...
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Includes full-length audio CD-Over the course of some three dozen volumes Amadeus Press highly acclaimed Unlocking the Masters series has drawn readers into the worlds of the greatest composers and their music. Curated pairings of critically minded introductory texts andcompanion CDs loaded with tracks selected from the worlds foremost libraries of recorded classics the series truly brings the sounds and stories of its legendary subjects to life. Its latest entry Victor Lederers Schumann: A Listeners Guide isan essential portal to the musical works of and tempestuous life of this little-understood genius. Many if not most major composers improve over the course of their careers. For Schumann however the opposite was true: plagued throughout his lifeby physical and mental illnesses he helplessly ? and consciously ? endured the gradual diminution of his prodigious talent until his premature death at age 46. Throughout Schumann: A Listeners Guide Lederer provides unflinching critiques of theweaknesses that plagued Schumanns style contrasting them with the brilliance of his earliest triumphs. This eminently accessible account explores the full spectrum of the master composers oeuvre from his popular early music and lieder to hisworks for chamber ensembles composed in 1842 to his four beloved if flawed symphonies. It also accounts for Schumanns dramatic works particularly Genoveva his only opera and Incidental Music to Byrons ?Manfred ? a bewilderingly unappreciatedmusical score. As with all volumes in the UTM series Schumann: A Listeners Guide is accompanied by a CD containing two of the masters most daring imaginative flights both explored in detail in the text: the Davidsbündlertänze for piano andDichterliebe (A Poets Love) one of the all-time greatest song cycles and works for voice. Geared toward fledglings but written with an eye turned to aficionados the book is a must-have for Schumann buffs and classical music fans young and old.
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Schumann R. - Great Works For Piano And Orchestra
Orchestra
[Sheet music]
Dover Publications
Clara WieckÂ’s sincerest wish was that her future husband, Robert Schumann, turn...
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Clara Wieck’s sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano and Orchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstück, Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at an affordable price.
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Sonatas For Violin And Piano Band 2
Violin and Piano
Wiener Urtext
En Vol. 2 de la sonates pour violon, par Robert Schumann, le Wiener Urtext édit...
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En Vol. 2 de la sonates pour violon, par Robert Schumann, le Wiener Urtext édition présente la Sonate F.A.E. composée conjointement par Schumann, Brahms et Albert Dietrich, ainsi que la version éditée, avec les mouvements de Brahms et de Dietrich remplacé, comme troisième Sonate de violon de Robert Schumann. La présente édition est basée sur l'édition publiée en 2002 dans la nouvelle édition complète de Schumann et donc sur les plus récentes conclusions musicologiques. Dans le cas de la Sonate F.A.E., c'est surtout une question de légers changements dans les domaines de la dynamique et l'articulation. Dans le cas du troisième Sonate de violon de Schumann, la présente édition diffère plus significativement la première édition, publiée en 1956 et la nouvelle édition légèrement révisée de 1988. L'ordre des mouvements moyens dont l'exactitude ne peut être clairement déterminée jusqu'à maintenant a été modifiée, par rapport aux éditions précédentes, en raison des documents nouvellement trouvées. En outre, la répétition de la première section de la partie moyenne noter... / Violon Et Piano
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Robert Schumann: Concert D: Violin: Score and Parts
Orchestra, Violin
Schott
‘You were often on my mind when I was writing’ wrote Robert Schumann ...
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‘You were often on my mind when I was writing’ wrote Robert Schumann to Joseph Joachim who had encouraged him to write this concerto. In view of Schumann’s illness however Joachim began to have his doubts about the value of the work. In his will Joachim prohibited the rst performance until the 100th anniversary of Schumann’s death in 1956. After detailed editorial work the premiere was brought forward to 1937.The theme of the middle movement probably formed the basis of Schumann’s Geistervariationen (‘Ghost Variations’) the character of the third movement is that of a grand polonaise. Yehudi Menuhin who performed the world premiere of the unedited version ofSchumann’s solo part saw in this piece ‘the bridge between Beethoven’s and Brahms’ concertos’.
