SKU: BA.BA08966-67
ISBN 9790006563999. 32.5 x 25.5 cm inches.
Sacred works occupy a large part of Charles Gounod's oeuvre. It was the Messe solennelle en l'honneur de Sainte Cecile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera. This Urtext edition is based not only on the original print of 1856 but also on copyists' manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being published to celebrate the 200th anniversary of Gounod's birth.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: CA.2709505
ISBN 9790007186883. Language: Latin.
Shining rays stream from the 'Messe de sainte Cecile'. At first people were dazzled, then bewitched, then overcome. This is how the composer Camille Saint-Saens described his impression of what was probably Charles Gounod's best-known setting of the mass. The work written in 1855 in honor of the patron saint of church music, soon became well-known beyond the borders of France and acquired a degree of popularity like almost no other sacred composition. In the Messe de sainte Cecile, Gounod combines sublime simplicity with operatic-dramatic elements and a colorful, effective orchestration. Critical edition in proven Carus quality. Score available separately - see item CA.2709500.
SKU: CA.2709509
ISBN 9790007200220. Language: Latin.
Shining rays stream from the 'Messe de sainte Cecile'. At first people were dazzled, then bewitched, then overcome. This is how the composer Camille Saint-Saens described his impression of what was probably Charles Gounod's best-known setting of the mass. The work written in 1855 in honor of the patron saint of church music, soon became well-known beyond the borders of France and acquired a degree of popularity like almost no other sacred composition. In the Messe de sainte Cecile, Gounod combines sublime simplicity with operatic-dramatic elements and a colorful, effective orchestration. Critical edition in proven Carus quality. Score and parts available separately - see item CA.2709500.
SKU: CA.2709519
ISBN 9790007200282. Language: Latin.
SKU: BR.EB-8574
in Ewigkeit dich loben features preludes for all the hymns contained in the new Protestant Hymnbook (Evangelisches Gesangbuch, EG).
ISBN 9790004178614. 9 x 12 inches.
The four-volume collection consists of new compositions, important rediscoveries of out-of-print-pieces, and some well-known chorale preludes which have been transposed into the Hymnbook's new keys. By providing two or three preludes for each of the particularly well-loved and frequently used hymns, in Ewigkeit dich loben offers a rewarding, multifaceted treasury of pieces from the Renaissance to our day. In addition to its usefulness in the church service, the collection also gives the organ teacher a chance to explore a colourful diversity of styles with his students. Volume 1 has been awarded the German Music Edition Prize 1993. ... One has to give the editors credit for their comprehensive knowledge of the organ literature of all periods and nations! It makes you want to play the collection right through from beginning to end. It should not be missing from any organist's library! Happy is the hymnal which is introduced by these organ preludes. (Wurttembergische Blatter fur Kirchenmusik)in Ewigkeit dich loben features preludes for all the hymns contained in the new Protestant Hymnbook (Evangelisches Gesangbuch, EG).
SKU: BR.EB-8573
ISBN 9790004178607. 9 x 12 inches.
SKU: CA.3105807
ISBN 9790007043216. Key: C major. Language: German/English.
The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score available separately - see item CA.3105800.
SKU: LO.70-2449L
ISBN 9780787779085.
Drawing from over 250 years of evolving American hymnody, John Dixon has curated a diverse series of 12 organ settings that capture the essence of this rich heritage. Featuring a variety of tunes, half of which are rooted in 19th-century folk hymn tradition and the remainder hailing from the late 19th and early 20th centuries, these settings are designed to inspire, uplift, and console.
SKU: BR.EB-8572
ISBN 9790004178591. 12 x 9 inches.
The four-volume collection consists of new compositions, important rediscoveries of out-of-print-pieces, and some well-known chorale preludes which have been transposed into the Hymnbook's new keys. By providing two or three preludes for each of the particularly well-loved and frequently used hymns, in Ewigkeit dich loben offers a rewarding, multifaceted treasury of pieces from the Renaissance to our day. In addition to its usefulness in the church service, the collection also gives the organ teacher a chance to explore a colourful diversity of styles with his students. ... One has to give the editors credit for their comprehensive knowledge of the organ literature of all periods and nations! It makes you want to play the collection right through from beginning to end. It should not be missing from any organist's library! Happy is the hymnal which is introduced by these organ preludes. (Wurttembergische Blatter fur Kirchenmusik)in Ewigkeit dich loben features preludes for all the hymns contained in the new Protestant Hymnbook (Evangelisches Gesangbuch, EG).
