Alexis Ffrench: The Sheet Music Collection. A selection of pianist, composer and producer Alexis Ffrench?s most-loved pieces for solo piano. This exclusive folio also includes a specially written preface from Alexis, as well as teaching notes and insight on each piece. Includes pieces from Alexis? best-selling albums Evolution and Dreamland as well as pieces from his widely-popular back catalogue.

Spring has finally arrived. The days grow longer, birds prepare to nest, trees turn green and plants begin to bloom as nature wakes up from her winter sleep. This, and the fact that the composer?s third grandson was born in the spring, were the inspiration for Spring Song.

Gareth Malone: Music for Healing. Gareth returns to his first instrument, the piano, to create this special album featuring solo piano, choir and strings. Each piece is named after a month of the year, reflecting the essential role that the natural rhythms of time play in the process of healing and restoration. Gareth hopes his compositions bring peace and tranquillity into the homes of those who have endured hardships, uniting people with the transcendental power of music, and sharing his own experiences with the wider world. This exclusive folio presents all 14 solo piano pieces from Music for Healing and includes a specially written preface from Gareth Malone.

Spring has finally arrived. The days grow longer, birds prepare to nest, trees turn green and plants begin to bloom as nature wakes up from her winter sleep. This, and the fact that the composer?s third grandson was born in the spring, were the inspiration for Spring Song.

for Saxophone-Score plus pull-out part featuring eight works by French composers.CONTENTS: Eugène Bozza: Aria ??? Improvisation and Caprice ??? Jacques Ibert: Aria ??? André Jolivet: Fantaisie-Impromptu ??? Pierre Lantier: Sicilienne ??? Maurice Ravel: Pièce en forme de Habanera (trans. Viard) ??? Jeanine Rueff: Chanson et Passepied ??? Henri Tomasi: Introduction et Danse

Game Over for trumpet (optionally cornet or flugelhorn) with piano accompaniment is a lively composition with a playful character. The range of the solo part is limited to one and a half octaves, making Game Over an ideal performance or test piece for young musicians. The composition is further enhanced by the rhythmically appealing piano accompaniment. The work was written by Jan Hadermann as an optional piece for his grandson?s trumpet exam, to whom Game Over is also dedicated.

Spring has finally arrived. The days grow longer, birds prepare to nest, trees turn green and plants begin to bloom as nature wakes up from her winter sleep. This, and the fact that the composer?s third grandson was born in the spring, were the inspiration for Spring Song.

Made in England is a collection of pieces chosen from the recordings Julian Lloyd Webber has made over the last 20 years. This complilation mixes old favourites such as Saint-Saens 'The Swan' with more recent compositions such as Elton John's 'Your Song'. / Violoncelle Et Piano

This exceptional collection draws upon works from 20 of the world?s greatest piano composers. This book is suitable for the intermediate-level pianist and offers engaging and inspiring pieces to elevate and expand their repertoire. Includes beautiful pieces by Ludovico Einaudi, Yiruma, Dustin O?Halloran, Joe Hisaishi, Yann Tiersen and may more!

Commissioned by Paul Sacher who conducted the first performance in Lucerne 1980. The parts are also available here are the item codes. CH55410-01(harp)  CH55410-02 (oboe)

The fifth string quartet by the innovative Philip Glass was originally commissioned by David and Evelyne Lennette for the Kronos Quartet and was first performed on February 15 1992.

For violin cello and piano'The title 'Time Will Pronounce'is taken from the last lines of Joseph Brodsky’s poem 'Bosnia Tune' which deals with the horror of the unnecessary unacceptable daily deaths in Bosnia during 1992 (andstill in 1993): ‘Time whose sharp blood-thirsty quill parts the killed from those who kill will pronounce the latter tribe as your type’. The violin and cello are (generally) treated as a unit independent of the piano. Theform (generally) alternates slow and fast tempi without motivation. The musical ideas are (generally) carried over from section to section. (Generally) the harmonic melodic and textual materials features third and semitonesderived (generally) from the movement of the bass part in the opening bars.