SKU: BA.BA04660-02
ISBN 9790006565375. 31 x 24.3 cm inches. Text Language: Latin. Preface: Gunter Thomas.
Haydn's Missa in Angustiis, also known as theNelson Mass, was composed in 1798. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with The Creation and The Seasons. Continuing the collaboration between Barenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.211400
ISBN 9790007091934.
With great success Carus-Verlag published the Choral collections Mozart * Haydn Vol. I-III for the Mozart year 2006, with sacred works by the father and son Mozart and the brothers Joseph and Michael Haydn. For the fourth volume, secular choral works for mixed choir a cappella and with accompaniment of a keyboard instrument have been prepared. Original pieces, among them several choral songs by Michael Haydn published here for the first time, are joined by arrangements. Musically and literarily this collection contain a broad and varied repertoire: easily performable music for home or for social occasions, in which cheerful and erotic as well as meditative and pensive themes appear.
SKU: CA.4060549
ISBN 9790007245139. Key: G major. Language: Latin.
Haydn wrote the Missa Sancti Nicolai in 1772, probably for the name day of prince Nicolaus Esterhazy. This work is on a larger scale than the other missae breves, and in the orchestra two oboes and two horns join the strings. At the very beginning of the Kyrie the gentle, pastoral character which distinguishes this work is established. Haydn reprises the music of the Kyrie in the Dona nobis pacem to round off the work. The full score contains at the same time the organ part. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4060500.
SKU: CA.4060149
ISBN 9790007219321. Key: F major. Text language: Latin.
Despite all of its folk-line simplicity of melody, Haydn's first mass contains a pious note that, just like its youthful verve, still was to hold fascination for him in his late years when, in 1805, he re-orchestrated his first work. The first version of the mass is considered to have been composed in 1749 or 1750. It was around the same time that Pope Benedict XIV treated questions concerning church music in his encyclical Annus qui in which he condemned the frequently operatic style of church music and demanded liturgical music that revealed an awareness of its religious purpose and that sought to fulfill it with simple means of musical expression. In its liturgical attitude Haydn's first mass is anchorded in this point of view (that to a great extent corresponded to the general standpoint of the churches of the eighteenth century). Score and part available separately - see item CA.4060100.
SKU: CA.5199309
ISBN 9790007225582. Language: Latin/German.
The motet O Jesu, te invocamus arose through an adaptation of the text of the final chorus of Joseph Haydn's Applausus, a festive cantata composed in 1768. For church music performances, the Latin text O Jesu, te invocamus was closely attached to the primary text and often only single words were replaced. The German alternative text Allmachtiger, Preis dir und Ehre, for which there was neither a biblical nor a liturgical basis, was added to the Latin text. Score and parts available separately - see item CA.5199300.
SKU: CA.5199303
ISBN 9790007094164. Language: Latin/German.
The motet O Jesu, te invocamus arose through an adaptation of the text of the final chorus of Joseph Haydn's Applausus, a festive cantata composed in 1768. For church music performances, the Latin text O Jesu, te invocamus was closely attached to the primary text and often only single words were replaced. The German alternative text Allmachtiger, Preis dir und Ehre, for which there was neither a biblical nor a liturgical basis, was added to the Latin text. Score available separately - see item CA.5199300.
SKU: CA.5199311
ISBN 9790007225599. Language: Latin/German.
The motet O Jesu, te invocamus arose through an adaptation of the text of the final chorus of Joseph Haydn's Applausus, a festive cantata composed in 1768. For church music performances, the Latin text O Jesu, te invocamus was closely attached to the primary text and often only single words were replaced. The German alternative text Allmachtiger, Preis dir und Ehre, for which there was neither a biblical nor a liturgical basis, was added to the Latin text. Score and part available separately - see item CA.5199300.
SKU: CA.5199313
ISBN 9790007225612. Language: Latin/German.
SKU: CA.5199312
ISBN 9790007225605. Language: Latin/German.
SKU: CA.5199319
ISBN 9790007145699. Language: Latin/German.
SKU: CA.5199911
ISBN 9790007225797. Language: Latin.