SKU: HL.49017447
9.25x12.25x0.185 inches.
The Bitter Earth (Horka hlina) cantata was written in 1960 and it was originally conceived for a mixed choir and organ. The composer soon found, however, that this instrumental accompaniment limited the performance possibilities of the piece to a certain extent and he therefore created a piano transcription of the organ part for a later edition which was printed in 1987.The composition sets to music the verses of Jaroslav Seifert from the collection Turn Out the Lights (Zhasnete svetla) which was written in the period of the nation's peril prior to the Second World War. The genuine and totally non-cliched patriotism expressed in these texts has long outgrown the historical connection to the moment of their inception and it continues to bear wtness to Seivert's fervent love for this country.
SKU: HL.48184701
UPC: 888680840761. 9.0x12.0x0.094 inches.
“Composed in 1942, Titelouze?s tombstone by Marcel Dupré is a set of sixteen chorals for Organ. Based on liturgical rhythms, these chorals are rated easy and medium in term of difficulty. This musical memorial to Jehan Titelouze, an organist who lived at the period of the Spanish Armada (16th century), is a pedagogical work with melody mainly based on Gregorian music. These sixteen studies, all very different and very progressive are: 1. Creator Alme Siderum (3 voices ? manuals only) 2. Jesu Redemptor Omnium (3 voices ? manuals only) 3. A solis Ortus Cardine (3 voices) 4. Audi Benigne Conditor (3 voice) 5. Te Lucis Ante Terminum (4 voices) 6. Coelestis Urbs Jerusalem (4 voices) 7. As Regias Agni Dapes (4 voices) 8. Veni Creator Spiritus (4 voices) 9. Vexilla Regis (4 voices) 10. Pange Lingua (3 voices) 11. Ave Maris Stella (4 voices) 12. Iste Confessor (4 voices) 13. Lucis Creator Optime (4 voices) 14. Ut Queant Laxis (5 voices) 15. Te Splendor et Virtus (5 voices) 16. Placare Christe Servullis (Toccata) Each choral of this set is really colourful and can be considered a masterpiece.â€.
SKU: HL.49019568
ISBN 9790001193528. UPC: 884088945961. 9.0x12.0x0.14 inches.
Contents: Ah, Holy Jesus * O Sacred Head, Sore Wounded - At the Last Supper * O Man, Thy Grievous Sin Bemoan * O Sorrow Deep! * Good Christians All, Rejoice and Sing! * Christ the Lord is risen again! * Christ Jesus Lay in Death's Strong Bonds * Here Shining is the Splendid Day * Rejoice Now All Christians.
SKU: CA.5022800
ISBN 9790007091842.
The two organ concertos are marked by somewhat unusual instrumentation. Hector Berlioz warned about a certain antipathy between the organ and orchestral instruments, but with the use of three horns in op. 137 proves to be a fine piece of artistry: Rheinberger supplied tone colors which he had perceived the organ to lack. The trio version of the Suite op. 149 adds to the repertoire of sacred chamber music. Rheinberger's later addition to the work of an ad libitum string orchestra takes this Suite into the world of the triple concerto and the concerto grosso, without exactly corresponding to those genres.
SKU: CA.1708200
ISBN 9790007068011. Language: all languages.
Recently I have again studied the poetry of Hermann Hesse, the most significant 'Maulbronnian'. His poems 'A Toccata from Bach' and 'Playing the Flute' inspired me to write the present piece. In 'Playing the Flute' he expressed his idea about the essence of music: It is 'time made aesthetically perceivable. And in the present, to be sure. And thus, once again, the identity of the moment and eternity come to mind.' The title of this piece is drawn from the last line of 'Playing the Flute.' (John Van Buren).
SKU: JK.01885
UPC: 093285018853. Ecclesiastes 3:1-2, Matthew 5:4, 1 Peter 5:7.
