| Laudate Dominum (Psalmus 116) - Intermediate EMB (Editio Musica Budapest)
Female choir - Grade 4 SKU: BT.EMBZ14942 Composed by Péter Andorka. Hy...(+)
Female choir - Grade 4 SKU: BT.EMBZ14942 Composed by Péter Andorka. Hymns & Chorals. Vocal Score. Composed 2015. 12 pages. Editio Musica Budapest #EMBZ14942. Published by Editio Musica Budapest (BT.EMBZ14942). Latin. The composer Péter Andorka (born 1987) studied under Miklós Kocsár and Miklós Csemiczky at the Bartók Secondary School of Music and under János Vajda at the Liszt Academy of Music, both in Budapest. Apart from solo, chamber and orchestral works, several vocal compositions of his (oratorios and choral works) have been performed, and he has also composed for the stage.The Three Liturgical Chants to Latin texts were composed for six-part female choir in 2009. The text of the first piece (Lux aeterna) comes from the mass for the dead, that of the second (Laudate Dominum) from Psalm 116 (117 in many English translations), and that of the third (Adoro te devote) from a hymn by StThomas Aquinas, whose Gregorian chant is also incorporated into the work. The euphony and elaborate part-writing of the Three Liturgical Chants place a serious task before choirs, particularly in terms of intonation. Especially the wide compass of Lux aeterna requires a professional choir. The pieces in the cycle can be purchased separately (Z. 14941, 14942 and 14943). $2.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Dona nobis pacem Choral SATB SATB, Organ [Score] Carus Verlag
SATB Choir, organ SKU: CA.751650 Composed by Johannes Matthias Michel. Co...(+)
SATB Choir, organ SKU: CA.751650 Composed by Johannes Matthias Michel. Contemporary Choir Music. Sacred vocal music, Peace and justice. Full score. Composed 2015. Duration 5 minutes. Carus Verlag #CV 07.516/50. Published by Carus Verlag (CA.751650). ISBN 9790007241988. Language: Latin. Dona nobis pacem and Lux aeterna were both written for concert programs devoted to specific themes. They share the use of the techniques of minimalism in their organ parts, enabling the broad vocal lines in the choral voices to stretch out above this instrument, thus imparting a special aspect to the concerns addressed by the texts: the longing for freedom in the here and now, as expressed in the Dona nobis pacem, as well as the desire for peace and tranquillity in the Lux aeterna. Score available separately - see item CA.751600. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Adoro te devote - Intermediate EMB (Editio Musica Budapest)
Female choir - Grade 4 SKU: BT.EMBZ14943 Composed by Péter Andorka. Hy...(+)
Female choir - Grade 4 SKU: BT.EMBZ14943 Composed by Péter Andorka. Hymns & Chorals. Vocal Score. Composed 2015. 4 pages. Editio Musica Budapest #EMBZ14943. Published by Editio Musica Budapest (BT.EMBZ14943). Latin. The composer Péter Andorka (born 1987) studied under Miklós Kocsár and Miklós Csemiczky at the Bartók Secondary School of Music and under János Vajda at the Liszt Academy of Music, both in Budapest. Apart from solo, chamber and orchestral works, several vocal compositions of his (oratorios and choral works) have been performed, and he has also composed for the stage.The Three Liturgical Chants to Latin texts were composed for six-part female choir in 2009. The text of the first piece (Lux aeterna) comes from the mass for the dead, that of the second (Laudate Dominum) from Psalm 116 (117 in many English translations), and that of the third (Adoro te devote) from a hymn by StThomas Aquinas, whose Gregorian chant is also incorporated into the work. The euphony and elaborate part-writing of the Three Liturgical Chants place a serious task before choirs, particularly in terms of intonation. Especially the wide compass of Lux aeterna requires a professional choir The pieces in the cycle can be purchased separately (Z. 14941, 14942 and 14943). $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dona nobis pacem Choral SSAA SSAA, Organ [Score] Carus Verlag
SSAA choir, Organ SKU: CA.751600 Composed by Johannes Matthias Michel. Co...(+)
SSAA choir, Organ SKU: CA.751600 Composed by Johannes Matthias Michel. Contemporary Choir Music. Sacred vocal music, Peace and justice. Full score. Composed 2015. 12 pages. Duration 5 minutes. Carus Verlag #CV 07.516/00. Published by Carus Verlag (CA.751600). ISBN 9790007166878. Text language: Latin. Dona nobis pacem and Lux aeterna were both written for concert programs devoted to specific themes. They share the use of the techniques of minimalism in their organ parts, enabling the broad vocal lines in the choral voices to stretch out above this instrument, thus imparting a special aspect to the concerns addressed by the texts: the longing for freedom in the here and now, as expressed in the Dona nobis pacem, as well as the desire for peace and tranquillity in the Lux aeterna. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem (CD only - no sheet music) |voice solo|vocal||choral|vocal| [Accompaniment CD] Rehearsal Arts, LLC
By John Rutter. Teaching Singer: Aaron Engebreth. For Bass voice. Choral learnin...(+)
By John Rutter. Teaching Singer: Aaron Engebreth. For Bass voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:44:19. Published by Rehearsal Arts, LLC.
