SKU: HP.2802P
UPC: 763628228026. By Davis, Onorati & Simeone.
Classic Christmas song by Katherine Kennicott Davis & Henry Onorati & Harry Simeone This delightful presentation of this well-loved Christmas song is a dynamic fully developed setting that is perfect for Christmas concerts in schools, communities, and churches. The optional parts for synth and percussion add nuance and festive charm. . . pa-rum pum pum pum.
SKU: BT.DHP-0991686-404
ISBN 9789043163262. 9x12 inches. French.
La collection DE HASKE PERCUSSION SERIES est constituée de quatre méthodes en deux volumes qui vous permettront dâ??apprendre les techniques de base dans un contexte ludique et motivant. Le contenu est présenté de façon claire etprécise. Chaque chapitre sâ??ouvre sur la présentation dâ??une nouvelle figure ou combinaison rythmiques suivie dâ??exercices techniques. Parallèlement au travail du rythme et des techniques fondamentales, les élèves interpréteront denombreux morceaux (solos, duos et canons) qui leur permettront de se concentrer sur la musicalité.
SKU: CF.CPS129
ISBN 9780825888304. UPC: 798408088309. 9x12 inches.
Arranger Joseph Compello works his magic with this familiar Grieg piece from the famous Peer Gynt Suite No. 2. A faithful transcription for band that keep the flavor of the original intact, there is no better way to introduce students to the wonderful music of Grieg!
SKU: PR.41641485L
UPC: 680160616244.
3 Flutes (3rd double Piccolo), 3 Oboes (3rd double English Horn), 3 Clarinets (3rd double Bass Clarinet), 2 Bassoons, Contrabassoon, 4 Horns in F, 3 Trumpets in Bb, 2 Trombones, Bass Trombone, Tuba, Timpani, 3 Percussion, I: Burmese Hand Gong, Glockenspiel, Sus. Cymbal, Xylophone, Chimes, II: Tam-tam, Large Sus. Cymbal, 4 Tom-toms, 4 Wood Blocks, III: Large Triangle, Bass Drum, Strings.
SKU: FJ.B1836S
English.
Using just six notes, this intense work evokes the power and ferocity of an active Indonesian volcano! After an epic opening, bold melodic lines intertwine with moments of clapping and stomping while an array of percussion colors paint a vivid picture of the 1815 Mount Tambora eruption and the tragic aftermath. Simply stunning!
SKU: WD.080689552786
UPC: 080689552786.
About Sunday Sounds Series
Sunday Sounds Series Instrumentation:Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles C Bass), Alto Sax (doubles French Horn), Tenor Sax (doubles Trombone,) Bari Sax (doubles C Bass)Brass: 2 French Horn, 3 Trumpet, 2 TrombonePercussion: PercussionStrings: 2 Violin, ViolaAdditional Parts: C Bass (Bassoon, Bass Trombone, Tuba, Cello, String Bass), Piano/Bass/Guitar, Drum Set, Harp, String Reduction
SKU: PR.11640342L
UPC: 680160687756.
The Body Electric draws its inspiration from great American poet, Walt Whitman's work I Sing the Body Electric. Two years earlier, while writing a setting of Whitman's Crossing Brooklyn Ferry for baritone and chamber orchestra, I became enamored with many of the poems from his collection, The Leaves of Grass. I had not revisited Whitman's poetry since high school and that distance provided a fresh look at Whitman's poetry. In the spring of 2009, I came back to this collection and decided to write another work inspired by Whitman's poetry, this time for chamber orchestra alone. Writing a work that attempted to capture the mood of this epic poem seemed impossible. Because of the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blow of the poem seemed equally impossible. For me, the solution was to take three fragments of the poem and focus on conveying their particular moods. In the score, I have included the following lines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Body at auction. the Body Electric was written for the 2009 Wellesley College Composers Conference and was premiered on the final concert of the conference with Jim Baker conducting. Clint Needham.the Body Electric draws its inspiration from great American poet, Walt Whitman’s work I Sing theBody Electric. Two years earlier, while writing a setting of Whitman’s Crossing Brooklyn Ferry forbaritone and chamber orchestra, I became enamored with many of the poems from his collection,The Leaves of Grass. I had not revisited Whitman’s poetry since high school and that distanceprovided a fresh look at Whitman’s poetry. In the spring of 2009, I came back to this collectionand decided to write another work inspired by Whitman’s poetry, this time for chamber orchestraalone.Writing a work that attempted to capture the mood of this epic poem seemed impossible. Becauseof the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blowof the poem seemed equally impossible. For me, the solution was to take three fragments of thepoem and focus on conveying their particular moods. In the score, I have included the followinglines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Bodyat auction.the Body Electric was written for the 2009 Wellesley College Composers Conference and waspremiered on the final concert of the conference with Jim Baker conducting.Clint Needham.
SKU: FJ.B1287S
Your group is sure to steal the thunder in this fast-paced thriller by Rob Grice! Extremely playable, the work opens with driving eighth notes supported by a large battery of percussion. Catapulting forward, the work eventually moves into a brief lyrical passage before regaining momentum toward a rousing conclusion!
About FJH Young Band
Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5
SKU: CF.BPS138
ISBN 9781491159491. UPC: 680160918089.
Woody Woodblocker is a novelty piece featuring the title instrument as a soloist. It is suitable for bands currently in the first year of lessons. It should be performed in a lively manner and played at a tempo deemed suitable by the director. While the typical woodblock is usually struck with a drumstick, the director may wish to explore other types of blocks and mallets which may prove more effective with bands of varying sizes. To overcome the issue of balance, the woodblock notes are primarily sounded while the winds have rests within a measure. Young bands, therefore, with more than a few players in the percussion section may use more than one woodblock player on the solo part without upsetting the balance between woodblock(s) and winds. Thank you for choosing this composition.Woody Woodblocker is a novelty piece featuring the title instrument as a soloist. It is suitable for bands currently in the first year of lessons. It should be performed in a lively manner and played at a tempo deemed suitable by the director. While the typical woodblock is usually struck with a drumstick, the director may wish to explore other types of blocks and mallets which may prove more effective with bands of varying sizes. To overcome the issue of balance, the woodblock notes are primarily sounded while the winds have rests within a measure. Young bands, therefore, with more than a few players in the percussion section may use more than one woodblock player on the solo part without upsetting the balance between woodblock(s) and winds.Thank you for choosing this composition.
SKU: FJ.B1620S
Inspired by a trip to Honolulu, this music embodies the aloha spirit that so many discover when visiting the islands of Hawaii. Making use of a wealth of authentic percussion instruments (along with many options for substitutions), the piece truly captures the bright spirit of Hawaii. An optional ukulele part is cued in other instruments, and the piece concludes with a powerful rendition of Hawaii Aloha, an anthem of great pride to those who live in Hawaii. Magical!
About FJH Concert Band
Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5
SKU: AP.1-ADV7685
UPC: 805095076851. English.
This arrangement is playable with or without rhythm section. It includes completely notated rhythm section parts, including piano voicings and bass lines and fully notated jazz solos. Compatible with the woodwind edition.
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