SKU: HL.50399750
UPC: 073999319644. 10.75x7.25x0.095 inches.
Very young pianists are within easy reach of the little treasures in this volume by beloved classic composers. Each piece is on a small scale, and the author has added descriptive titles to stimulate the young imagination. Contents: Air on G-A-B (Rousseau) * Chorale * Country Dance (Beethoven) * Ecossaise No. 1 * Festival (Haydn) * First Steps (Mozart) * In Merry Mood (Haydn) * Landler (Haydn) * Le Carillon (Haydn) * Little Russian Dance (Beethoven) * Menuetto (Mozart) * Peasant Dance (Beethoven) * Promenade (Beethoven) * Rigaudon (Daquin) * Rigaudon (Rameau) * Rustic Dance (Haydn) * Theme (Mozart) * Theme (Haydn) * Theme by Purcell.
SKU: PR.140401210
ISBN 9781491114438. UPC: 680160642106. 9 x 12 inches.
Written in honor of the Béla Bartók centennial, MUSIQUE NOCTURNES is inspired by one of his most characteristic and original works, the fourth piece (by the same title), from the suite Out of Doors. Both pieces feature overlapping “night musics†– atmospheric cluster figures, sharply contrasting motifs suggesting nocturnal bird, frog, or insect sounds, and an element of human, folksong-like melody as Levinson alludes to the authentic Hungarian folksong, “Tiszán innen, Dunán túl.â€.This simple piece was written in 2015 as a birthday present for the composer’s wife, poet and fellow bird lover Nanine Valen, and is a distant sequel to Canons and Chorale, which he wrote for her in 1969. The ornithological character is an affectionate tribute as well to his teacher Olivier Messiaen. The titular birds are a highly stylized chickadee and two song sparrows.First public performance: Swarthmore College, November 13, 2016, by Marcantonio Barone, whose editorial assistance in the preparation of this edition is gratefully acknowledged. Recorded by Marcantonio Barone on Innova 948.
SKU: BT.ALB-P061818
Dutch.
SKU: OU.9780193722491
ISBN 9780193722491. 12 x 8 inches.
A work in three contrasting sections, each reflecting a mood of Wilfred Owen's poem of the same name. The first depicts the 'strangeness' of the meeting ' . . . Down some profound tunnel', and the second portrays the viciousness of war with violent, jabbing rhythms. This leads directly into a concluding chorale-like movement in which a kind of peace is attained, echoing the closing words of the poem 'Let us sleep now . . .'.
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