Thirty-one favorite funeral hymns arranged in a continuous medley for organ prelude/postlude. You can start anywhere in the book and end anywhere! Pedals are included within the staff. Songs included in this book: Comfort and Hope Be Still, My Soul The Lord is My Shepherd Nearer, My God, To Thee Where Can I Turn For Peace? Come unto Jesus Lead, Kindly Light Jesus Christ I Know That My Redeemer Lives Beautiful Savior I Believe in Christ I Stand All Amazed He Sent His Son How Great Thou Art The Love of God Our Savior's Love Love One Another My Heavenly Father Loves Me I Feel My Savior's Love Where Love Is Faith and Devotion Come, Follow Me I Need Thee Every Hour Because I Have Been Given Much Amazing Grace In the Garden Softly and Tenderly Come, Thou Fount of Every Blessing Each Life That Touches Ours For Good Eternal Families Families Can Be Together Forever Love at Home Oh, What Songs of the Heart I Am a Child of God O My Father Closing God Be With You Till We Meet Again Abide with Me! Abide with Me, 'Tis Eventide Anthems Goin' home Consider the Lilies Holy Art Thou Jesu, Joy of Man's Desiring Composer: Various Arranger: Brent Jorgensen Difficulty: Medium Reference: Ecclesiastes 3:1-2, Matthew 5:4, 1 Peter 5:7.
SKU: ST.H477
ISBN 9790220223532.
Written in the year of the Queen's Diamond Jubilee, Malcolm Archer reflects the mood of national celebration in his new march for organ The Royal Standard. The title alludes to the famous emblem of royalty that flies proudly over Buckingham Palace when the sovereign is in residence. Befitting its subject, this stirring music is in the high ceremonial style of Elgar and Walton, as colourful as the royal banner in blue, red and gold, but with a modern flavour too in its syncopated main theme. Director of Chapel Music at Winchester College, Malcolm Archer needs no introduction as a church musician, conductor, composer and recitalist. The piece is of intermediate standard, and is suitable for a variety of instruments with two manuals and pedals.
SKU: HL.48184750
UPC: 888680842642. 9.0x12.0x0.092 inches.
ââ¬ÅShort Suite is an exciting and majestic suite in four parts for Organ. Composed by Jean Langlais, a French composer who contributed prolifically to the Organ repertoire, these pieces require the use of pedals and could be practised by upper intermediate / advanced players. The sections are: 1. Grands Jeux ? 3?30 2. Cantilène ? 6?00 3. Plainte ? 5?05 4. Dialogue sur les mixtures 3?20ââ¬Â.
SKU: HL.49046130
Taking as a basis the events at the funeral service for Pope John Paul I, the conclave, the inauguration of the new pope, and the visit of Benedict XVI at the Synagogue of Cologne, through Benedicere - Litanei, Helmschrott presents a piece of 'experienced music'. He translates his experiences into music - which is exemplified in the All Saints' Day litany that was heard again and againat the festivities in Rome, or the shofar which was played in Cologne. He sees his work as a symbol of what he has experienced and an invocation of the past, as an appeal for a better future.
SKU: CA.2709500
ISBN 9790007186418. Language: Latin.
Shining rays stream from the 'Messe de sainte Cecile'. At first people were dazzled, then bewitched, then overcome. This is how the composer Camille Saint-Saens described his impression of what was probably Charles Gounod's best-known setting of the mass. The work written in 1855 in honor of the patron saint of church music, soon became well-known beyond the borders of France and acquired a degree of popularity like almost no other sacred composition. In the Messe de sainte Cecile, Gounod combines sublime simplicity with operatic-dramatic elements and a colorful, effective orchestration. Critical edition in proven Carus quality.
SKU: CA.5280700
ISBN 9790007164164.
Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a hybrid edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many. The Max-Reger-Institut (MRI), located in Karlsruhe, Germany, has initiated the first ever scholarly-critical edition of works by Max Reger. The Reger-Werkausgabe (RWA) is sponsored by the Mainzer Akademie der Wissenschaften und der Literatur and with its design as a hybrid edition breaks new ground in the editorial techniques. The seventh and final volume in the series of organ works includes, in chronological order, the organ pieces Max Reger composed in 1904 and 1906 in Munich, in 1912 in Berchtesgaden, in 1913 in Kolberg, and in 1915 to 1916 in Jena.
SKU: ST.H493
ISBN 9790220224935.
This matching pair of stirring marches is the latest addition to Stainer & Bell's popular 'Light Organ' series. Joe Marsh writes with a particular flair for rhythmic heft and swing, and his work shows the great British tradition of martial music for the instrument alive and thriving in the hands of one of its most noted practitioners, who is also President of the Sunderland Theatre Organ Preservation Society.
SKU: HL.49005802
ISBN 9790001062633.
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