$21.80 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Requiem (CD only - no sheet music) |voice solo|vocal||choral|vocal| [Accompaniment CD] Rehearsal Arts, LLC
By John Rutter. Teaching Singer: Ryan Turner. For Tenor voice. Choral learning a...(+)
By John Rutter. Teaching Singer: Ryan Turner. For Tenor voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:50:17. Published by Rehearsal Arts, LLC.
$21.80 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Requiem Orchestra [Study Score / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score) SKU: HL.49018099 Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099). ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German. On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009. $93.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Requiem Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score] Oxford University Press
By John Rutter (1945-). For Soprano voice soloist, SATB choir, chamber orchestra...(+)
By John Rutter (1945-). For Soprano voice soloist, SATB choir, chamber orchestra/chamber ensemble (2 flute, oboe, 2 clarinet, bassoon, 2 horn, timpani, glockenspiel, harp, strings). Scores. Miscellaneous. Full score (small orchestra). 120 pages. Duration 40'. Published by Oxford University Press
$170.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score] Barenreiter
New Completion. Composed by Wolfgang Amadeus Mozart (1756- 1791). Edited by Mic...(+)
New Completion. Composed by
Wolfgang Amadeus Mozart (1756-
1791). Edited by Michael
Ostrzyga. This edition:
Urtext. Paperback Binding.
Baerenreiter Urtext. Classical
Period. Score. Baerenreiter
Verlag #BA11310. Published by
Baerenreiter Verlag
$92.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Requiem (CD only - no sheet music) |voice solo|vocal||choral|vocal| [Accompaniment CD] Rehearsal Arts, LLC
By John Rutter. Teaching Singer: Gail Abbey. For Soprano voice. Choral learning ...(+)
By John Rutter. Teaching Singer: Gail Abbey. For Soprano voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:49:47. Published by Rehearsal Arts, LLC.
$21.80 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Requiem (CD only - no sheet music) |voice solo|vocal||choral|vocal| [Accompaniment CD] Rehearsal Arts, LLC
By John Rutter. Teaching Singer: Kamala Soparkar. For Alto voice. Choral learnin...(+)
By John Rutter. Teaching Singer: Kamala Soparkar. For Alto voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:49:48. Published by Rehearsal Arts, LLC.
$21.80 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Requiem Mass Choral SATB SATB Associated
SATB. By Jose Nunes-Garcia. Arranged by De Lerma. (SATB). Choral Large Works. S...(+)
SATB. By Jose Nunes-Garcia. Arranged by De Lerma. (SATB). Choral Large Works. Size 6.8x10.5 inches. 68 pages. Published by Associated.
(1)$13.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ave Maria Choral SATB SATB divisi, A Cappella - Intermediate Laurendale Associates
SATB choir divisi (a cappella) - Late Intermediate SKU: MN.CH-1296 Compos...(+)
SATB choir divisi (a cappella) - Late Intermediate SKU: MN.CH-1296 Composed by Andrew Bonacci. Catholic Year A Immaculate Conception. 21st Century. Choral score. Laurendale Associates #CH-1296. Published by Laurendale Associates (MN.CH-1296). UPC: 765844005764. Ave Maria was composed for the University of Kansas Choirs, and dedicated with appreciation to Simon Carrington (Kings Singers). It was premiered by the Oread Consort at Edington Priori Church in Wiltshire, England in May of 1997. The Gregg Smith Singers brought new life to this work at the 2000 Adirondack Festival of American Music in Saranac Lake, and followed with a recording on the Living Artist series. This piece was inspired by Gyorgy Ligeti's setting of Lux Aeterna (1966), as well as by Giuseppe Verdi's Ave Maria, the scala enigmatica armonizzata a Quattro voci (1898). It is shaped by a series of breath-like harmonic swells leading to climactic homophonic statements of the text, with strident voice pairings yearning for resolution. New York writer Watson Bosler describes the work as an iridescent wash of color as an intricate web of interrelated melodic and rhythmic themesThis Ave hymns not the sugar-water Virgin of Gounod or Scott, but rather the powerful Goddess Yeats depicts: The Roman Empire stood appalled:/ It dropped the reins of peace and war/ When that fierce virgin and her Star/ Out of the fabulous darkness called. $4.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Agnus Dei - Lux aeterna (1984) Choral SSAATTBB Barenreiter
2 Motetten (lateinisch, deutscher Text beigegeben). By Manfred Trojahn. For Mixe...(+)
2 Motetten (lateinisch, deutscher Text beigegeben). By Manfred Trojahn. For Mixed Choir-SSAATTBB. Musica sacra nova. Singing Score. Published by Baerenreiter-Ausgaben (German import).
