| The Banjo Pickers Fake Book Banjo [Fake Book] Oak Publications
By David Brody. For Banjo Tab, with chord symbols. Traditional, Bluegrass. Sheet...(+)
By David Brody. For Banjo Tab, with chord symbols. Traditional, Bluegrass. Sheet Music. 216 pages. Published by Oak Publications.
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Granger's Fiddle Tunes for Guitarß Guitar notes and tablatures [Sheet music + Audio access] - Beginner Mel Bay
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire b...(+)
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire bound. World. Book and online audio. 236 pages. Mel Bay Publications, Inc #31103M. Published by Mel Bay Publications, Inc (MB.31103M). ISBN 9781513468792. 8.75x11.75 inches. Adam Granger self-published the first edition of Grangerâ??s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now Mel Bay Publications presents the third edition of the book. This 236-page book is the most extensive and best-documented collection of fiddle tunes for the flatpicking guitar player in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles. There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book. In this new edition, all tunes are typeset, instead of being handwritten as they were in the previous editions, making the tabs easier to read. The tunes in Grangerâ??s Fiddle Tunes for Guitar are presented in Easytab, a streamlined tablature notation system designed by Adam specifically for fiddle tunes. The book comes with a link which gives access to mp3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other. Also included in Grangerâ??s Fiddle Tunes for Guitar are instructions for reading Easytab, descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection. Mel Bay also offers The Granger Collection, by Bill Nicholson, the same 508 tunes in standard music notation.
$45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| MBGU Fingerstyle Curriculum - Best Traditional Folk Solos Guitar notes and tablatures [Sheet music + CD] - Intermediate Mel Bay
Compiled by William Gangel, edited by Steve Siktberg. For Guitar (Fingerpicking)...(+)
Compiled by William Gangel, edited by Steve Siktberg. For Guitar (Fingerpicking). Solos. MBGU. Acoustic Music. Level: Intermediate. Book/CD Set. Size 8.75x11.75. 96 pages. Published by Mel Bay Publications, Inc.
$22.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| West Point Bicentennial March Concert band [Score] - Intermediate Daehn Publications
Grade 4 SKU: CL.LDP-7311-01 Composed by Daehn. Concert Band. Extra full s...(+)
Grade 4 SKU: CL.LDP-7311-01 Composed by Daehn. Concert Band. Extra full score. Composed 2002. Daehn Publications #LDP-7311-01. Published by Daehn Publications (CL.LDP-7311-01). A Stirring, Noble march in the traditional regimental style. Commissioned by the United States Military Academy Band. Dedicated to the Academy’s motto, Duty, Honor, Country, and to West Point’s two hundred years of patriotic service. Very inspirational! $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| West Point Bicentennial March Concert band [Score and Parts] - Intermediate Daehn Publications
Grade 4 SKU: CL.LDP-7311-00 Composed by Daehn. Concert Band. Score and se...(+)
Grade 4 SKU: CL.LDP-7311-00 Composed by Daehn. Concert Band. Score and set of parts. Composed 2002. Daehn Publications #LDP-7311-00. Published by Daehn Publications (CL.LDP-7311-00). A Stirring, Noble march in the traditional regimental style. Commissioned by the United States Military Academy Band. Dedicated to the Academy’s motto, Duty, Honor, Country, and to West Point’s two hundred years of patriotic service. Very inspirational! $76.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Wild West Saga Concert band [Score] - Easy FJH
Concert Band Concert Band - Grade 2 SKU: FJ.B1666S Score Only. Com...(+)
Concert Band Concert Band - Grade 2 SKU: FJ.B1666S Score Only. Composed by Gary Fagen. Concert Band. FJH Young Band. Multicultural. Score. Duration 3:00. The FJH Music Company Inc #98-B1666S. Published by The FJH Music Company Inc (FJ.B1666S). English. Travel back in time with this exciting piece reminiscent of the American Old West. The basic syncopations are easily taught and exhibit the spirit of the American West during a time when the cowboy and rancher were helping to shape the agricultural and livestock tradition of the young country. Yeehaw! About FJH Young Band Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5 $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Wild West Saga Concert band - Easy FJH
Concert Band Concert Band - Grade 2 SKU: FJ.B1666 Composed by Gary Fagen....(+)
