SKU: SU.95001022
NOT AVAILABLE OUTSIDE THE USA. Arranged by Lawrence Rosen. Piano solo with lyrics and chord symbols. Formatted 2½ larger than traditional printed music. Contents: I'm Always Chasing Rainbows, This Land is Your Land, Second Hand Rose, I Wonder Who's Kissing Her Now, Those Were the Days, Swanee, There'll Be Some Changes Made.
SKU: MB.WBM15
ISBN 9780988832732. 8.5 X 11 inches.
The guitar has so many moods and colors. I have always loved the expressive, lyrical pieces written for this unique instrument. This book is a collection of 19 solos of medium difficulty which present a colorful array of moods, harmonies and tonal textures. Each piece gives the guitarist ample opportunity for reflection, interpretation and expression. The solos should be played freely with maximum use of dynamics and tone color. The harmonies are rich and often contemporary. I hope you enjoy playing these compositions as I certainly enjoyed writing them.
SKU: CF.BAS83F
ISBN 9781491159293. UPC: 680160917877.
This standard for beginning strings has a new twist to it. The melody is much easier to teach in 4/4 rather than in 3/4. It is still in D major and contains no altered fingerings. The tempo marking is very playable by your younger students, and the dynamic marking is always f so that the orchestra can focus on the notes. The piece contains pizzicato and arco sections, with the melody in both the upper and lower strings. This easy three-part harmony arrangement has bowings marked and is a great piece to showcase strings when they are comfortable with the D major scale.This standard for beginning strings has a new twist to it. The melody is much easier to teach in 4/4 rather than in 3/4. It is still in D major and contains no altered fingerings. The tempo marking is very playable by your younger students, and the dynamic marking is always Æ’ so that the orchestra can focus on the notes. The piece contains pizzicato and arco sections, with the melody in both the upper and lower strings. This easy three-part harmony arrangement has bowings marked and is a great piece to showcase strings when they are comfortable with the D major scale.
About Carl Fischer Beginning String Orchestra Series
This series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:
SKU: AP.48636
ISBN 9781470643461. UPC: 038081556802. English.
Does this sound familiar? I'm bored with the warm-ups. We always sing the same exercises. Yes, many singers regard warm-ups as a monotonous requirement, a trivial exercise, or an unnecessary delay before the actual rehearsal starts. But it doesn't have to be this way! Reinvent your routine with this innovative approach that leads the way to more meaningful and diversified warm-ups. This book is filled with uncomplicated melodies that are quickly learned, and then turned into multiple-part exercises by singing in canon or stacked parallels. An exemplary practice that invites developed groups to focus on higher listening and ensemble skills. Online access to MP3 demos of every exercise is included.
SKU: CF.YPS59F
ISBN 9780825864520. UPC: 798408064525. 9 X 12 inches.
A sparkling medley from one of the best-known of Gilbert and Sullivan's operettas has been deftly prepared by the always skillful Andrew Balent. The medley includes five selections from the original work: We Sail the Ocean Blue, I'm Called Little Buttercup (a trumpet solo), I Am the Monarch of the Sea, When I Was a Lad and He Is an Englishman.
SKU: HL.131541
ISBN 9780936661667. UPC: 888680025564. 8.5x11.0x0.031 inches.
Say Something is an original song by the American duo A Great Big World. The lyrics are about letting go when a relationship ends. It became an international hit when Christina Aguilera joined A Great Big World on a re-recorded version in 2013. Sylvia Woods has made a 4-page advanced beginner to intermediate arrangement, playable on either lever or pedal harp. This music features a pedal point (also called a pedal note or pedal tone), which is a sustained or continually repeated note that is held constant while harmonies change in other parts. A pedal point is usually found in the bass, but here it is in the middle register. Virtually every measure includes a middle C note on the downbeat. Sometimes it is played with the right hand, and at other times with the left. But it is almost always there. This pedal point harmony is what originally drew me into this beautiful piece of music the first time I heard it on the radio. The music is in the key of C, and no sharping levers are required, as there are no lever changes. Fingerings, lyrics and chord symbols are included. The harp range required is 24 strings from a low C up to an E. It can be played on 24-string to 26-string harps with a C as the lowest string if you play both hands an octave higher than written.
SKU: HL.329918
UPC: 840126907612. 5.0x5.0x0.15 inches.
PS 22 elementary school in NYC has millions of followers on their YouTube Channel. They post songs from their music class that are inspirational. Simply produced and unison or two part but always with a message that our young people need to hear: I'm not giving up on you..
SKU: CF.CPS220F
ISBN 9781491153147. UPC: 680160910649.
An exciting new original march in classic American march form and style. Composer John Paternak has captured the essence of the great marches of Sousa and Fillmore in a new tuneful and fresh sound traditional march. The trio melody is essential catchy and the march is worthy of use as a solid warm-up march for festival by advancing level concert bands.I wrote this piece for my friend Ralph Meyer and the members of the Western Reserve Community Band, who are always there for me when I need a group to read or record one of my compositions. I would also like to thank Larry Clark for helping this march come to life.There are a lot of sudden dynamic changes in this piece. It is crucial that there is dynamic contrast, so the piece can be performed effectively. There are also several instances with contrast in articulation styles. Make sure your group is playing short notes different from the legato passages. At m. 87 during the second time through, I have made the tempo jump to 152. Feel free to take it faster if your group is capable of it.
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