SKU: HL.50510423
ISBN 9790080139738. UPC: 073999119770. 9.0x12.0x0.227 inches. Hungarian, English, German. Zoltan Kocsis; Kalman Berkes.
The third volume of the series provides clarinettists with material to play from the era of the late and post-Romanticism starting from Debussy and Ravel through Rachmaninov to Kodaly. All arrangements were successful items of the common concerts of the editors.
SKU: FG.55011-832-4
ISBN 9790550118324.
Romantic modernist - or modern romanticist - Lars Karlsson (b. 1953) composed his Clarinet concerto (2013-2015) for Christoffer Sundqvist. Connections with Nordic mythology and clarinettist as a shaman turned to a more traditional concerto concept in three movements. Harmonic and melodic use of fourths and fifths forms an important basis for the musical material.This product includes a solo part and a piano reduction (B4 sized).Orchestral material available on hire from the publisher.Instrumentation:1(+picc).1.1(+cl picc).1−1.2.1.0−1.2−strPercussion: Timpani, gong, piatto sospeso, tamburo piccolo, silofono, campanelli.
SKU: HL.49015420
ISBN 9783795751562. 9.0x12.0x0.269 inches. German.
Tune Book 2 of Mauz' Clarinet Method is adjusted to the content of Vol. 2 of the method. It provides additional performance material for clarinet and piano as well as for 2 or 3 clarinets. German and international songs, several canons as well as short pieces from the Classical, Romantic and Modern eras shall further deepen the joy of joint music-making.
SKU: ST.C143
ISBN 9790570811434.
Alexander Konstantinovich Glazunov (1865-1936) trained under Rimsky- Korsakov and became the most illustrious Russian composer and conductor immediately succeeding Tchaikovsky. Glazunov’s close affinity with the Saint Petersburg Conservatory, of which institution he would later become Director for more than two decades, placed him ideally to assist in the Institute’s transition to the Petrograd Conservatory in the immediate wake of the Bolshevik Revolution of 1917. For the last six years of his life, Glazunov left the USSR, feeling hemmed in by propagandist restrictions and at the same time out of kilter with the Modernist movement.He lived in exile for a time, touring the USA, before eventually settling in Paris, though his stoical brand of Russian Romanticism never waned. Despite being partly remembered for having taught Shostakovich, Glazunov was never known as a revolutionary composer, more inclined to align himself with 19th century ideologies than with the thrusting new compositional paths forged by Prokofiev and others. Indeed, the nationalistic movement so successfully espoused by Balakirev found a new energy in Glazunov’s hands, and he discovered an opulence of scale which leaned more in the direction of Borodin.There can be no doubting Glazunov’s technical mastery, which successfully drew together contrapuntal, lyrical and virtuosic skills, and which were admired by the likes of Liszt. Glazunov steered a steady course at a time when it was most sorely needed; one need only hear the marvellous Violin Concerto in A minor to experience the full power and authority of his writing, though he possessed an enviable touch with more intimate forms too, such as those readily to be heard in these three charming Miniatures Op.42, originally composed for piano.Clarinet and PianoTranscribed by Mark TannerGrades 6 & 7 (Trinity Grades 6 & 7 syllabuses)Former Spartan Press Cat. No.: SP1360.
SKU: BR.EB-32111
The first edition of a forgotten treasure
ISBN 9790004186763. 9 x 12 inches.
There are many composers of whom it is said today that they had gone back in time or had composed against contemporary taste. Today, the question arises, though, as to what of value is to be extracted, rediscovered, or re-edited. Camillo Schumann (1872-1946) is one of these nearly forgotten composers. His works are still largely unknown today. Schumann's tonal language combines the Brahmsian sound scape with the grand late romantic Liszt school. His piano pieces range even to sounds reminiscent of Rachmaninoff and are of tremendous power and virtuosity. The pronounced and inventive melody makes the works the testimony of a composer who has not yet come to the fore. His two sonatas for clarinet and piano have hitherto remained completely unknown. This is astonishing, for they are on the level of the sonatas of Johannes Brahms, who probably contributed the most essentially to this genre. Surfacing as a special treasure from the estate of the Saxon musicologist and collector Harald Schurz were the autographs of both clarinet sonatas, now to be published for the first time. Remember falling in love with the expressive qualities of the Brahms sonatas? You can rekindle that feeling with these works by Camillo Schumann. Commentators have compared Schumann's works not only to Brahms, but also to Liszt and Rachmaninoff. Run to your shop and order now.(Gregory Barrett, The Clarinet)The first edition of a forgotten treasure.
SKU: BR.EB-32112
ISBN 9790004186770. 9 x 12 inches.
SKU: IS.CP7545EM
ISBN 9790365075454.
Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique.
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