SKU: HL.49046452
ISBN 9781540095718. UPC: 840126927726.
Silver sound in the church year for mixed choir (SAB and piano ad lib.) is the collection of sacred choral music for senior choirs and older church choirs. For many people, singing is not only a great hobby in terms of music, but also sociability in the choir. As the singers get older, singing is difficult in extreme locations. That is why the arrangements of spiritual songs and psalm settings, which are guaranteed to give your choir a lot of pleasure, are in a pleasantly singable range (soprano to e2, alto to c2, men not lower than G). Since there are more singers than singers in most choirs, the arrangements are in three parts. Last but not least, the chorus score printed extra large and clearly arranged in combination with the pleasant tonal range will ensure that the senior choir can shine into old age. The continuous piano accompaniment supports and gives the choir security. With the sound of silver, (church) choirs can perform even in multiple voices, even in a long-established line-up.
SKU: HL.49046508
ISBN 9783795720605. UPC: 840126936452.
Silberklang im Kirchenjahr for mixed choir (SAB and piano ad lib.) is THE collection of sacred choral music for senior citizens' choirs and older church choirs. Singing is a great hobby for many people, not only in terms of music, but also in terms of socializing in the choir. As the singers grow older, singing in extreme registers becomes especially difficult. That is why the arrangements of hymns and psalm settings, which are guaranteed to give your choir a lot of pleasure, are kept in a comfortable singable range (soprano to E2, alto to C2, men not deeper than G). As most choirs consist of more female than male singers, the arrangements are written in three-part form. Last but not least, the choral score, in extra-large print and with a clear layout, in combination with the pleasant tonal range will ensure that the senior citizens' choir can shine into old age. The continuous piano accompaniment supports the choir, providing a sense of security. With Silberklang, (church) choirs are able to still perform polyphonic works, even in their long-time formations.
SKU: CF.CM9704
ISBN 9781491160114. UPC: 680160918713. Key: F# minor. English. Sir Rabindranath Tagore.
Richard Hageman (1881-1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman's later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal classic to younger singers who might not yet possess the dexterity to perform the original solo. Rabindranath Tagore (1861-1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore's expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name. Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker. .Richard Hageman (1881–1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman’s later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal “classic†to younger singers who might not yet possess the dexterity to perform the original solo.Rabindranath Tagore (1861–1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore’s expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name.Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker. .
SKU: AU.9781506486437
ISBN 9781506486437. 7 x 10.25 inches.
Enjoy a stress-free yet elegant SAB setting of this familiar carol lovingly arranged by John Ferguson for his grandson. Using the tune CRADLE SONG, the anthem is written with the feel of a graceful Austrian Landler and is both accessible and versatile. The range is also perfect for adolescent 3-part mixed choirs. Consider including children's voices on the optional solo verse.
SKU: GI.G-8751
UPC: 785147875109. English. Text by Rory Cooney.
While the tune is based on a traditional Czech carol, this is one of Rory Cooney’s most powerful original texts. The piece would make a stunning Communion meditation, evoking images of joy at the infant Savior’s birth, while foreshadowing his sacrifice so that we might eat of the Living Bread. The piano provides support for the choral parts, but the piece may be sung a cappella, or, if circumstances allow, the use of the optional string quartet will add to the warmth expressed in the words and harmony of the singers. String Quartet or Keyboard accompaniment.
SKU: LO.15-3950H
ISBN 9780787777340.
This text from American poet Vachel Lindsay, set with flowing, melodic beauty highlights the craft of the poetic prose. The expressive musicality shimmers with sophistication. A selection that SSA choirs will delight in performing.
SKU: GI.G-008707
UPC: 641151087078. Text by Timothy Dudley-Smith.
In this lovely piece, though stanza one is clearly focused on the Nativity, the other three stanzas which speak of the birth, death, and resurrection of Christ in the larger context of salvation history, make this hymn much more expansive in scope. While appropriate for Christmas and Epiphany, this hymn might also find a home during Passiontide, thus highlighting connections between Incarnation and Redemption themes.
SKU: LO.15-4085H
ISBN 9780787789817.
This delicate setting incorporates and blends together two different tunes commonly associated with this carol text, Mueller and Cradle Song along with a verse in Spanish. The two tunes and languages are woven together seamlessly and creatively for a unique approach on this Christmas tradition. String ensemble parts are available to enhance this intimate and expressive offering.
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