SKU: CL.012-5028-01
Viva Noel is a medley of glorious holiday favorites in a fast/slow/fast form. Opening with a musical fanfare based on the French hymn He is Born the Holy Child the arrangement transitions quickly into a fanciful rendition of Deck the Halls. The following section opens with a beautiful brass choir adaptation of It Came Upon A Midnight Clear and develops into a lush, full band setting of this charming carol. The finale begins as a quick, light version of Here We Come a-Wassailing ending with a declarative brass fanfare with small bits of Bring a Torch, Jeannette Isabella and Angels We Have Hear on High. This high-energy holiday arrangement features all sections of the ensemble with exceptional emphasis on the percussion writing. Viva Noel! will be a solid opener or closer for any holiday concert!
SKU: BT.DHP-0960766-120
Dit suggestieve concertwerk uit 1996 begint met een dromerige inleiding die gevolgd wordt door het eerste thema. De muzikale spanning wordt geleidelijk verhoogd waarna in het Grandioso een nieuw krachtig thema wordt ge ntroduceerd.De altijd aanwezige twee thema's worden daarna verder ontwikkeld om uiteindelijk na een climax het werk af te sluiten.A Sunrise Impression débute avec une impression de lever de soleil, une rêverie au cours de laquelle est dévoilé le premier thème principal. La tension musicale augmente progressivement dans le Grandioso où l’on peut entendre le second thème exprimé avec puissance. Les développements qui succèdent au Grandioso n’altèrent en rien la présence appuyée des deux thèmes principaux qui, le finale approchant, gagnent en puissance gr ce l’introduction de nouveaux motifs rythmiques.
SKU: M7.DOHR-94102
ISBN 9790202001028.
SKU: BR.OB-5328-23
ISBN 9790004333853. 10 x 12.5 inches.
Cesar Franck wrote his Symphony in D minor in 1887/88; in spite of the work's lukewarm reception at its world premiere on 17 February 1889, the work was published during his lifetime. It was not until a few years later that the established conductors dared perform this work more frequently . It marked the inevitable triumph of a work which had once caused such a furor and whose individuality of conception burst the framework of the genre (double tonality of D and F minor in the opening movement; the combination of Andante and Scherzo in the central one; the recapitulation of the main themes and motifs of the previous movements in the finale). The work was finally accepted into the concert repertoire for good around the turn of the century, not least through the good offices of influential critics and composers.Just as with the previously published Carnival of the Animals (PB/OB 5321) by Saint-Saens, Franck's work also raises many questions concerning its origin and history. Peter Jost based his work on the first edition (the autograph was destroyed in a fire in 1935) as well as on the piano reduction (four-handed) by the composer.A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use.
SKU: TM.05594SC
Gillarde, Pavane, Scene de Bouquet, Lesquercarde, Madrigal, Passepied, Finale et Chanson.
SKU: M7.DOHR-11366
ISBN 9790202023662.
Text und Melodie des 1653 erschienenen Liedes von Paul Gerhardt und Johann Crüger haben mich zu dieser Partita für Orgel inspiriert. Sie verwendet vier der insgesamt zehn Strophen, die musikalisch durch bewusste Verwendung unterschiedlicher Stilistiken und Akkorderweiterungen neu gedeutet bzw. reharmonisiert wurden, gefolgt von einem fröhlichen Finale. Der cantus firmus wird nach alter Tradition jeweils einer zugrunde liegenden Stimme zugeordnet und variiert, die im Advent den Zuhörern das Erkennen der Melodie und das Verständnis der Komposition erleichtern soll. (Holger Hantke).
SKU: HP.C6393
UPC: 763628163938. Lloyd Larson.
Contempory Song This blockbuster contemporary Christian song from Hillsong Music is set for SATB voices and rhythm, and builds throughout to a glorious finale. Appropriate for Lent, Easter and Eastertide.
SKU: TM.03837SET
No. 18 (through end of opera). Scena e terzetto Finale ultimo. Io muojo. Sc pg 588-614.
SKU: BT.DHP-1094717-020
9x12 inches. English-German-French-Dutch.
Gelobet seist du Jesu Christ (We Praise You Jesus Christ) is an old Christmas hymn dating from the 16th century, which can still be found in many hymnbooks today. John Blanken has created a varied and imaginative arrangement on four verses of the hymn. After the introduction, derived from the opening notes, the hymn is first accompanied by an agile harmonisation. Next, we hear the chorale in a four-part setting with a percussion accompaniment. Then follows a short prologue to the third verse and finally its time for fireworks as the arrangement takes a stylistic leap in time with the festive prelude to the fourth and last verse.Gelobet seist du Jesu Christ ist ein altes Weihnachtslied, das aufs 16. Jahrhundert zurückgeht und heute noch in vielen Liederbüchern zu finden ist. John Blanken bearbeitete vier Strophen dieses Liedes in ganz verschiedenen Weisen: Nach der Einleitung erklingt es zunächst komplett, von einer beweglichen Harmonisierung begleitet, und dann als vierstimmiger Choral mit Schlagzeug. In der dritten Strophe liegt der Cantus firmus im Tenor und wird vom hohen Register umspielt. Der grandiose Schluss führt thematisch wieder zum Beginn des Werkes zurück.Gelobet seist du, Jesu Christ è un brano natalizio tedesco del XVI secolo. John Blanken ne ha realizzato un arrangiamento pieno di diversit . Dopo una breve introduzione, la melodia è esposta nella sua integrit . Viene quindi inserita in un corale a quattro voci con percussioni. La terza strofa porta il cantus firmus nel cuore del registro tenore. Il finale è semplicemente maestoso.
SKU: BT.CMP-0217-98-120
SKU: BR.OB-5581-15
ISBN 9790004343203. 10 x 12.5 inches.
A Programmatic Declaration of BeliefFelix Mendelssohn Bartholdy composed his Reformation Symphony for the celebrations marking the 300th anniversary of the Confessio Augustana, the Protestant declaration of faith. Owing to various and only partially explained reasons, there was no performance in 1830, the year in question; it was only two years later that the composer conducted the premiere of his work, now heavily revised, in Berlin. There was only one more performance in Mendelssohn's lifetime, this one conducted by Julius Rietz in Dusseldorf; the composer had since distanced himself from his opus.Conceived for the concert hall, the symphony formulates its theological references through the integration of various motives. This occurs in the finale, for example, in which Mendelssohn quotes the Luther chorale Ein feste Burg in the flute, from where it builds up to a triumphant principal theme. The strong extra-musical aspect must have been one of the reasons for the composer's later avoidance of this score, especially since Mendelssohn was becoming increasingly skeptical about explicitly programmatic music in the instrumental domain. Next to the Dusseldorf performance material of 1837, two scribal copies have been examined for the first time; they transmit the main stages of the version of 1830.
SKU: TM.09136SC
P/C in set.
SKU: LO.99-3474L
UPC: 000308145007.
A stately fanfare opens this masterful setting that reflects on the wonders of God’s creation. The subsequent section is much quieter, but the fullness of sound quickly returns as the congregation is invited to join in, leading to a vigorous and fulfilling finale.
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