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Fairy Tales op. 132 (SCHUMANN ROBERT)
Clarinette, Alto et Piano
[Score and Parts]
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Intermediate/advanced
Schott
Based on Robert Schumann. Neue Ausgabe sämtlicher Werke, Band II/3. Par SCHUMAN...
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Based on Robert Schumann. Neue Ausgabe sämtlicher Werke, Band II/3. Par SCHUMANN ROBERT. The Fairy-Tale Narratives (Märchenerzählungen) for B-flat Clarinet (ad libitum Violin), Viola and Piano, Op. 132, belong to the few Schumann works that were composed, revised and published in a short time: composed in Düsseldorf, at beginning of October 1853, the new composition was already offered for publication to the Breitkopf & Härtel publishing house on 3 November and printed in February 1854. Composition and publication of the Märchenerzählungen were accompanied, though, by difficult times, the final days before the composer was admitted to the psychiatric clinic in Endenich. The work’s reception lies in the shadow of the last creative period: The pieces were associated with his life’s darker phases and were very little played. The Märchenerzählungen transmit Schumann’s single work for this unusual piano trio with viola and clarinet. The only well-known earlier example in this setting at that time is Mozart’s “Kegelstatt” Trio K 498 (composed in 1786). Schumann was certainly already acquainted with the work from his Leipzig years – it was played in one of the “quartet sessions” in 1829. / Niveau : Intermédiaire à Avancé / Répertoire / Clarinette, Alto et Piano
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Ahnung
Piano solo
Wiener Urtext
Nouvellement re-découvert dans la perspective de l'Année SchumannIl ya environ...
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Nouvellement re-découvert dans la perspective de l'Année SchumannIl ya environ trois ans, un manuscrit jusqu'alors inconnu d'une feuille d'album pour piano de Robert Schumann a été trouvé dans le Leopold Sophien Bibliothèque d'Überlingen. Le petit morceau de piano, intitulée 'Ahnung', avait été donné et consacré par Klara Schumann à une de ses amies, le lithographe et écrivain Julius Allgeyer. Dans la série Wiener Urtext Edition, ce petit ouvrage est publié pour la première fois dans la perspective de l'Année Schumann 2010. Une copie du Schumann autographe retrouvé est inclus dans l'édition. Le expressif, relativement facile à jouer morceau ajoute au répertoire de piano romantique. / Piano
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Scene Infantili Op. 15 (SCHUMANN ROBERT)
Piano solo
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Intermediate
Ricordi
Album per la gioventù Op. 68. Par SCHUMANN ROBERT. The volume brings together t...
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Album per la gioventù Op. 68. Par SCHUMANN ROBERT. The volume brings together two of Robert Schumann’s most famous collections of piano pieces for the young. Scenes from the Childhood (Kinderszenen), op. 15, contains a series of short pieces for piano written by Schumann in February 1838. These form the German composer’s poetic cycles, together with the Kreisleriana. As their titles suggest, Schumann had been inspired by some letters written by his wife, Clara Wieck, in which she reflects on his sometimes infantile spirit. As the great composer said himself: “There is a bit of everything, yet at the same time they are such easy pieces toremember”. Album for the Young (Album für die Jugend), op. 68, is a collection of simple pieces composed by Robert Schumann in 1848 for his three daughters. This album contains 43 easy pieces, split between “for the youngest ones” and “the older ones”. Edition in three languages: Italian, English and French / Niveau : Intermédiaire / Date parution : 1905-07-07/ Répertoire / Piano
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Jean-Michel Defaye: A La Maniere De Schumann: Trombone: Instrumental Work
Trombone and Piano
[Sheet music]
Leduc, Alphonse
French pianist arranger composer and conductor Jean-Michel Defaye (b. 1932) e...
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French pianist arranger composer and conductor Jean-Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements are mainly for brass À La Manière De Schumann composed in 2000 being no exception. With a typical performance lasting about four and a half minutes Defaye's À La Manière De Schumann is so named due to the composer drawing on compositional techniques of the great Robert Schumann. For all aspiring trombonists wishing to vary and expand their repertoire À La Manière DeSchumann by Jean-Michel Defaye is essential.
