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Gustav
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Light You Will Have
Choral 3-part
SAB
Alfred Publishing
/ Choeur SAB
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Tout l'opera - ae - de monteverdi a nos jours (KOBBE GUSTAV)
Français
[Book]
Bouquins
Par KOBBE GUSTAV. Depuis trois quarts de siècle, le Kobbé est l'ouvrage de ré...
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Par KOBBE GUSTAV. Depuis trois quarts de siècle, le Kobbé est l'ouvrage de référence des amateurs d'opéra dans le monde entier. Paru pour la premiêre fois en 1922 - quatre ans aprês la mort accidentelle de son auteur. Gustave Kobbé (1857 - 1918), écrasé par un hydravion alors qu'il faisait du bateau au large de Long Island -, cette bible des mélomanes a connu d'innombrables rééditions et de nombreuses traductions. A trois reprises (1954, 1976, 1985), lord Harewood - qui a dirigé pendant plus de vingt ans le Royal Opera House de Londres, puis l'Opéra de Covent Garden - a complété et mis à  jour cet incomparable instrument de travail. Aujourd'hui, il présente, secondé par Antony Peattie, une version entiêrement renouvelée. Cet ouvrage s'est enrichi de 60 oeuvres nouvelles, présentées ici pour la premiêre fois, portant ainsi de 400 à  prês de 500 les opéras du monde entier qui sont analysés. Une dizaine de compositeurs, anciens et modernes, font ainsi leur entrée dans le ' Nouveau Kobbé ' , témoignant de la vitalité d'un genre et du renouvellement constant du répertoire. De plus, afin de tenir compte du lecteur français, certains opéras particuliêrement appréciés dans notre pays ou redécouverts récemment viennent enrichir la version originale de ce livre. Pour rendre la consultation plus aisée, le ' Nouveau Kobbé ' présente les compositeurs de tous les temps et de tous les pays par ordre alphabétique. Les opéras sont classés par compositeurs dans l'ordre de leur création et, pour chacun d'entre eux, sont rappelées les plus importantes mises en scêne, y compris les plus récentes. Guy Schoeller. / Broché / Livre / Livres
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Symphonie Nr. 8 (MAHLER GUSTAV)
[Study Score / Miniature]
Universal Edition
Symphonie der Tausend. Par MAHLER GUSTAV. All my earlier symphonies are mere pre...
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Symphonie der Tausend. Par MAHLER GUSTAV. All my earlier symphonies are mere preludes to this one. In the other works everything is subjective tragedy, - this one is a huge giver of joy.' (Gustav Mahler) Gustav Mahler's 'Symphony No. 8' is a work of exceptions. Seen from the outside, this is true of the forces that are used: with its three choirs, eight soloists and an orchestra of far more than one hundred musicians, there are few similar works in the annals of music. This cast of performers determines the second exceptional element of the work, the mix of instrumental and vocal characteristics that makes it to the prototype of a 'vocal symphony', which - as Mahler put it - 'is sung from beginning to end'. In turn, the texts that are sung influence the structure of the whole, replacing, as it were, the usual four movements of a symphony with two strongly divergent 'parts'. And, finally, as if to emphasize this divergence, the texts used - the hymn 'Veni creator spiritus' in the first part and the final scene of Goethe's Faust in the second - are not only written in two languages but also separated in their origins by more than one thousand years. Thus it is a work of extremes, and a work of contradiction. It seems, however, that it was exactly these distinctive features that lifted the symphony above the others and convinced Mahler that his 'Symphony No. 8' was 'the greatest' work 'that I have composed'./ Répertoire / Chœur Mixte [SATB] et Orchestre
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Lieder eines fahrenden Gesellen (MAHLER GUSTAV)
Voix et Orchestre
[Study Score / Miniature]
Universal Edition
Par MAHLER GUSTAV. 'The songs are conceived as a whole, as if a wayfarer, with h...
