SKU: TM.03830SET
Pgs. 240-262 in complete opera, #8: Beginning of Finale to Act II. To perform complete Finale Act II, add #14162 (No. 9) and #14045 (No. 10).
SKU: TM.02142SC
Act V No. 19, 20 (in vs; No. 30 & 31 in sc), and Finale Alerte Alerte, through end of opera. Key in C. Also contains #03500: Angel Chorus - Christ est ressuscite, Finale to opera. Sung by Margarite, Faust, Mephistaphele, and Angel Chorus.
SKU: BR.OB-5527-27
Urtext of Schumanns Sinfonietta
ISBN 9790004340806. 10 x 12.5 inches.
That Schumann truly dug his heels into symphonic creation becomes clear at the latest when we look not only at his four well-known symphonies, but also at the works between the genres, such as the Overture, Scherzo and Finale. Unlike the traditional symphonic form, this work has no slow movement. Schumann spoke of it as a suite which hints at a loose connection of movements and as a sinfonietta. Ultimately, he decided to name it after the headings of the three movements which also share common traits among one another. Overture, Scherzo and Finale is being published here for the first time with an Urtext score and parts. The genesis of the work was marked by corrections and revisions. Schumann subjected the work to a thorough revision after the premiere performance and, after the publication of the orchestral parts in 1846, made more changes for the first edition of the score seven years later.Urtext of Schumanns Sinfonietta.
SKU: HL.14034688
Variations, Nocturne & Finale On An English Sea-Song for Piano and Orchestra Op.60. Orchestral part arranged for a second Piano by David Lyon.
After a brief introduction to the Orchestra, the melody of an eighteenth century whalermen's ballad with verse and refrain 'Blow Ye Winds', is given out, the verse by the Piano, the refrain divided between Orchestra and Piano. Then follow thirteen variations, the last three being pianistic etudes, accompanied Orchestrally. The nocturne evokes the nostalgia of a long voyage and the finale the excitement, dangers and glory of a triumphant chase. In these movements, as well as in the variations, the entiremusical material is derived from the basic theme. The work is designed as a virtuoso concert-piece for the pianist, with supporting Orchestral flashes of colour and points of contrast.
SKU: WD.080689792878
UPC: 080689792878.
SKU: TM.03664SC
Half of Trio Finale Act I. Must be played with #03662 for full Finale.
SKU: TM.03664SET
SKU: WD.080689605871
UPC: 080689605871.
SKU: WD.080689761874
UPC: 080689761874.
SKU: WD.080689760877
UPC: 080689760877.
SKU: BR.OB-5527-19
ISBN 9790004340783. 10 x 12.5 inches.
SKU: WD.080689764875
UPC: 080689764875.
SKU: AP.1-ADV7697
UPC: 805095076974. English.
Two objectives were in mind while transcribing the Finale. One was to produce a relatively clean manuscript with a minimum of articulation and dynamic markings so as to allow interpretation by the performers. The articulation markings placed at the beginning of the work are provided only as suggestions. Secondly, the melodies were divided among all parts, rather than a solo featuring just the soprano saxophone. The Finale, a molto allegro in rondo form, should sparkle with cheerful charm and wit. Saxophonists should strive for the lightness and grace so prevalent in much of Mozart's timeless music.
SKU: TM.03830SC
SKU: KN.KEN10352
UPC: 822795103526.
This exciting new collection contains 8 grade 3-4 pieces for instrumental solo with piano accompaniment. Free MP3 downloads of the piano accompaniment are available at kendormusic.com. Many of the titles have been published as single pieces and are listed on several state contest lists.Contents:Gavotte (Lemoine); British Isle Sketches (Halferty); Lavender Variations (Balent); Impromptu-Finale (Gee); Habanera (Bizet); Seaside Images (Niehaus); Aria Grazioso (Mozart); Polovetzian Dances (Borodin).
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