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Lieder und Gesänge für Solostimmen op (SCHUMANN ROBERT)
Chant
Schott
Liederkreis, op. 24 u.a.. Par SCHUMANN ROBERT. The New Robert Schumann Edition (...
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Liederkreis, op. 24 u.a.. Par SCHUMANN ROBERT. The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works. It is the aim of the edition to reproduce authentic texts which – having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions – will approach as closely as is possible the intention of the originals. The critical edition will form the basis of accurate performance material for Robert Schumann‘s work. / Date parution : 2022-05-31/ Recueil / Chant
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Lieder und Gesänge für Solostimmen op (SCHUMANN ROBERT)
Chant
Schott
Liederkreis, op. 24 u.a.. Par SCHUMANN ROBERT. The New Robert Schumann Edition (...
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Liederkreis, op. 24 u.a.. Par SCHUMANN ROBERT. The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works. It is the aim of the edition to reproduce authentic texts which – having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions – will approach as closely as is possible the intention of the originals. The critical edition will form the basis of accurate performance material for Robert Schumann‘s work. / Date parution : 2022-05-31/ Recueil / Chant
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Robert Schumann: Scherzo Gigue Romance and Fughetta op. 32: Piano:
Piano solo
[Sheet music]
G. Henle
Le catalogue Henle pr?sente pratiquement l?ensemble de l??uvrepour piano de Schu...
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Le catalogue Henle pr?sente pratiquement l?ensemble de l??uvrepour piano de Schumann sous forme d??ditions de r?f?rence. La publication de l?op. 32 comble en l?occurrence une lacune importante. Pour garantir encore plus le succ?s de sa ?Neue Zeitschrift f?r Musik? Schumann a voulu lui adjoindre une utilit? pratique en ajoutant des suppl?ments musicaux consacr?s ? de courtes ?uvres. Ainsi il inclut encore dans cette collection la ?Gigue? et la ?Fuguette? inspir?es de Bach. Par contre le ?Scherzo? etla ?Romance? sont des formes ro-mantiques. C?est seulement plustard qu?il classe les pi?ces en question dans l?ordre repris dans la pr?sente ?dition. Leif Ove Andsnes pianisteschumannien de renom a not? le doigt? de notre ?dition. Une alternative attrayante aux albums fr?quemment jou?s dans les cours de piano mais aussi une d?couverte pour les pianistes d?sireux de jouer un Schumann ? l?inspiration grandiose.?
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Robert Schumann: Liederkreis Op. 39: Medium Voice: Vocal Work
Medium voice, Piano
[Vocal Score]
Barenreiter
von Joseph Freiherrn von Eichendorff-Original edition for medium voice.Bilingual...
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von Joseph Freiherrn von Eichendorff-Original edition for medium voice.Bilingual Foreword (Ger/Eng) and Critical Commentary (Ger).The song texts are printed separately and include English translations taken from Richard Stokesâ?? publication The Book of Lieder.Schumannâ??s Liederkreis after poems by Joseph von Eichendorff comprises settings of twelve texts with the common motif of being far from home. This new edition presents the work in its definitive form published in the second edition of 1850 while taking into account Schumannâ??s autograph manuscript and other relevant sources. The detailed Foreword brings out the special nature of this cycle. Alternativereadings from the autograph offer valuable suggestions for a nuanced performance.Already published:Robert SchumannDichterliebe Op.48 BA 7851Liederkreis by Heinrich Heine Op.24 BA 7852Frauenliebe und Leben Op.42 BA 7854
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Robert Schumann: Seven Piano Pieces In Fughetta Form Op.126: Piano: Instrumental
Piano solo
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Easy
G. Henle
In response to failures Schumann once again turned more to composing during his...
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In response to failures Schumann once again turned more to composing during his time in Düsseldorf. He wrote many new works also ones for the Piano for which he had only written a few pieces after his first years ofcomposing.Bach's music played an important role in the Schumanns' house at the time; this is mirrored in the fact that Schumann turned to baroque forms again. However he wanted his fugues to be understood as 'characterpieces just in a stricter form'.The Piano Pieces in Fughetta Form op. 126 published in Henle's catalogue for the first time unite the strict formal demands with romantic expression in a masterly manner.