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Par MAHLER GUSTAV. 'The songs are conceived as a whole, as if a wayfarer, with his destiny, is now looking out into the world and is wandering from place to place. … The most painful experiences were bound to come…' (Gustav Mahler, 1885) Mahler's famous set of four songs for voice and orchestra is newly available in the handsome UE Study Scores format. Gustav Mahler's 'Lieder eines fahrenden Gesellen' ('Songs of a Wayfarer') occupy a special position in his song oeuvre. Subsequent to the 'Frühe Lieder und Gesänge' ('Songs and Airs') which - with the exception of the 'Serenade' and 'Phantasie' from Don Juan - were composed between 1880 and 1882 as songs for piano and voice, the 'Gesellenlieder' ('Wayfarer Songs') were the first works to be presented in the dual versions (songs for piano and voice / orchestral songs) that were so significant for Mahler's song compositions. The 'Gesellenlieder' were initially written as songs for piano and voice between late 1884 / early 1885 and 1890, and Mahler's orchestration only followed in the years between 1890 and 1893. Another unique feature is that they were explicitly conceived as a song cycle and together with the 'Kindertotenlieder' ('Songs on the Death of Children') and possibly also the 'Lied von der Erde' ('Song of the Earth') - although the latter is far more akin to a symphony - these are the only song cycles in Mahler's song oeuvre. The 'Gesellenlieder' ultimately express the subjective experience of suffering in a particularly remarkable way./ Répertoire / Voix et Orchestre
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The Novello Book Of British Folksongs
Choral SATB
SATB, Piano
Novello & Co Ltd.
The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable col...
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The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano
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Mahler Gustav - Adagietto Aus Der 5. Symphonie - Violin, Piano
Breitkopf & Härtel
Composer : Mahler, Gustav Instrumentation : Vl,Klav Editor : Wittinger, Robert
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Mahler Gustav - Das Himmlische Leben - Clarinette, Soprano Et Piano
Universal Edition
Gustav Mahler: Das himmlische Leben (The heavenly life) for soprano, clarinet an...
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Gustav Mahler: Das himmlische Leben (The heavenly life) for soprano, clarinet and piano from Des Knaben Wunderhorn Mahler’s Symphony No. 4 in a small setting for soprano, clarinet and piano. Klaus Simon arranged the fourth movement (“The heavenly life”). Instrument: for soprano, clarinet and piano Edition type: sheet music Composer: Mahler Gustav Vocal range: high Arranger: Simon Klaus Languages: German
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Gustav Mahler: Symphony No.7 'Song Of The Night': Orchestra: Study Score
Orchestra
Dover Publications
Gustav Mahler's seventh symphony ranks among the composer's most popular and acc...
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Gustav Mahler's seventh symphony ranks among the composer's most popular and accessible works. Possessing neither a 'program' nor a folk-song theme it is a purely instrumental composition both hopeful and romantic in mood with a harmonic and stylistic structure that evokes the daily journey from dusk till dawn.This miniature score is reproduced from an authoritative edition complete with numbered movements for easy reference. Affordable and compact it is ideal for use in the classroom at home or in the concert hall.Reprint of Siebente Sinfonie von Gustav Mahler: Orchester-Partitur Ed. Bote & G. Bock Berlin 1909.
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Symphony #7 Song Of The Night (Dover Miniature Score)
Orchestra
[Study Score / Miniature]
Dover Publications
Gustav Mahler septième rangs symphoniques parmi les oeuvres les plus populaires...
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Gustav Mahler septième rangs symphoniques parmi les oeuvres les plus populaires et accessibles du compositeur. Ne possédant ni un 'programme', ni un thème folk-song, il s'agit d'une composition purement instrumentale, à la fois plein d'espoir et romantique de l'humeur, avec une structure harmonique et stylistique qui évoque le voyage tous les jours de l'aube au crépuscule.Ce score est reproduit en miniature d'une édition officielle, compléter avec des mouvements numérotés pour en faciliter la consultation. Abordable et compact, il est idéal pour une utilisation en salle de classe, à la maison ou dans la salle de concert.Réimpression de Siebente Sinfonie von Gustav Mahler: Orchester-Partition, Ed. Bote and Bock G., Berlin, 1909. / Orchestre
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Gustav Mahler Rückert: Ich Bin Der Welt Abhanden Gekommen: SATB: Vocal Work
Choral SATB
SATB
Wilhelm Hansen
Gustav Mahler's Ich bin der Welt abhanden gekommen expertly arranged for Bariton...