Concert Band Concert Band - Grade 2 SKU: FJ.B1666 Composed by Gary Fagen. Concert Band. FJH Young Band. Multicultural. Score and Part(s). Duration 3:00. The FJH Music Company Inc #98-B1666. Published by The FJH Music Company Inc (FJ.B1666). UPC: 241444369142. English. Travel back in time with this exciting piece reminiscent of the American Old West. The basic syncopations are easily taught and exhibit the spirit of the American West during a time when the cowboy and rancher were helping to shape the agricultural and livestock tradition of the young country. Yeehaw! About FJH Young Band Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5 $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Phillips Collection of Traditional American Fiddle Tunes Vol 1 Violin [Sheet music] Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| House Of The Rising Sun Concert band [Score and Parts] - Easy Scomegna Edizioni Musicali
Arranged by Donald Furlano. Concert band. A country arrangement of this famous b...(+)
Arranged by Donald Furlano. Concert band. A country arrangement of this famous ballad. Traditional, Country, Pop, Folk. Grade 2. Score and set of parts. Duration 2:25
$87.75 $83.3625 (5% off) See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Whispering Stones Guitar notes and tablatures - Intermediate Mel Bay
Fingerpick guitar - Intermediate SKU: MB.95381 Award-Winning Fingersty...(+)
Fingerpick guitar - Intermediate SKU: MB.95381 Award-Winning Fingerstyle Guitar Solos. Composed by Al Petteway. Saddle-stitched, Solos. Celtic / Irish. Book. With transcribed solos. 76 pages. Mel Bay Publications, Inc #95381. Published by Mel Bay Publications, Inc (MB.95381). ISBN 9780786603213. UPC: 796279023641. 8.75 x 11.75 inches. Whispering Stones won the award for â??Best Recordingâ? from the Washington Area Music Association and has continued to be a favorite with fans of fingerstyle guitar music throughout the world. The book features Celtic-inspired original and traditional tunes performed on solo acoustic guitar with the occasional addition of flute, mandolin, cello, piano, or bells. The tunes appear in the same order as in the recording. Al Petteway is an award-winning fingerstyle guitarist and composer. His many â??Wammieâ? awards from the Washington Area Music Association include â??Artist of the Yearâ? and â??Musician of the Yearâ?. Alâ??s playing fuses Celtic/British ideas and tunings with American themes and drive. Acoustic Guitar Magazine praised his â??concise, clean arrangements similar to John Renbournâ??s better workâ??. In notation and tablature. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Dan Levenson's Master Collection of Old-Time Tunes Guitar - Intermediate Mel Bay
Guitar - Intermediate SKU: MB.31088 Saddle-stitched. Country. Book. Mel B...(+)
Guitar - Intermediate SKU: MB.31088 Saddle-stitched. Country. Book. Mel Bay Publications, Inc #31088. Published by Mel Bay Publications, Inc (MB.31088). ISBN 9781513473413. 8.75X11.75 inches. Whether you already play old-time music, or you are just getting started, this is the book for you.áDan Levenson�s Master Collection of Old-Time Tunesápresents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them.Some might call this a complete repertoire in a book in the following sense: It is a large though not encyclopedic collection of old-time fiddle tunes played in today�s sessions.Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today. $24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pelimannimuotokuvia / Portraits Of The Country Fiddlers String Orchestra [Score] Fennica Gehrman
String Orchestra SKU: FG.55009-204-4 Composed by Pehr Henrik Nordgren. Sc...(+)
String Orchestra SKU: FG.55009-204-4 Composed by Pehr Henrik Nordgren. Score. Published by Fennica Gehrman (FG.55009-204-4). ISBN 979-0-55009-204-4. Nordgren's music has been influenced by a lifelong interest in folk music. Local folk tradition figures prominently in his early output and studies in Japan led to cross!cultural explorations of oriental and western instrumentations. Portraits of Country Fiddlers are five adaptations of Finnish fiddlers' tunes which combine his splendid feeling for string technique with the spirited and witty style of the folk tradition. $40.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Londonderry Air String Quartet: 2 violins, viola, cello [Score and Parts] Fentone Music
String Quartet Score and Parts. Arranged by Cecilia Weston. Fentone Play Along B...(+)
String Quartet Score and Parts. Arranged by Cecilia Weston. Fentone Play Along Books. Play Along. Size 8.25x11.75 inches. Published by Fentone Music.