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Robert Schumann: Frauenliebe Und Leben Op.42: Voice: Vocal Score
Piano, Voice
Barenreiter
Original edition for medium Voice. Comprehensive bilingual foreword (Ger/Eng) an...
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Original edition for medium Voice. Comprehensive bilingual foreword (Ger/Eng) and critical commentary (Ger).The song texts are printed separately and include English translations taken from Richard Stokes’ publication The Book of LiederSchumann’s song cycle Frauenliebe und Leben on poems by Adelbert von Chamisso deals with the trauma of a woman who loses the man who was her first love and the guiding light of her life. Schumann himself completed what is perhaps his most unified song cycle in blissful anticipation of his union with Clara Wieck.This edition presents the work on the basis of the first print usingSchumann’s autograph for purposes of consultation. The alternative readings in the autograph Vocal part also give singers valuable tips for a nuanced delivery of the words.
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Clara Schumann: Quatre Pièces Fugitives op. 15: Piano: Instrumental Work
Piano solo
Breitkopf & Härtel
'Clara Schumanns writing contains a number of original traits. She is far remove...
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'Clara Schumanns writing contains a number of original traits. She is far removed from merely copying Chopin Mendelssohn or Robert Schumann. At the most these masters sometimes shine through the particular coloring characteristic of all of Clara Schumanns pieces. The Quatre pièces fugitives all differ jn character and style. Especially the Andante (No. 3) contains some charming effects. No. 4 Scherzo a simple and innocent piece recalls Beethovens shorter sonatas.' (from the review printed in the 'Allgemeine Musikalische Zeitung' of 1 October 1845)
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Schumann R. - Lieder, Vol.2 - Voix Moyenne Et Piano
Peters
Contenu : Morgens steh' ich auf und frage: Morgens steh' ich auf op. 24 Nr. 1 ...
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Contenu : Morgens steh' ich auf und frage: Morgens steh' ich auf op. 24 Nr. 1 Es treibt mich hin: Es treibt mich hin, es treibt mich her op. 24 Nr. 2 Ich wandelte unter den Bäumen: Ich wandelte unter den Bäumen op. 24 Nr. 3 Lieb' Liebchen, leg's Händchen: Lieb' Liebchen, leg's Händchen aus Herze mein op. 24 Nr. 4 Schöne Wiege meiner Leiden: Schöne Wiege meiner Leiden op. 24 Nr. 5 Warte, warte, wilder Schiffmann: Warte, warte, wilder Schiffmann op. 24 Nr. 6 Berg' und Burgen schau'n herunter: Berg' und Burgen schau'n herunter op. 24 Nr. 7 Anfangs wollt'ich fast verzagen: Anfangs wollt'ich fast verzagen op. 24 Nr. 8 Sag' an, o lieber Vogel mein: Sag' an, o lieber Vogel mein op. 27 Nr. 1 Dem roten Röslein gleicht mein Lieb: Dem roten Röslein gleicht mein Lieb op. 27 Nr. 2 Was soll ich sagen: Mein Aug ist trüb, mein Mund ist stumm op. 27 Nr. 3 Jasminenstrauch: Grün ist der Jasminenstrauch op. 27 Nr. 4 Nur ein lächelnder Blick: Nur ein lächelnder