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Gustav Mahler's Ich bin der Welt abhanden gekommen expertly arranged for Baritone solo and 8-part Choir (SSAATTBarB) by Bo Holten (2010). Text by Friedrich Rückert. Programme note Gustav Mahler: Ich bin der Welt abhanden gekommen (arr.: Holten 2010) is an arrangement for baritone soloist and 8-part choir of one of Mahler’s Rückert-Lieder. There is already an often performed arrangement for 16-voice choir by Clytus Gottwald which Holten has himself conducted a few times. But Holten does not really think that Gottwald does justice toMahler’s song; among other things it lacks a soloist who can express the “Ich” that is so central to the text. Holten takes his cue from Mahler’s piano setting but with Mahler’s own sublime orchestral setting firmly in mind. The choir thus functions as an (orchestral) accompaniment for the soloist. Holten has taken pains to stay as close to the model as possible within the constraints of what in fact can be sung by a choir. And he has striven to function solely as an arranger and as far as possible to avoid mixing his own personality with Mahler’s.(Klaus Møller-Jørgensen 2012)
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Gustav Holst: Tears Idle Tears From 'Songs From The Princess': SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
Novello & Co Ltd.
The intertwining of women’s voices in Gustav Holst’s Tears Idle Tears...
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The intertwining of women’s voices in Gustav Holst’s Tears Idle Tears will lend an elevated atmosphere to any performance giving this secular piece an almost sacred character. It was written for a cappella female chorus (SSAA) in 1905 as the 3rd movement of the 5-movement suite ‘Songs From The Princess’ which was based on 5 thematic short poem’s from the British poet Tennyson’s long narrative poem ‘The Princess’ (1847). Performance time is approximately 2 minutes.As an experienced instrumentalist and orchestra member English composer arranger and teacher Gustav Holst understood music from the standpoint of his players and madesure that however challenging their parts were always practicable a compositional characteristic still well received and appreciated by performers and audiences today.
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Gustav Mahler: Scherzo From Symphony No.1: Orchestra: Score and Parts
Orchestra
[Sheet music]
Goodmusic Publishing
Gustav Mahler's symphonies tend to be scored for a large orchestra putting this ...
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Gustav Mahler's symphonies tend to be scored for a large orchestra putting this wonderful music out of reach of many smaller orchestras. This arrangement whilst not simplifying the music attempts to remedy this by reducing the orchestral requirements. The original orchestration requires 3 flutes 3 oboes 3 clarinets 3 bassoons 7 horns 4 trumpets 3 trombones tuba timpani percussion and strings. Although in many of Mahler's symphonies each movement seems to be an integral part of the larger work we feel that this movement can stand alone quite happily and offers a good entry to the symphonic world of Gustav Mahler.
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Gustav Holst: At The Boar's Head: Vocal Ensemble: Vocal Score
[Sheet music]
Novello & Co Ltd.
At The Boar's Head (Op. 42) is an opera by Gustav Holst described by the compos...
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At The Boar's Head (Op. 42) is an opera by Gustav Holst described by the composer as 'A Musical Interlude In One Act'. The libretto also by Holst is taken from Shakespeare's plays Henry IV Part 1 and Henry IV Part 2. It was written in 1924 based on folk songs and traditional country dance tunes and first performed in 1925.Gustav Holst (1874-1934) was an English composer and teacher. Having studied under Stanford and Parry he became a close friend of Vaughan Williams they would often critique each other’s work and influenced composers such as Tippet and Britten. He is best remembered for hisPlanets suite.
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Gustav Holst: Matthew Mark Luke And John: SATB
Choral SATB
SATB, Piano
[Sheet music]
J. Curwen and Sons
Matthew Mark Luke And John is a West Country folk song arranged for SATB chor...
