Composed by Jacob De Haan. De Haske Concert Band. Portuguese, Concert. Softcover. Published by De Haske Publications

SATB chorus - early intermediate

SKU: XC.HRMG1734

Composed by Michael John Trotta. Michael John Trotta. Music Education. Octavo. 8 pages. Hampton Roads Music Group LLC #HRMG1734. Published by Hampton Roads Music Group LLC (XC.HRMG1734).

UPC: 785147101154. English. Text Source: Giovanni ,Giocondo.

The powerful message of this 15th century text is the inspiration for Trotta's stunning a cappella setting will resonate with choirs and audiences alike.  The gift, the wonder of it all, is the presence hidden deep within, and the joy, yet somehow even more... the secret that conceals diviner things.  .

Traditional 15th Century Text, music by Howard Helvey. For Choir. (SATB). Choral Octavo. Lawson-Gould. Sacred. Choral Octavo. 8 pages. Published by Alfred Publishing.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piccolo and more.

SKU: PR.11641139L

Composed by Lowell Liebermann. Large Score. Duration 15 minutes. Theodore Presser Company #116-41139L. Published by Theodore Presser Company (PR.11641139L).

UPC: 680160682126.

Barcarolles for a Sinking City was inspired by the city of Venice, a place that has long held the fascination of artists, writers and composers, and which I have been lucky enough to visit on several occasions. Sadly it seems that future generations may not be so lucky: in addition to the city's slow sinking and recently discovered tilting, studies predict that if global warming and the resultant rise of ocean levels is unabated, the entire city (as well as many other coastal cities around the globe) will be under water by 2100.   I. Funeral Gondola The late, cryptic piano works of Franz Liszt made a profound impression on me as a young composer, among them two works he entitled La Lugubre Gondola (usually translated as The Funeral Gondola ) which were said to be a premonition of Wagner's death in Venice, his coffin transported through the canals in a black gondola. These late pieces of Liszt acquired even greater significance to me after I spent two summers in Bayreuth under the patronage of Friedelind Wagner, the granddaughter of Wagner and great-granddaughter of Liszt. This movement is a meditation on Wagner, Liszt, Venice and its own evanescence. II. Barcarolle/Quodlibet The Quodlibet (Latin for what pleases) is a musical form dating back to the 15th century where many disparate melodies are juxtaposed. Popular in the Renaissance, sacred and secular melodies were combined, often to comical effect due to the resultant incongruity of the words. The form was considered the ultimate test of a composer's mastery of counterpoint. The most famous Quodlibet is without doubt the final Variation of Bach's Goldberg Variations. As a form the Quodlibet is less common in more recent music, although examples can be found in the works of Kurt Weill and David Del Tredici.   My own Barcarolle/Quodlibet was inspired by the (perhaps apocryphal) story of the funeral where musicians were asked to play a Bach Choral, but due to miscommunication played instead the Bacarolle from The Tales of Hoffmann. Here, the Bach Choral Allen Menschen mussen sterben (All Men Must Die) is heard in the strings pizzicato, with a tempo indication In slow motion. The alto line of the Bach suggests a phrase from Beethoven's Ninth Symphony (Alle Menchen werden Bruder) heard in the muted trombone. Before long, the famous tune from Offenbach's opera is heard, followed by quotations from iconic Barcarolles by Chopin, Mendelssohn and Faure, as well as two Venetian popular songs and more Beethoven.   III. Barcarola/Ostinato/Carillon An ostinato is a repeated musical figure, and carillon is Italian for music box. This movement references the obsolete genre of salon pieces that imitated music boxes: such works by composers like Liadov and Gretchaninov used to be a mainstay of pianists' encore repertoire. This movement is however much darker in conception than those pleasant trifles. Utilizing the full battery of percussion, the carefully notated temporal slowing of the ostinato becomes overwhelmed by a poignant chorale melody before this box is snapped shut.   IV. Barcarolle Oubliee (Forgotten Barcarolle) Marked limpido (still) the final movement begins with the sound of rain produced by a percussion instrument called (appropriately) a rain stick. Halting phrases in the harp coalesce into the accompaniment for a plangent melody heard in the clarinet. The central Adagio of this movement leads to a shattering climax, before the opening phrases return and dissipate into nothingness.

Soprano Voice and Piano

SKU: HL.14008339

Composed by Harold E. Darke. Music Sales America. Classical. Choral Score. 4 pages. Music Sales #NOV310537. Published by Music Sales (HL.14008339).

