SKU: HL.368488
UPC: 840126968576. 6.75x10.5x0.036 inches.
This well-known American Civil War tune gets a grand and wonderful treatment in this Dan Davison arrangement. The story marches through the years of the war and ends with cheers when Johnny, at last, comes home. An excellent arrangement including 4-hand piano, snare drum and Glockenspiel, celebrating American patriotism in a joyous and authentic way. Easy to Medium in difficulty.
SKU: HL.14020627
SKU: HL.14020629
SKU: HL.14020623
SKU: HL.14020628
SKU: HL.48186201
UPC: 888680830212. 8.25x11.75x0.057 inches.
Berlioz Moore Marche Funebre Tristia Ssttbb A Cappella Choral.
SKU: GI.G-008550
UPC: 641151085500.
SKU: GI.G-007942
SKU: GI.G-10277
UPC: 785147027713. English. Text Source: Come, ye that love the Lord, Isaac Watts, 1674-1748, alt., We're marching to Zion, Robert Lowry, 1826-1899, alt. Text by Isaac Watts.
SKU: GI.G-5396
UPC: 785147539605. Text source: Traditional (Cameroon, South Africa).
Two African folk songs, with a high level of popularity in the USA, are combined with a Gloria derived from “He Came Down†to complete this flexible package of music for gathering. All ideally suited for unison assembly and SATB choir, unaccompanied—except for percussion, perhaps. ICET text for Gloria.
SKU: GI.G-7508
UPC: 785147750802. English. Text Source: Inspired by a speech of Martin Luther King Jr., about the Montgomery march. Text by Shirley Erena Murray.
If this text, inspired by Martin Luther King's speech about the Montgomery march, doesn't sufficiently summon one's attention, then combining it with this musical setting will quite certainly accomplish that goal. “Truth pressed to the earth . . . Justice trampled down . . . Love nailed to a Cross . . . through these resurrections we have hope.†A piece with much gravitas. Brass quartet or quintet and timpani part is optional Tuba part is optional Horn in F can be substituted for Trombone I.
SKU: HL.48022665
ISBN 9780851627724. 7.25x10.25x0.042 inches.
An English setting of Psalm 127 for SSATB a cappella, commissioned by the Marquess and Marchioness of Salisbury to mark the 400th anniversary of Hatfield House. It was first performed there on September 11, 2011 by The Sixteen, conducted by Harry Christophers.
SKU: CA.3118255
ISBN 9790007209865. Key: G major. Text language: German/English.
Version in G major (A major = Carus 31.182/00) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.
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