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lux Aeterna Choral SATB SATB divisi, A Cappella Walton Music
By Brian Schmidt. (SATB DV A Cappella). Walton Choral. Size 6.75x10.5 inches. 8...(+)
By Brian Schmidt. (SATB DV A Cappella). Walton Choral. Size 6.75x10.5 inches. 8 pages. Published by Walton Music.
(1)$2.60 $2.47 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Carry the Light Choral CD Alfred Publishing
Choir Secular SKU: AP.49695 Composed by Andy Beck. This edition: SoundTra...(+)
Choir Secular SKU: AP.49695 Composed by Andy Beck. This edition: SoundTrax CD. Choral Octavo; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Graduation; Peace/Brotherhood; Secular. CD. Alfred Music #00-49695. Published by Alfred Music (AP.49695). UPC: 038081567822. English. Imagine the opening solo in darkness. Light increases as the choir begins, growing to full brilliance when three luminous lines intertwine. A lux aeterna refrain is sung in resonant harmony, with touches of shimmering dissonance on cadences. One final tone cluster at the end ignites shivers. This inspiring text provides a personal credo to live with light. Download the optional violin obbligato for free. About Alfred Choral Designs The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests. $29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lux Aeterna Handbells - Intermediate/advanced Beckenhorst Press
5 to 8 octave handbells - Level 4 SKU: BP.HB765A Composed by Matthew Comp...(+)
5 to 8 octave handbells - Level 4 SKU: BP.HB765A Composed by Matthew Compton and William A. Payn. General. With Handchimes. Secular. Part. Beckenhorst Press #HB765A. Published by Beckenhorst Press (BP.HB765A). 8.5 inches. $5.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lux aeterna Choral SATB Stainer and Bell
SATB choir SKU: ST.CN8P Composed by Edmund Jolliffe. ChoralNow. This PRIN...(+)
SATB choir SKU: ST.CN8P Composed by Edmund Jolliffe. ChoralNow. This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN8P. Published by Stainer & Bell Ltd. (ST.CN8P). ISBN 9790220224652. Edmund Jolliffe's setting of the communion antiphon for the Roman Catholic Requiem Mass may be sung to equally powerful effect either liturgically, or as the focus of a collective expression of remembrance, or as a moving addition to any choral concert programme. From the opening revelation of eternal light the music moves steadily through hushed litanies and invocations to a resounding climax. A contemporary tonality of richly annotated chords illuminates these traditional words with a modern sound and sense. This is a piece that singers will enjoy for its discipline of sustained lines and beautifully balanced sonorities no less than for its eloquent statement of an eternal hope. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Lux Aeterna Choral SATB [Octavo] GIA Publications
By John Bell (1910-). For SATB choir, keyboard accompaniment, C instrument. Sacr...(+)
By John Bell (1910-). For SATB choir, keyboard accompaniment, C instrument. Sacred. Easy. Octavo. Text language: Latin and English. 8 pages. Published by GIA Publications
$2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lux Aeterna for Five Masked Musicians (1971) [Score] Peters
By George Crumb. For soprano, bass flute (soprano recorder), sitar, percussion (...(+)
By George Crumb. For soprano, bass flute (soprano recorder), sitar, percussion (2) (5 scores needed for performance). (Lat). Duration 15'. Published by C.F. Peters.
$37.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lux Aeterna Choral SSAA SSAA A Cappella Walton Music | | |
| Lux Aeterna Choral SATB SATB, Piano [Octavo] Heritage Music Press
By Tom Porter. For SATB choir, piano. Concert. Octavo. Text language: latin. 12 ...(+)
By Tom Porter. For SATB choir, piano. Concert. Octavo. Text language: latin. 12 pages. Duration 3 minutes 30 seconds. Published by Heritage Music Press
$2.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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