$22.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| String Quartet String Quartet: 2 violins, viola, cello - Advanced Schott
String Quartet (Score & Parts) - advanced SKU: HL.49044199 Composed by Ul...(+)
String Quartet (Score & Parts) - advanced SKU: HL.49044199 Composed by Ulvi Cemal Erkin. This edition: Saddle stitching. Sheet music. String Ensemble. Classical, Contemporary. Softcover. Composed 1935/1936. 80 pages. Duration 14'. Schott Music #ED21652. Published by Schott Music (HL.49044199). ISBN 9790001193740. 9.0x11.75x0.286 inches. These two chamber music works are one of the main focuses in the oeuvre of Ulvi Cemal Erkin. Lively and spirited, they combine Western European tradition with rhythmic and melodic elements from Turkish folk music. Both are perfectly suitable for music lessons and concert recitals, adding a new interesting colour to the common chamber music repertoire.Erkin (1906-1972) is one of the most important composers of Turkey. He studied piano and composition in France and later returned to his home country where he became professor in Ankara. $48.00 - See more - Buy online | | |
| Quintet For String Quartet And Piano, Score And Parts Schott
String quartet and piano - difficult SKU: HL.49019988 Composed by Ulvi Ce...(+)
String quartet and piano - difficult SKU: HL.49019988 Composed by Ulvi Cemal Erkin. This edition: Saddle stitching. Sheet music. String Ensemble. Softcover. Composed 1946. 144 pages. Duration 24'. Schott Music #ED21651. Published by Schott Music (HL.49019988). ISBN 9790001193733. 9.0x12.0x0.471 inches. These two chamber music works are one of the main focuses in the oeuvre of Ulvi Cemal Erkin. Lively and spirited, they combine Western European tradition with rhythmic and melodic elements from Turkish folk music. Both are perfectly suitable for music lessons and concert recitals, adding a new interesting colour to the common chamber music repertoire.Erkin (1906-1972) is one of the most important composers of Turkey. He studied piano and composition in France and later returned to his home country where he became professor in Ankara. $59.00 - See more - Buy online | | |
| Ozarks Fiddle Music Violin [Sheet music + Audio access] - Beginner Mel Bay
Fiddle - Beginning SKU: MB.21123M Composed by Drew Beisswenger. Country, ...(+)
Fiddle - Beginning SKU: MB.21123M Composed by Drew Beisswenger. Country, Bluegrass, Perfect binding, Solos, Duets and Ensembles, Tunebook, American Music. Style. Book and online audio. 220 pages. Mel Bay Publications, Inc #21123M. Published by Mel Bay Publications, Inc (MB.21123M). ISBN 9780786695256. 8.75 x 11.75 inches. This book, which includes 308 tune transcriptions, is organized around individual fiddlers who typically combine Appalachian-style fiddling with rags, pop standards, Midwest-style fiddling and sometimes a touch of Western swing to create a style often identifiable as Ozarks. Thirty Ozarks fiddlers and their lives are highlighted with biographical sketches, photographs, and tune histories. Another 50 great Ozarks fiddlers are presented in a similar manner but with less detail. The book and accompanying audio with 37 tunes, many recorded in the field emphasize the older fiddling traditions connected to the square dances and community events more than those connected to bluegrass music and modern contest fiddling. Some of the tunes in the collection are old standbys such as Bile Them Cabbage while others such as Finley Creek Blues are unique to the region. The book is the result of years of work by two respected researchers. Gordon McCann won the prestigious Missouri Arts Award in 2002 for his decades of work documenting, studying, and accompanying Ozarks fiddle music. Drew Beisswenger, a music librarian at Missouri State University with a Ph.D. in ethnomusicology, has published three other works about fiddle music and is known for his strong transcription and analysis skills. Includes access to online audio. $34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Basque Carol Carl Fischer
Choral Cello, Contrabass voice, Piano, Viola, Violin 1, Violin 2, Violin 3, SATB...(+)
