SKU: CA.2049219
ISBN 9790007197117. Key: D minor. Language: German/English.
Closing of the motet Die Fursten verfolgen mich ohne Ursach (no. 11 of the Opus ultimum).
SKU: CA.2048200
ISBN 9790007037017. Key: A minor. Language: German/English.
No. 1 of the Opus ultimum.
SKU: HL.50565940
ISBN 9781540050649. UPC: 888680933517.
This is the complete edition of Opus 68, including 2 well-known pieces written in 1882 as an homage to Charles Gounod: I. Calme des nuits II. Les fleurs et les arbres Original lyrics in French and English translation included.
SKU: BA.BA02150
ISBN 9790006417964. Text: Fritz Diettrich.
Print on demand (POD).
SKU: CA.2705119
ISBN 9790007199494. Language: Latin.
If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score and parts available separately - see item CA.2705100.
SKU: ST.W227
ISBN 9790220223617.
The Gloria in Excelsis was written by Sir Charles Villiers Stanford for the coronation of HM King George V on 22 June 1911. It was an occasion of some note in the annals of British music, for Elgar's Coronation March and Parry's grand festival Te Deum were also heard for the first time that day. In addition, there was music by Thomas Tallis, Orlando Gibbons and Sir John Stainer, as well as by the Master of the King's Music and organist of St George's Chapel, Windsor, Sir Walter Parratt. It was published the following year as part of Stanford's Opus 128, the Festal Communion Service for voices and orchestra, which was also made available with the accompaniment arranged by the composer for organ. However, such was the popularity of the Gloria, a magnificent and wholly representative example of Stanford's genius for church music, that it soon became popular as a separate piece, either with organ or orchestral accompaniment, and it was included in the orders of service for the coronations of HM King George VI on 12 May 1937 and HM Queen Elizabeth II on 2 June 1953. Orchestral material is available on hire (ref. HL189).
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