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Matthew Mark Luke And John is a West Country folk song arranged for SATB chorus by Gustav Holst. It was published as part of a collection of six such arrangements in 1916 forming the composer'sopus 36b. The work was dedicated to W. G. Wittaker (1876-1944) a highly respected conductor pedagogue and composer. Gustav Holst (1874-1934) was an English composer and teacher. Having studied underStanford and Parry he became a close friend of Vaughan Williams they would often critique each other’s work and influenced composers such as Tippet and Britten. He is best remembered for his Planets suite.
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Gustav Holst: Terzetto: Ensemble: Miniature Score
[Sheet music]
Chester
Terzetto is a 1925 work for Flute Oboe and Viola by Gustav Holst. It is scored ...
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Terzetto is a 1925 work for Flute Oboe and Viola by Gustav Holst. It is scored in two movements: Allegretto - Andante and Un Poco Vivace. Described by the composer's daughter andbiographer as his only 'successful' chamber work it is renowned for having all three instruments playing in different keys at the same time.Gustav Holst (1874-1934) was an English composer and teacher. Havingstudied under Stanford and Parry he became a close friend of Vaughan Williams they would often critique each other’s work and influenced composers such as Tippet and Britten. He is best remembered for his Planetssuite.
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Gustav Mahler: Das Klagende Lied: SATB: Score
SOP/ALTO/TEN/BASS/SATB/ORCH::Soprano, Alto, Tenor, Basse, SATB, Orchestre
[Sheet music]
Universal Edition
Revidierte Fassung 1899 in 2 Sätzen-Score for Das Klagende Lied by Gustav Mahle...
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Revidierte Fassung 1899 in 2 Sätzen-Score for Das Klagende Lied by Gustav Mahler. Edited from the text of the critical edition by Gustav Mahler Society Vienna.
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Gustav Holst: Perfect Fool Ballet Music (Miniature Score): Orchestra: Miniature
Orchestra
[Sheet music]
Novello & Co Ltd.
Gustav Holst wrote the libretto and music for his opera The Perfect Fool over th...
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Gustav Holst wrote the libretto and music for his opera The Perfect Fool over the years 1918 to 1922. It had its premiere at in London the next year but mystified audiences and has been rarely performed since then. This five-movement suite of introductory ballet music is arranged separately as an Orchestral suite.The ballet music includes dances for the Spirits of Earth Water and Fire and Holst’s music evokes the moods of these beings delightfully.Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.
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The Planets Op. 32
Piano solo
Zen-on
Les planètes, à l'origine d'une suite pour orchestre, a été composée entre ...
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Les planètes, à l'origine d'une suite pour orchestre, a été composée entre 1914 et 1916 par Gustav Holst. Holst s'est toujours intéressé à l'astrologie et par conséquent a été inspiré de prendre les sept planètes du système solaire pour créer une suite. Thèmes tels que ' Mars, le porteur de guerre ' et ' Vénus, le porteur de paix ' sont d'une part la preuve que Gustav Holst partiellement a également examiné les caractéristiques mythologiques des dieux et déesses. D'autre part, ces thèmes montrent que 'The Planets' a été créé en vertu de l'impression de la seconde guerre mondiale. Cette édition de ' The Planets ' est une édition pour Piano solo. L'éditeur Katsuma Nakajima définie une valeur élevée sur le sentiment de la puissance orchestrale dans l'édition pour Piano ainsi. La version piano est donc semblable à la version originale et contient ainsi tous les sept thèmes.Sept thèmes sont: ' Mars, le porteur de guerre ', ' Vénus, le porteur de paix ', 'Mercure, le messager ailé', 'Jupiter, le porteur de joie', ' Saturn, le porteur de vieillesse ', ' Uranus, la... / Piano
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Wer Hat Dies Liedel Erdacht (MAHLER GUSTAV)