Choral Cello, Contrabass voice, Piano, Viola, Violin 1, Violin 2, Violin 3, SATB chorus SKU: CF.CM9734 Composed by Basque Carol. Arranged by Christopher Thomas. 12 pages. Duration 2 minutes, 37 seconds. Carl Fischer Music #CM9734. Published by Carl Fischer Music (CF.CM9734). ISBN 9781491161142. UPC: 680160919734. Key: A minor. English. Basque Carol. A Basque Carol (also known as Gabriel's Message) holds a special place in Western music. The carol originates from Basque country around the 13th century, based on the Latin hymn, Angelus ad Virginem (likely of Franciscan origin). The tune quickly spread throughout Europe, finding popularity in Britain where it was even referenced in Chaucer's Canterbury Tales: Playing so sweetly that the chamber rang; / and Angelus ad virginem he sang. . .. Interestingly, the melody we know and love today is derived from the original Basque version. In my view, this tune is a perfect example of melody-crafting. It is at once hauntingly beautiful, yet warm and joyous. Its contours are complex, dramatic, yet singable. I believe this melodic accessibility is the key to the song's lasting popularity. I would also attribute A Basque Carol's continued popularity to its elegant translation into English (by Sabine Baring-Gould, who rediscovered the original Basque tune). Translations often risk sounding unimaginative, coarse, and blunt. This translation is strikingly different. It was graced with an especially poetic translation including lines such as his wings as drifted snow, his eyes as flame. I am very excited to offer a new perspective on this classic carol, joining the tradition of composers preserving and reimagining a priceless medieval melody. My first goal was to create a flowing, richly-textured, even cinematic string accompaniment for the choir. This approach was very much inspired by the dense, string-writing style of English composer Ralph Vaughan Williams. My second goal was to make the arrangement flexible enough to be performed with only choir, only strings, or (best of all) both ensembles combined. To further complement this approach, I've added an obligato line for a solo recorder (solo flute or violin work just as well). If you listen carefully, you will hear a quote from my other favorite holiday carol, Jesu Bambino. I hope you enjoy performing A Basque Carol. I especially hope that you sense the ancient magic cast into this tune, hearing the ineffable qualities that have compelled us to sustain it for nearly a millennium. Whether you're a choir, a string orchestra, or a combined ensemble, this arrangement of A Basque Carol will surely be a haunting and lovely addition to your next holiday program!. A Basque Carol (also known as Gabriel’s Message) holds a special place in Western music. The carol originates from Basque country around the 13th century, based on the Latin hymn, Angelus ad Virginem (likely of Franciscan origin). The tune quickly spread throughout Europe, finding popularity in Britain where it was even referenced in Chaucer’s Canterbury Tales: “Playing so sweetly that the chamber rang; / and Angelus ad virginem he sang. . .â€.Interestingly, the melody we know and love today is derived from the original Basque version. In my view, this tune is a perfect example of melody-crafting. It is at once hauntingly beautiful, yet warm and joyous. Its contours are complex, dramatic, yet singable. I believe this melodic accessibility is the key to the song’s lasting popularity. I would also attribute A Basque Carol’s continued popularity to its elegant translation into English (by Sabine Baring-Gould, who rediscovered the original Basque tune). Translations often risk sounding unimaginative, coarse, and blunt. This translation is strikingly different. It was graced with an especially poetic translation including lines such as “his wings as drifted snow, his eyes as flame.â€I am very excited to offer a new perspective on this classic carol, joining the tradition of composers preserving and reimagining a priceless medieval melody. My first goal was to create a flowing, richly-textured, even cinematic string accompaniment for the choir. This approach was very much inspired by the dense, string-writing style of English composer Ralph Vaughan Williams. My second goal was to make the arrangement flexible enough to be performed with only choir, only strings, or (best of all) both ensembles combined. To further complement this approach, I’ve added an obligato line for a solo recorder (solo flute or violin work just as well). If you listen carefully, you will hear a quote from my other favorite holiday carol, Jesu Bambino.I hope you enjoy performing A Basque Carol. I especially hope that you sense the ancient magic cast into this tune, hearing the ineffable qualities that have compelled us to sustain it for nearly a millennium. Whether you’re a choir, a string orchestra, or a combined ensemble, this arrangement of A Basque Carol will surely be a haunting and lovely addition to your next holiday program! $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Requiem Orchestra [Study Score / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score) SKU: HL.49018099 Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099). ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German. On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009. $93.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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