Joseph Haydn made two settings of the Ambrosian song of praise the Te Deum. The second of these is a work of Haydn's last period and was written around 1800 for the Empress Marie Therese. Its large orchestra gives this work, which makes no use of solo singers, a particular splendour of sound akin to that of the choruses in Haydn's Creation. Score and part available separately - see item CA.5199900.
SKU: CA.4060219
ISBN 9790007138042. Key: G major. Language: Latin.
The Mass Rorate coeli desuper may be one of Joseph Haydn's earliest works, but its attribution to Haydn is disputed. This short mass setting is based on the complete ordinary of the mass. Because of this it is suitable both for the so-called Rorate masses (which lack the Credo) as well as for Sunday masses during Advent (which lack the Gloria). The full score contains at the same time the organ part. Score and parts available separately - see item CA.4060200.
SKU: CA.5199912
ISBN 9790007225803. Language: Latin.
SKU: CA.5199949
Language: Latin.
SKU: CA.5199913
ISBN 9790007225810. Language: Latin.
SKU: CA.5199914
ISBN 9790007225827. Language: Latin.
SKU: BA.BA04656-01
ISBN 9790201855929. 33 x 26 cm inches. Key: B-flat major.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn. Identical with HN 5592 of G. Henle Verlag, Munich.
SKU: BA.BA04647-02
ISBN 9790201858456. 33 x 26 cm inches. Language: German. Gottfried van Swieten.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn. Identical with HN 5845 of G. Henle Verlag, Munich.
SKU: BA.BA04647-01
ISBN 9790201858425. 33 x 26 cm inches. Language: German. Gottfried van Swieten.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn. Identical with HN 5842 of G. Henle Verlag, Munich.
SKU: CA.5199705
ISBN 9790007129972. Language: Latin.
Haydn entered the motet Non nobis Domine in the catalogue of his works as an Offertorium in stilo a cappella. Its strictly contrapuntal style, which Haydn had learned as a choirboy at St. Stephen's Cathedral in Vienna, suggests the liturgical use of this work during Advent or Lent. Score available separately - see item CA.5199700.
SKU: AP.48291
UPC: 038081551142. English.
Taken from Haydn's masterwork Heiligmesse, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Classical period, including energized homophonic choral lines, structured musical form, and stark dynamic contrasts.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: CF.CM8173
ISBN 9780825863127. UPC: 798408063122. 6.875 X 10.5 inches. Key: C major.
SKU: CA.311440
ISBN 9790007151652. Key: B flat major. Language: Latin.
SKU: GI.G-7485
UPC: 785147748502. English. Text Source: John 3:16-17. Scripture: John 3:16–17.
The late Austin Lovelace arranged this setting of the foundational text from John using the Kyrie of Missa Sancti Nicolai (Mass No. 6 in G) by Haydn. All of the grace one would expect from the music of the Austrian master composer is present in Lovelace’s adaptation.  .
SKU: CA.5199711
ISBN 9790007225728. Language: Latin.
Haydn entered the motet Non nobis Domine in the catalogue of his works as an Offertorium in stilo a cappella. Its strictly contrapuntal style, which Haydn had learned as a choirboy at St. Stephen's Cathedral in Vienna, suggests the liturgical use of this work during Advent or Lent. Score and part available separately - see item CA.5199700.
SKU: CA.4060059
Key: B-dur (b major). Language: Latin.
B-Dur (B-flat major). Score and part available separately - see item CA.4060000.
SKU: KJ.8715
Haydn's Music & Wesley's Text Combine into A Lush Choral Sound. A Soprano Descant Soars Above Until the Quiet, Expressive End. Grade 4.
SKU: AP.17658
UPC: 038081151540. English.
Outstanding edition from Haydn's Mass in Time of War. Includes Latin pronunciation guide and optional English text. No divisi, no solos, moderate ranges.
SKU: CA.5199505
ISBN 9790007129903. Language: Latin.
For the revival in the Burgtheater, Vienna in March 1784, Haydn modernized his oratorio Il ritorno di Tobia. He added the choruses Ah, gran Dio and Svanisce in un momento, the second of which, called Der Sturm, was reworked in the sacred motet Insanae et vanae curae. This was an authentic or an authorized parody. Score available separately - see item CA.5199500.
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