Flute and Piano
Universal Edition
5 Selected Songs. Par MAHLER GUSTAV. The only known chamber music by Gustav Mahl...
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5 Selected Songs. Par MAHLER GUSTAV. The only known chamber music by Gustav Mahler is a movement for piano quartet from his student days at the Conservatorium in Vienna (1875-1878). The present new arrangements by Ronald Kornfeil go some way to addressing this gap while they also enrich the repertoire with pieces that are very interesting and demanding in their own right. The composer's rich song output includes his Wunderhorn songs, the Songs of a Wayfarer, the Rückert songs, the Kindertotenlieder (Songs on the Death of Children) as well as movements from his symphonies and the Song of the Earth. This book includes a selection of pieces that best suit the sound of the flute while providing plenty of variety. The arrangements transform Mahler's songs from their original conception for voice and piano or orchestral accompaniment into a purely instrumental dialogue between two equally important instrumentalists. In most cases the colourful orchestral versions provide the starting point. The omission of the text also demands different compositional techniques to bring out the various effects between indulgent sweetness and grotesque irony. The internationally acclaimed flautist, Emmanuel Pahud presents further publications in this new series bringing together selected pieces from the repertoire of famous flautists./ Répertoire / Flûte Traversière et Piano
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Totenfeier (MAHLER GUSTAV)
Orchestra
[Study Score / Miniature]
Universal Edition
Symphonische Dichtung. Par MAHLER GUSTAV. Gustav Mahler’s “Funeral Rites“ (li...
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Symphonische Dichtung. Par MAHLER GUSTAV. Gustav Mahler’s “Funeral Rites“ (literally translated: “Celebration of the Dead“) was initially conceived as the first movement of a symphony in C minor and completed in 1888. After certain alterations, – mainly cuts and extensions regarding the instrumentation – the piece became the First Movement of Mahler’s Symphony No. 2 (study scores available with the number UE34315) a few years later. Mahler himself conducted it as an independent piece with the Berlin Philharmonics in 1896./ Répertoire / Orchestre
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Christmas Day (HOLST GUSTAV)
Choral
[Score and Parts]
-
Intermediate
De Haske Publications
Fantasy on Old Carols. Par HOLST GUSTAV. Good Christian Men, Rejoice - God Rest ...
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Fantasy on Old Carols. Par HOLST GUSTAV. Good Christian Men, Rejoice - God Rest You Merry, Gentlemen - Come Ye Lofty, Come - The First Nowell / La musique de Noël de Gustav Holst est touchante par sa fraîcheur et sa chaleur. Composée en 1910, cette fantaisie, basée sur quatre noëls anglais anciens, témoigne de la créativité et de l’imagination du compositeur. Originellement pour Choeur mixte et Orchestre ou Orgue, Robert van Beringen en a réalisé cet arrangement pour Orchestre d’Harmonie/Brass Band et Choeur ( ad lib. ). / Niveau : 3 / Répertoire / Choeur
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Gustav Mahler: Mahler One Inspiration by the Ton! [Brass]: Flexible Band:
Brass ensemble
[Sheet music]
-
Intermediate
Spartan Press
Gustav Mahler's 1st Symphony unlocked for flexible ensemble-Here are all four mo...
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Gustav Mahler's 1st Symphony unlocked for flexible ensemble-Here are all four movements of Gustav Mahler's 1st symphony condensed and abbreviated into four delightful miniatures for Brass instruments by Mark Goddard. Highly playable and enormous fun this arrangement retains the essence of Mahler's great work yet is easy to play and concise. This Brass pack can optionally be used alongside the parts for Woodwind and Strings.
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Titan Supplement Bd. 5 (MAHLER GUSTAV)
Orchestra
[Score]
Universal Edition
Eine Tondichtung In Symphonieform In Zwei Teilen und Fünf Sätzen. Par MAHLER G...