Blick op. 27 Nr. 5 Der Knabe mit dem Wunderhorn: Ich bin ein lust'ger Geselle op. 30 Nr. 1 Der Page: Da ich nun entsagen müssen op. 30 Nr. 2 Der Hidalgo: Es ist so süß zu scherzen op. 30 Nr. 3 Die Löwenbraut: Mit der Myrte geschmückt op. 31 Nr. 1 Die Kartenlegerin: Schlief die Mutter endlich ein op. 31 Nr. 2 Die rote Hanne: Den Säugling an der Brust op. 31 Nr. 3 Lust der Sturmnacht: Wenn durch Berg und Thale draußen op. 35 Nr. 1 Stirb, Lieb' und Freud: Zu Augsburg steht ein hohes Haus op. 35 Nr. 2 Sehnsucht nach der Waldgegend: Wär ich nie aus euch gegangen op. 35 Nr. 5 Auf das Trinkglas eines verstorbenen Freundes: Du herrlich Glas op. 35 Nr. 6 Wanderung: Wohlauf und frisch gewandert op. 35 Nr. 7 Stille Liebe: Könnt ich dich in Liedern preisen op. 35 Nr. 8 Frage: Wärst du nicht heiliger Abendschein op. 35 Nr. 9 Stille Tränen: Du bist vom Schlaf erstanden op. 35 Nr. 10 Wer machte dich so krank: Daß du so krank geworden op. 35 Nr. 11 Schumann, RobertAlte Laute: Hörst du den Vogel singen? op. 35 Nr. 12 Schumann, RobertStändchen: komm in die stille Nacht op. 36 Nr. 2 Nichts Schöneres: Als ich zuerst dich hab' gesehn op. 36 Nr. 3 Dichters Genesung: Und wieder hatt ich der Schönsten gedacht op. 36 Nr. 5 Liebesbotschaft: Wolken, die ihr nach Osten eilt op. 36 Nr. 6 Der Himmel hat eine Träne geweint: Der Himmel hat eine Träne geweint op. 37 Nr. 1 O ihr Herren: O ihr herren, o ihr werten op. 37 Nr. 3 Ich hab in mich gesogen: Ich hab in mich gesogen, den Frühling treu und lieb op. 37 Nr. 5 Liebste, was kann denn uns scheiden: Liebste, was kann denn uns scheiden op. 37 Nr. 6 Flügel! Flügel! um zu fliegen: Flügel! Flügel! um zu fliegen op. 37 Nr. 8 Rose, Meer und Sonne: Rose, Meer und Sonne sind ein Bild op. 37 Nr. 9 O Sonn', o Meer, o Rose: O Sonn', o Meer, o Rose! op. 37 Nr. 10 Märzveilchen: Der Himmel wölbt sich rein und blau op. 40 Nr. 1 Muttertraum: Die Mutter betet herzig op. 40 Nr. 2 Der Soldat: Es geht bei gedämpfter Trommel Klang op. 40 Nr. 3 Der Spielmann: Im Städchen gibt es des Jubels viel op. 40 Nr. 4 Verratene Liebe: Da Nachts wir uns küßten, o Mädchen op. 40 Nr. 5 Der Schatzgräber: Wenn alle Wälder schliefen op. 45 Nr. 1 Abends am Strand: Wir saßen am Fischerhause op. 45 Nr. 3 Die feindlichen Brüder: Oben auf des Berges Spitze op. 49 Nr. 2 Die Nonne: Im Garten steht die Nonne op. 49 Nr. 3 Sehnsucht: Ich blick in mein Herz op. 51 Nr. 1 Auf dem Rhein: Auf deinem Grunde haben wir op. 51 Nr. 4 Liebeslied: Dir zu eröffnen mein Herz op. 51 Nr. 5 Lorelei: Es flüstern und rauschen die Wogen op. 53 Nr. 2 Belsazar: Die Mitternacht zog näher schon op. 57 Das verlassene Mägdlein: Früh, wann die Hähne kräh'n op. 64 Nr. 2 Tragödie: Entflieh mit mir und sei mein Weib op. 64 Nr. 3 Melancholie: Wann, wann, erscheint der Morgen op. 74 Nr. 6 Geständnis: Also lieb ich Euch op. 74 Nr. 7 Der Kontrabandiste: Ich bin der Kontrabandiste op. 74 Anh. -Spanische Romanze- Der frohe Wandersmann: Wem Gott wil rechte Gunst erweisen op. 77 Nr. 1 Mein Garten: Veilchen, Rosmarin, Mimosen op. 77 Nr. 2 Geisternähe: Was weht um meine Schläfe op. 77 Nr. 3 Stiller Vorwurf: In einsamen Stunden