Chorus (with soloists) and piano (solos: SATB (choir: SATB) - 0.2.cor ang.0.0 - 0.0.0.0 - org (solo) - str - bc)

SKU: BR.EB-7188

21st Sunday after Trinity - reconstruction. Composed by Johann Sebastian Bach. Edited by Werner Breig. This edition: piano reduction/vocal score. Choir; stapled. Edition Breitkopf.

Step by step, Breig reconstructs the entire introductory movement.

Cantata; Baroque. Piano/Vocal Score. 36 pages. Duration 20'. Breitkopf and Haertel #EB 7188. Published by Breitkopf and Haertel (BR.EB-7188).

ISBN 9790004173428. 7.5 x 10.5 inches.

BWV 188 reconstructed in its entirety for the first time The project of publishing Bach's cantatas in a material that can be purchased completely continues to grow with a new edition of a work that made particular demands on the editor. For Breitkopf, the renowned Bach scholar Werner Breig had already brought out new editions of the well-known B-minor Suite (PB/OB 5397, EB 8737) and of the A-minor Suite on which it was based, but now reconstructed for violin, strings and basso continuo (PB/OB 5398). His interest was particularly sparked by the sinfonia, which has been transmitted in an extremely rudimentary fashion. Step by step, Breig reconstructs the entire introductory movement from the final virtuoso organ passage and the da capo indication with corresponding musical incipit. His model for the reconstruction, which was carried out with enormous stylistic authenticity, is an early D-minor violin concerto which is no longer extant in this form, but which Bach later reworked into the Harpsichord Concerto BWV 1052. Performers will enjoy a Bach cantata that is now restored in its entirety for the first time.

Step by step, Breig reconstructs the entire introductory movement.

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Bartels. For voice, mixed choir, orchestra. This edition: Complete edition, Urtext edition. Linen. New Bach Edition. Series I, Volume 25. Score, Anthology. Published by Baerenreiter Verlag

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118809

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. 1x 31.188/21 oboe 1, 1x 31.188/22 oboe 2, 1x 31.188/23 taille. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, End of the church year, Trinity. Set of Orchestra Parts. Composed 1728. BWV 188. Duration 25 minutes. Carus Verlag #CV 31.188/09. Published by Carus Verlag (CA.3118809).

ISBN 9790007210021. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and parts available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118803

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, End of the church year, Trinity. Vocal score. Composed 1728. BWV 188. 32 pages. Duration 25 minutes. Carus Verlag #CV 31.188/03. Published by Carus Verlag (CA.3118803).

ISBN 9790007187293. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118849

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, End of the church year, Trinity. Single Part, Organ. Composed 1728. BWV 188. 16 pages. Duration 25 minutes. Carus Verlag #CV 31.188/49. Published by Carus Verlag (CA.3118849).

ISBN 9790007210090. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118814

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, End of the church year, Trinity. Single Part, basso continuo. Composed 1728. BWV 188. 16 pages. Duration 25 minutes. Carus Verlag #CV 31.188/14. Published by Carus Verlag (CA.3118814).

ISBN 9790007210069. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118848

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Harpsichord. Sacred vocal music, End of the church year, Trinity. Single Part, Cembalo. Composed 1728. BWV 188. 20 pages. Duration 25 minutes. Carus Verlag #CV 31.188/48. Published by Carus Verlag (CA.3118848).

ISBN 9790007210083. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118812

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, End of the church year, Trinity. Single Part, Violin 2. Composed 1728. BWV 188. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.188/12. Published by Carus Verlag (CA.3118812).

ISBN 9790007210045. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

Composed by Johann Sebastian Bach (1685-1750). Edited by Dr. Hans Bischoff. For Piano. Book; Masterworks; Piano Solo; Solo. Alfred Masterwork Edition. Baroque; Masterwork. Advanced. 68 pages. Published by Alfred Music

Composed by Johann Sebastian Bach (1685-1750). Edited by Dr. Hans Bischoff. For Piano. Book; Masterworks; Piano Collection. Alfred Masterwork Edition. Form: Toccata. Baroque; Masterwork; Recital. Advanced. 100 pages. Published by Alfred Music