This work, When Christ Was Born of Mary Free, sets the words of a traditional carol dating from the 15th century sensitively in D minor for the verse, moving to a more joyous F for the Chorus. Darke's papers list this piece as having been scored for Soprano solo, Chorus SATB and Piano. Harold E Darke was an English composer and Organist of international renown. Darke composed extensively for choir and Organ. In 1916, he established the Monday lunchtime Organ recitals at St Michael's Cornhill which continue to this day, the longest-running such series in the world. His setting of Christina Rosetti's poem In the Bleak Midwinter created a melody and lilting Organ accompanimentthat has never fallen from favour. It is regarded as one of the greatest of Christmas carols.

SSA choir

SKU: KJ.6307

Composed by Bradley Ellingboe. Collection. Bradley Ellingboe Music for Women's Choir. Sacred, Choral. Octavo. Neil A. Kjos Music Company #6307. Published by Neil A. Kjos Music Company (KJ.6307).

ISBN 9788402700032. UPC: 8402700039.

A brief 15th century setting for concert, or the Compline Mass in Lent.

SATB choir & Org or Pf

SKU: ST.W226

Composed by Bryan Kelly. SATB and Organ or Piano. Octavo. Stainer & Bell Ltd. #W226. Published by Stainer & Bell Ltd. (ST.W226).

ISBN 9790220223235.

Included in the Oxford Book of Ballads and ascribed to an anonymous 15th-century author, the tale of Joly Joly Wat the shepherd who offers the infant Christ his 'pipe, skirt, tarbox and scripe' is among the best-loved of traditional Christmas verses. Its musical reference offers an obvious attraction to composers, and in Bryan Kelly's new setting a sprightly ritornello embellished with trills is the musical counterpart to the young herdsman's musical instrument on which 'he made such joy.'

Written for Simon Williams and the Harrow Choral Society, Joly Joly Wat brings a fresh and lively note to seasonal choral concerts. The vocal writing is clear and straightforward, with occasional division of the sopranos, and an incisive and syncopated style that matches the shepherd-boy's haste to leave his flock and his faithful dog keeping his 'shepe fro ye corn' in order to visit the new-born Jesus.

SATB choir, a cappella (SATB) - Easy to Moderately Difficult

SKU: OU.9780193529014

Composed by Assersohn. Christmas Songs & Carols - Mixed Voices. Christmas. Vocal score. 12 pages. Duration 2.5'. Oxford University Press #9780193529014. Published by Oxford University Press (OU.9780193529014).

ISBN 9780193529014. 10 x 7 inches.

For SATB unaccompanied In this lively 6/8 setting, Assersohn explores a macaronic 15th-century text ('A Patre Unigenitus/Through a maiden is come'), with its exclamations of 'Eya!' reinforcing festive celebration. Featuring modal harmonies and energetic rhythms, this carol is a fresh, uplifting, and accessible addition to any Christmas programme.

Choir (SAB Choir)

SKU: HL.14048022

For SAB Choir Unaccompanied. Composed by Andrew Cusworth. Choral. Classical. Octavo. 8 pages. Music Sales #NOV295911. Published by Music Sales (HL.14048022).

6.75x9.75x0.05 inches.

Andrew Cusworth 's Adam Lay Ibounden is a work for Unaccompanied SAB Choir, a setting of an anonymous 15th century English text. A performance lasts around 1 and a half minutes.

String quartet

SKU: HL.49045639

Chaconne. Composed by Fred Lerdahl. This edition: Saddle stitching. Sheet music. String Ensemble. Softcover. Composed 2016. 108 pages. Duration 990 seconds. Schott Music #ED 30174. Published by Schott Music (HL.49045639).

ISBN 9781540004796. UPC: 888680710774. 9.5x12.0x0.37 inches.

Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music.My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach's D minor violin partita and the finale of Brahms's Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern.My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl.

By John Dowland (1563-1626). Edited by Johannes Monno, Thomas Muller-Pering, Olaf Van Gonnissen. For Guitar. New Karl Scheit Guitar Edition. Solo part. 16 pages. Published by Universal Edition

Vocal soli, choir, orchestra, congregation, organ

SKU: CA.4019812

Composed by Heinrich von Herzogenberg. Violin 2. Sacred vocal music, Oratorios, Special days. Single Part, Violin 2. Op. 104. 40 pages. Duration 150 minutes. Carus Verlag #CV 40.198/12. Published by Carus Verlag (CA.4019812).

ISBN 9790007217976. Language: German.

The present publication finally closes the gap in the availability of the three church oratorios of Heinrich von Herzogenberg (1843-1900). With this late work, which he considered his most important, Heinrich von Herzogenberg set the musical high point of the 15th Conference of the German Church Song Association in Strasbourg (1899), and also of his entire career. The celebration of the harvest provides an interesting look into the stylistic diversity of church music at the end of the 19th century, and shows the composer's aptitude for dramatic presentation in a special way. Score and part available separately - see item CA.4019800.