op. 77 Nr. 4 Aufträge: Nicht so schnelle, nicht so schnelle op. 77 Nr. 5 Der Abendstern: Du lieblicher Stern op. 79 Nr. 1 Schmetteling: O Schmetterling, sprich op. 79 Nr. 2 Frühlingsbotschaft: Kuckuck, Kuckuck ruft aus dem Wald op. 79 Nr. 3 Frühlingsgruß: So sei gegrüßt vieltausendmal op. 79 Nr. 4 Vom Schlaraffenland: Kommt, wir wollen uns begeben op. 79 Nr. 5 Sonntag: Der Sonntag ist gekommen op. 79 Nr. 6 Zigeunerliedchen Nr. 1: Unter die Soldaten ist ein Zigeunerbub op. 79 Nr. 7 Zigeunerliedchen Nr. 2: Jeden Morgen, in der Frühe op. 79 Nr. 8 Des Knaben Berglied: Ich bin vom Berg der Hirtenknab op. 79 Nr. 9 Käuzlein: Ich armes Käuzlein kleine op. 79 Nr. 11 Hinaus ins Freie: Wie blüht es im Tale op. 79 Nr. 12 Der Sandmann: Zwei feine Stieflein hab ich an op. 79 Nr. 13 Die Waise: Der Frühling kehret wieder op. 79 Nr. 15 Weihnachtslied: Als das Christkind ward zur Welt gebracht op. 79 Nr. 17 Die wandelnde Glocke: Es war ein Kind, das wollte nie op. 79 Nr. 18 Frühlings Ankunft: Nach diesen trüben Tagen op. 79 Nr. 20 Kinderwacht: Wenn fromme Kindlein schlafen gehen op. 79 Nr. 22 Des Sennen Abschied: Ihr Matten, lebt wohl op. 79 Nr. 23 -aus Schillers Wilhelm Tell- Er ist's: Frühling läßt sein blaues Band op. 79 Nr. 24 Des Buben Schützenlied: Mit dem Pfeil, dem Bogen op. 79 Nr. 26 -aus Schillers Wilhelm Tell- Schneeglöckchen: Der Schnee, der gestern noch in Flöckchen op. 79 Nr. 27 Lied Lynceus des Türmers: Zum Sehen geboren op. 79 Nr. 28 -aus Goethes Faust- Mignon: Kennst du das Land, wo die Zitronen blühn op. 79 Nr. 29
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Schumann R. - Piano Trio And Fantasy Pieces Op. 88
Piano Trio: piano, violin, cello
G. Henle
Schumann begann erst recht spat, sich mit Kammermusik zu beschaftigen. 1842 ents...
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Schumann begann erst recht spat, sich mit Kammermusik zu beschaftigen. 1842 entstanden dann gleich sechs gewichtige Werke, darunter auch sein erstes Klaviertrio, das er aber erst 1850 unter dem Titel Vier Phantasiestuecke als op. 88 herausgab. In der Zwischenzeit hatte er bereits die Trios d-moll op. 63 (1847) und F-dur op. 80 (1847/49) komponiert. In seiner Duesseldorfer Zeit, 1851, kam dann noch das g-moll-Trio op. 110 hinzu. Zusammen mit den Trios von Mendelssohn und Brahms zahlen die vier Kompositionen Schumanns zu den wichtigsten Werken der Gattung im 19. Jahrhundert. Trio d-moll op. 63 Trio F-dur op. 80 Trio g-moll op. 110 Phantasiestuecke a-moll op. 88 Anhang: Finale, Fruehfassung op. 88 Finale, Alternative Takte 105-128 der Fruehfassung op. 88
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... Dass Gott Mir Ein Talent Geschenkt (SCHUMANN CLARA)
Divers
[Sheet music]
Schott
Par SCHUMANN CLARA. Clara Schumanns Briefe An Hermann Härtel Und Richard Und He...
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Par SCHUMANN CLARA. Clara Schumanns Briefe An Hermann Härtel Und Richard Und Helene Schöne / Date parution : 1997-02-20/ Répertoire / Divers
36.60 EUR - Sold by LMI-partitions
(Seller in french langage)
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