| Symphony No. 2 Concert band [Score] - Intermediate/advanced Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 6. Conductor Full Score. Duration 21:00. Published by Manhattan Beach Music.
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| Sinfonia No. 9 in C Major Orchestra [Score] - Intermediate Belwin
Orchestra - Grade 4 SKU: AP.41225S Movement 1. Composed by Felix B...(+)
Orchestra - Grade 4 SKU: AP.41225S Movement 1. Composed by Felix Bartholdy Mendelssohn. Arranged by Kirk Moss. MakeMusic Cloud; Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Masterwork Arrangement; Romantic. Score. 48 pages. Belwin Music #00-41225S. Published by Belwin Music (AP.41225S). UPC: 038081478876. English. A slow and somber Grave introduction leads to a light-hearted Allegro, presenting an ideal piece to teach sonata form to your students. The clearly marked bowings and artist-level fingerings will save precious rehearsal minutes and contribute to a professional sound. This arrangement re-scores the first movement of Sinfonia No. 9 from six voices, requiring two separate viola parts, to the traditional five-voice string orchestra. Consistent with selected professional performances of the work, the first of two recapitulations has been seamlessly omitted to create a more balanced form, eliminate redundancies akin to counterpoint exercises, and showcase the young composer's emerging creativity by emphasizing his striking use of the key of A-major before reaffirming the home key. The elimination of a repeat reduces the duration to 8:30. (11:30) This title is available in MakeMusic Cloud. $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Classical Era - Easy to Intermediate Piano Solo Piano solo - Intermediate Hal Leonard
Easy to Int. Solos 65 Works from Symphonies, Operas, Concertos, Piano Literature...(+)
Easy to Int. Solos 65 Works from Symphonies, Operas, Concertos, Piano Literature and Chamber Music. World's Greatest Classical Music. Size 9x12 inches. Published by Hal Leonard.
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| Fantasy on 'The Wee Cooper of Fife' String Orchestra [Score and Parts] - Easy Carl Fischer
Orchestra String Orchestra - Grade 3 SKU: CF.CAS18 Composed by Douglas To...(+)
Orchestra String Orchestra - Grade 3 SKU: CF.CAS18 Composed by Douglas Townsend. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #CAS18. Published by Carl Fischer Music (CF.CAS18). ISBN 9780825855016. UPC: 798408055011. 8.5 X 11 inches. Key: F major. A truly masterful fantasy on an English folk song, this piece shows the exceptional musical development found in many of the greatest classical symphonies. The fantasy is roughly in the style of the classical rondo (ABACA) and features fine counterpoint and engaging melodies. This piece can be played in an orchestral and quartet setting and is both challenging and fun to play. My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend. MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend. MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend. My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend. My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend. My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends!I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins:There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin....The tune is rollicking and words are amusing, and yes, eventually they worked out their problems!The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies.This composition may be performed by a string orchestra or solo string quartet.- Douglas Townsend. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ultimate Classical Collection Piano solo [Sheet music] - Intermediate/advanced Hal Leonard
73 Selections from the All-Time Greatest Music. Piano Solo Songbook (Intermediat...(+)
73 Selections from the All-Time Greatest Music. Piano Solo Songbook (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 272 pages. Published by Hal Leonard.
(1)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Wolfgang Amadeus Mozart: Mozart - Simplified Piano Solos Piano solo [Sheet music] - Intermediate Hal Leonard
Composed by Wolfgang Amadeus Mozart (1756-1791). For solo piano. Format: piano s...(+)
Composed by Wolfgang Amadeus Mozart (1756-1791). For solo piano. Format: piano solo book. Classical period. Series: The World's Great Classical Music. 208 pages. 9x12 inches. Published by Hal Leonard.
(1)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Complete Fingerstyle Guitar Method: Intermediate Fingerstyle Guitar Guitar notes and tablatures [Sheet music + CD] - Intermediate Alfred Publishing
By Nathaniel Gunod and Lou Manzi. For Guitar. Guitar Method or Supplement. Acous...(+)
By Nathaniel Gunod and Lou Manzi. For Guitar. Guitar Method or Supplement. Acoustic; Fingerstyle. Book and CD. 96 pages. Published by Alfred Publishing.
$21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Pieces Theodore Presser Co.
