SKU: FH.WC3
ISBN 978-1-55440-579-4.
This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.Technical Repertoire:Le petit negre - Claude Debussy, arr. Sidney LawtonAllegro - Xavier Lefevre, arr. David RowlandTarantella, op. 63, no. 41 - Carl Baermann, arr. Paul Harris and Emma JohnsonPotpourri, op. 45, no. 3 - Franz Danzi, arr. Paul HarrisVariations on La ci darem la mano (Excerpt) - Ludwig van Beethoven, arr. Simeon BellisonAnitra's Dance, from Peer Gynt - Edvard Grieg, arr. James RaeLyrical Repertoire:Largo - Johann Friedrich Fasch, arr. Richard PlattFreylach Suite - Martin van de Ven, arr. Jason GrayRomance - Edward GermanAdagio - Johann Melchior Molter, arr. Pamela WestonSiciliano - Gerhard WuenschSiciliana - Paul HarveyDance Prelude No. 4 - Witold Lutos_awskiAlone - Elena Firsova.
SKU: M7.AST-6117
ISBN 9790203861171.
SKU: HF.FH-2513
ISBN 9790203425137. 9 x 12 inches.
1. Moderato espressivo; 2. Moderato; 3. Andante con moto; 4. Allegro; 5. Allegretto; 6. Largo.
SKU: AP.1-ADV7466
ISBN 9783892218258. UPC: 805095074666. English.
Featuring four distinct movements in contrasting styles---Grave, Allegro, Largo e staccato, Allegro---this adaptation of an 18th Century masterwork has been arranged for saxphone quartet (AAAA). This work gives everyone equal responsibility for negotiating technically challenging passages while producing antiphonal effects when they play in opposing pairs. Detailed historic notes are included.
SKU: PR.416411770
UPC: 680160091508.
I was tempted to call the piece Throw Back because it consciously employs rhythmic and harmonic approaches characteristic of the earlier part of the twentieth century, much of which plays a part in forging my musical personality. Going along with the impetus, I have paid homage by subtly interpolating stylistic or actual references to such unexpected bedfellows as Scriabin, Ravel, Debussy, Piston, Roussel, and Ysaye. I hope I will be musically forgiven. In one continuous movement, there are three definite internal sections: Presto-Largo-Allegro. The first section opens with a very soft percussion cadenza. If the acoustics allow it, the player will use sponge pottery mallets (sponge-headed mallets employed to smooth the interior of a pot as it is being spin-dried). No matter how hard the percussionist strikes the drums, the dynamic cannot go above pp (pianissimo). This cadenza serves as a basis for the first movement. The elements of the cadenza are taken by the orchestra to make the first major statement, similar to the classical concerto; but rather than making a restatement, the soloists, when they come in, begin with variational ideas. The second section is given over to the soloists, and is lyrical. The third section begins with an alternation between strict rhythmic pulsation and free-sounding timbres, as if reluctant to leave the second section behind. The rhythmic aspect takes over more and more as the piece progresses toward its conclusion. Double Play was commissioned by the Saint Paul Chamber Orchestra with financial assistance from the Northwest Area Foundation. It received its premiere on January 7, 1983, in St. Paul, with the St. Paul Chamber Orchestra; Pinchas Zukerman, violinist; Marc Neikrug, piano; and the composer conducting.
SKU: AP.44809S
UPC: 038081517407. English.
This seamless medley of the most popular overture themes from the Classical and Romantic periods---a veritable music history listening lesson---will be a sure-fire hit on any concert program. Scored in D-major throughout, the grade 3 arrangement by Douglas E. Wagner presents many teachable moments with style, balance, dynamic control, articulation, and interpretation. In order of appearance, the themes included are: 1812 Festival Overture (Largo) by Tchaikovsky; Overture to Zampa by Herold; Overture to The Barber of Seville by Rossini; Overture to The Magic Flute by Mozart; Overture to The Marriage of Figaro by Mozart; Overture to Poet and Peasant by von Suppé; Overture to The Merry Wives of Windsor by Nicolai; Overture to William Tell by Rossini; Overture to Die Meistersinger by Wagner; Overture to Light Cavalry by von Suppé; Overture to Orpheus in the Underworld by Offenbach; Academic Festival Overture, by Brahms; and 1812 Festival Overture (Allegro vivace) by Tchaikovsky. (3:30).
SKU: AP.1-ADV7464
ISBN 9783892218234. UPC: 805095074642. English.
Featuring four movements in contrasting styles and tempos---largo, allegro, adagio, vivace---this adaptation of an 18th century masterwork gives everyone equal responsibility for presenting technically challenging passages and produces antiphonal effects when they play in opposing pairs. Detailed historic notes are included in German and English. Concerto à 4 Violini concertati has been arranged by Olaf Mühlenhardt.
SKU: HL.14004977
ISBN 9781844496860. 9.0x12.0x0.112 inches.
Fifteen well-known pieces written for Grade 1-2 standard Piano.
SKU: FG.55011-878-2
Lasting 27 minutes, Kalevi Aho’s String quartet no. 4 (2021) is in four movements. The first, Nocturne, begins with a hazily muted melody dominated by the interval of a minor third on the second violin. Though the first movement begins in nocturnal mood, there is also some more forceful music around the middle. The second movement, Allegro capriccioso, is quick with quirky rhythms. At times tempestuous, it faces the players with the biggest technical and virtuoso challenges. The following Largo is slow. A couple of times in the first half it is dominated by soft, mysterious harmonies. The tempo marking of the virtuosic closing movement is Presto, leggiore. The movement begins with quick, flickering, will-o’-the-wisp-like music. It later builds up to an extremely violent climax dominated by tremolo figures on the second violin and thick chords on the other instruments. The flickering music of the beginning returns at the end, before dissolving into silence.This product includes the full score (A4) and the parts (B4).
SKU: M7.BP-2744
ISBN 9790015274404.
It is easy to praise the F major concerto: captivating, beguiling, enchanting à this jewel of viola literature deserves every delightful attribute. The three-part Allegro, still in the rococo style, is followed by an expressive, melancholy Largo in f minor. In the Rondo-Finale were are thrilled anew by the increasingly virtuosic thematic dialogue between viola and orchestra.
SKU: HL.49045870
ISBN 9790001177948. UPC: 841886034525. 9.0x12.0x0.161 inches.
Nikolai Kapustin, born in 1937, is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms. Sonata Op. 69 for viola and piano was written in 1992. Contents: Allegro Largo Vivace.
SKU: BO.B.3373
Comentarios del Espanol:Esta obra fue encargada en 1995 por el XV Festival Internacional de Torroella de Montgri y estrenada en julio de ese mismo ano en el marco de este certamen. Los tres movimientos que presenta estan integrados por un Vivo de caracter incisivo, ritmico y que a lo largo del discurso sonoro combina los diferentes temas que han ido apareciendo en los primeros momentos. El Lento con Variaciones, basado en el tema popular catalan de El Noi de la Mare, intenta aprovechar los diferentes recursos que este procedimiento ofrece. El tercer movimiento, Allegro amb Rauxa, que tambien contiene elementos de musica popular, esta estructurado en forma de rondo-sonata. --Domenec Gonzalez de la Rubia.
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