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Eine Tondichtung In Symphonieform In Zwei Teilen und Fünf Sätzen. Par MAHLER GUSTAV. “Titan”, the early five-movement version of the “Symphony No. 1”, has never been published before. Universal Edition is proud to make this score available for the first time in connection with the Complete New Critical Edition. Mahler composed the work at the beginning of 1888 in Leipzig. In 1889 it was subsequently premiered as a “symphonic poem” in Budapest. Our first edition of “Titan” contains the history of its genesis, reviews of the performances in Hamburg and Weimar, a discussion of the programmes and the underlying ideas behind the work, colour prints of important sources, and an extensive critical commentary that describes the variants, problematic passages and all editorial interpolations. At this point, we would like to refer to a statement by the International Gustav Mahler Society (IGMG), which is very concerned about Mahler editions that are not up to date with musicological research and thus cannot do justice to the composer's intentions. To the statement (click in the top right corner to read in English)/ Répertoire / Orchestre
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Gustav Mahler: Mahler One Inspiration by the Ton! [Woodwind]: Flexible Band:
Wind ensemble
[Sheet music]
-
Intermediate
Spartan Press
Gustav Mahler's 1st Symphony unlocked for flexible ensemble-This album for flexi...
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Gustav Mahler's 1st Symphony unlocked for flexible ensemble-This album for flexible Wind Ensemble contains all four movements from Gustav Mahler's 1st symphony condensed and abbreviated into four delightful miniatures by Mark Goddard. Highly playable and enormous fun. These arrangements retain the essence of the great work yet are easy to play and concise. This Woodwind Pack optionally combines with parts for Brass (SP1312) and Strings (SP1313).
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W.D.Rosen Blühn / Hammerschm., Gustav Polka (TRAINT LORENZ / HAMMERSCHMIDT GUSTAV)
Orchestra
[Sheet music]
Doblinger
Par TRAINT LORENZ / HAMMERSCHMIDT GUSTAV. / Répertoire / Orchestre
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Gustav Holst: Jupiter Hymn: Clarinet Ensemble: Score & Parts
Clarinet Quartet: 4 clarinets
-
Intermediate
De Haske Publications
From The Planets-Jupiter Hymn est un arrangement délicieusement accessible du q...
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From The Planets-Jupiter Hymn est un arrangement délicieusement accessible du quatrième mouvement extrait du poème symphonique en sept mouvements The Planets (Les Planètes) de Gustave Holst : Jupiter the Bringer of Jollity (Jupiter celui qui apporte la gaieté). Holst s?inspira de notre système solaire lorsqu?il composa cette suite l?une de ses ?uvres les plus connues donnant à chacun des mouvements sa propre couleur. Holst écrivit Les Planètes au début du XXe siècle employant une certaine signature alors inhabituelle (mesures à 5/4) faisant appel à de nombreuses dissonances et une instrumentation atypique.
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Gustav Holst: Jupiter Hymn: Saxophone Ensemble: Score & Parts
Saxophone ensemble
De Haske Publications
From The Planets-Jupiter Hymn est un arrangement délicieusement accessible du q...
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From The Planets-Jupiter Hymn est un arrangement délicieusement accessible du quatrième mouvement extrait du poème symphonique en sept mouvements The Planets (Les Planètes) de Gustave Holst : Jupiter the Bringer of Jollity (Jupiter celui qui apporte la gaieté). Holst s?inspira de notre système solaire lorsqu?il composa cette suite l?une de ses œuvres les plus connues donnant à chacun des mouvements sa propre couleur. Holst écrivit Les Planètes au début du XXe siècle employant une certaine signature alors inhabituelle (mesures à 5/4) faisant appel à de nombreuses dissonances et une instrumentation atypique.
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Gustav Holst: Jupiter Hymn: Trombone Ensemble: Score & Parts
De Haske Publications
From The Planets-Jupiter Hymn est un arrangement délicieusement accessible du q...
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From The Planets-Jupiter Hymn est un arrangement délicieusement accessible du quatrième mouvement extrait du poème symphonique en sept mouvements The Planets (Les Planètes) de Gustave Holst : Jupiter the Bringer of Jollity (Jupiter celui qui apporte la gaieté). Holst s?inspira de notre système solaire lorsqu?il composa cette suite l?une de ses œuvres les plus connues donnant à chacun des mouvements sa propre couleur. Holst écrivit Les Planètes au début du XXe siècle employant une certaine signature alors inhabituelle (mesures à 5/4) faisant appel à de nombreuses dissonances et une instrumentation atypique.
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