Chamber Music Clarinet Trio SKU: PR.114424090 Composed by Igor Stravinsky...(+)
Chamber Music Clarinet Trio SKU: PR.114424090 Composed by Igor Stravinsky. Arranged by Gregory Barrett. Set of Score and Parts. 8+16 pages. Duration 5 minutes. Theodore Presser Company #114-42409. Published by Theodore Presser Company (PR.114424090). ISBN 9781491137383. UPC: 680160690107. Stravinsky’s 1918 Three Pieces for Solo Clarinet has long been savored by clarinetists as a rare gem in the instrument’s repertory, full of rhythmic drive and Stravinsky’s jazzy neo-classicism. Composer and clarinetist Gregory M. Barrett’s remarkable adaptation for 3 clarinets is a tour de force, assimilating Stravinsky’s harmonic, rhythmic, and contrapuntal style to create a striking addition to the clarinet literature. Igor Stravinsky’s Three Pieces for Solo Clarinet (1918) is a core work in clarinetists’ repertoire, and I havereimagined it for the convivial grouping of three players. The arrangement contains all of Stravinsky’soriginal, but now his solo line is shared among three in a new matrix of harmony, imitation, andcounterpoint.The molto tranquillo first piece develops from the emphasized C# in Stravinsky’s first measure andmoves to a somewhat somber mood when C# is revealed to be the dominant of F# minor. Withincreasing expansion of tessitura in the sustained harmonies, the sun comes out in the last phrase with ajoyous Eb major chord.The circus-like second piece finds the three clarinets whirling in the air in synchronized trapeze artiststyle. The emphasis is on imitation and fluid hand-offs. Chords with major 7ths and 2nds contrast withtriadic harmony. Following the cat and mouse middle section, where dancing patterns of twos andthrees alternate, the summit of the big top is reached again just before the players settle down to earthwith a welcome C major chord of respite.The ragtime burlesque of Stravinsky’s third piece is heightened by homophonic rhythm among the threeplayers. Each clarinet part has its own specialty. Clarinet 1 loves 32nd notes, Clarinet 2 shows off with fasttriplets, and Clarinet 3 likes the low notes and in general supporting its friends. Quartal harmony withstacked 4ths is emphasized, but where Stravinsky’s melody suggests triads, I have taken his hint. Thepropulsive rhythms are truly exciting, and with the wink of an eye, the music ends all too soon. $24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto In C Major Flute Trio: 3 flutes Falls House Press
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by David Tickton. With...(+)
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by David Tickton. With Standard notation. Falls House Press #3F-T5. Published by Falls House Press (PR.FH0003).
$26.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonatine C Piano solo Heugel
Piano SKU: BT.ALHE33888 Book Only. 24 pages. Heugel & Cie #ALHE33888. Pub...(+)
Piano SKU: BT.ALHE33888 Book Only. 24 pages. Heugel & Cie #ALHE33888. Published by Heugel & Cie (BT.ALHE33888). French. Composed by Reynaldo Hahn, Sonatina in C major (1907) is a piece for Piano for intermediate players. This really melodious piece is divided in three main movements. 1. Allegro Moderato in C The main theme starts the piece with anaccent on the tonic arpeggio. Counterpoint principle is also used thanks to a canon in two measures. 2. Andantino Rubato in G Written in the form ABA, this movement is then continued by four variations of the theme. 3. Final inG The piece ends on a coda with harmonious arpeggios, played after a ternary dance. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, he also wrote manypieces and melodies for different instruments. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Three Inventions Harpsichord [Score] Theodore Presser Co.
Chamber Music Harpsichord SKU: PR.110418390 Composed by Eric Ewazen. Full...(+)
Chamber Music Harpsichord SKU: PR.110418390 Composed by Eric Ewazen. Full score. 11 pages. Duration 10 minutes. Theodore Presser Company #110-41839. Published by Theodore Presser Company (PR.110418390). ISBN 9781491134603. UPC: 680160685158. Eric Ewazen’s THREE INVENTIONS were inspired by Bach’s Two-part Inventions, yet they sound thoroughly like Ewazen. Composed for harpsichord (with a piano adaptation following later), Ewazen’s inventions maintain a pure “one note per hand†texture until their final chord, with strong-but-free imitative counterpoint between the two voices. While Ewazen may be best known for his wind music, he is a pianist himself, and composers’ works for their own instrument are a direct insight into how they write for their own performances. The piano adaptation of THREE INVENTIONS is also available as a separate publication. THREE INVENTIONS was written for my dear friend Maria Rojas, who premiered the work on a faculty recital at Juilliard. Maria is both a pianist and a harpsichordist, and I first met her when she gave a demonstration of the harpsichord for the students in my theory classes.I’ve always been captivated by Bach’s series of Two-Part and Three-Part Inventions. With the Two-Part Inventions, I’m amazed how Bach could create such wonderful intricacy and counterpoint with only two voices. I consequently modeled my inventions after the counterpoint of Bach, involving the traditional contrapuntal devices he used: imitation, development, harmonic and modal shifts, fragmentation, and sequence, essentially creating a dialog between two completely equal voices conversing with each other!Bach wrote 15 Two-Part Inventions (as well as 15 Three-Part Inventions, not to mention the 48 preludes and fugues in The Well-Tempered Clavier!), and that’s just the start of his voluminous repertoire for the keyboard! I was happy just to write three!!!Each of my inventions has a distinctive mood. The first is in a relaxed, yet cheerful C Major tonality (as a nod to Bach’s Invention No. 1 in C Major); the second is heartfelt and lyrical; and the third invention (involving a Gigue rhythm in the compound meter of 12/8) is energetic, and full of life and spontaneity. The third is primarily in a minor tonality, resulting in a feeling of drama, bringing the THREE INVENTIONS to an exciting finale. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ave verum corpus Choral SATB [Score] Carus Verlag
SATB choir SKU: CA.965500 Composed by Ko Matsushita. Edited by Stefan Sch...(+)
SATB choir SKU: CA.965500 Composed by Ko Matsushita. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music, Corpus Christi, Eucharist, Communion. Full score. Composed 2012. 4 pages. Duration 3 minutes. Carus Verlag #CV 09.655/00. Published by Carus Verlag (CA.965500). ISBN 9790007164409. Language: Latin. For faithful Catholics it is the great mystery, and for those who are not Christian believers it is incomprehensible, possibly even off-putting - the mystery of the Eucharist. As far back as the late medieval period, the verse prayer Ave verum inimitably captures the special atmosphere of the contradiction between a terrible death and the redemption of mankind. Matsushita sets an early version of this prayer for the Eucharist in motet-like ABA form. A floating melody, alternating precisely between major and minor and first sung solo by all four voices in transposition, introduces the piece in a contemplative style. The scale is then altered in the counterpoint to a pure Dorian mode, contrasting in the middle section at the text vere passum, where Matsushita accompanies the increasingly wide-ranging melody and its chromatic, augmented intervals, by increasingly dissonant chordal shifts like a fauxbourdon. From this the tonal high point develops into an almost perfect F major, which then finally picks up on the opening motif for the added lines of text O Jesu dulcis, o Jesu pie... before ebbing away in F major. Voice range: S: des' - fis'' / A:gdeg - d'' / T: cdeg - as' / B: F - c'. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Classical Piano: The Influence of Society, Style, and Musical trends on the Great Piano Composers Piano solo [Sheet music] Alfred Publishing
Edited by Nancy Bachus. Collection for piano solo. With performance CDs and hist...(+)
Edited by Nancy Bachus. Collection for piano solo. With performance CDs and historical background information. Series: A History of Piano Masterworks. 128 pages. Published by Alfred Publishing.
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonatine En Ut Majeur Pour Piano Piano solo Heugel
Piano SKU: HL.48188982 Leduc. CD. 24 pages. Heugel & Cie #HE33888. Publis...(+)
Piano SKU: HL.48188982 Leduc. CD. 24 pages. Heugel & Cie #HE33888. Published by Heugel & Cie (HL.48188982). UPC: 888680874216. 9x12 inches. “Composed by Reynaldo Hahn, Sonatina in C major (1907) is a piece for Piano for intermediate players. This really melodious piece is divided in three main movements. 1. Allegro Moderato in C The main theme starts the piece with an accent on the tonic arpeggio. Counterpoint principle is also used thanks to a canon in two measures. 2. Andantino Rubato in G Written in the form ABA, this movement is then continued by four variations of the theme. 3. Final in G The piece ends on a coda with harmonious arpeggios, played after a ternary dance. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, he also wrote many pieces and melodies for different instruments.&rdquo. $21.20 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Baroque to Modern: Intermediate Level Piano solo [Sheet music] - Intermediate Schirmer
28 Pieces by 22 Composers in Progressive Order. Composed by Various. Edit...(+)
28 Pieces by 22 Composers in Progressive Order. Composed by Various. Edited by Richard Walters. Schirmer Performance Editions. Softcover. 80 pages. Published by G. Schirmer (HL.297107).
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| Twelve short organ works without opus numbers Organ [Score] Carus Verlag
Organ SKU: CA.5027300 Composed by Josef Gabriel Rheinberger. Edited by Ma...(+)
Organ SKU: CA.5027300 Composed by Josef Gabriel Rheinberger. Edited by Martin Weyer. Carus digital: Extra digital products. Full Score. Carus Verlag #5027300. Published by Carus Verlag (CA.5027300). ISBN 9790007298456. As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favorite instrument, mainly at the request of colleagues and friends. They are ideally suited for mass and organ lessons.
This organ volume brings together twelve compositions Rheinberger wrote for different occasions and at various points during his career. Included in the collection are seven short pieces in different keys that date from the early 1860s. Rheinberger wrote these at the request of his teacher Herzog and others for several organ collections of “easy, performable†pieces – and they are rewarding pieces for liturgical use. The works without opus numbers (WoO 10, 37, 56, 70) can no longer be regarded as early works. The Fugue in F minor WoO 10 of 1867, with its tendency to translate counterpoint into expressive chordal writing, already displays many characteristics of the late Rheinberger, the Canzonetta WoO 77 is a late work from autumn 1899, whereas the Romanze WoO 70 is a second version of no. 1 of the Miscellaneen op. 174 in the easier to play key of C major.
Separate edition from Supplementary Volume 3 of the Rheinberger Complete Edition. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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