(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Thomas Christian Schmidt. For soprano voice solo, SATB choir, 2 violins, viola, cello/contrabass. This edition: Paperbound. Stuttgart Urtext Edition. German title: Wer nur den lieben Gott lasst walten. Cantatas. Level 3. Full score. Language: German/English. Composed 1829. A 7. 32 pages. Duration 12 minutes. Published by Carus Verlag

(2.2.2.2/4.2.3.0,timp,str)

SKU: TM.05062SC

Composed by Johann Sebastian Bach. Arranged by Abert. Score. Lucks Music Library #A1222. Published by Lucks Music Library (TM.05062SC).

Arr. and with Chorale by Abert. Praeludium (No. 4 Wohltemperirtes Clavier). Choral (brass only). Fuga (Orgelfuge No. 12 Bachausgabe 15ter Jahrgang).

(Christmas cantata). Composed by Felix Mendelssohn Bartholdy / Martin Luther. Edited by Karen Lehmann. For SBar vocal soli, SSATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, 2 violas, 2 cellos, contrabass. Stuttgart Urtext Edition. German title: Vom Himmel hoch, da komm ich her. Cantatas, Christmas. Level 3. Complete orchestral parts. Language: German/English. Composed 1831. Duration 16 minutes. Published by Carus Verlag

(Cantata for the 2nd day of Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited by Frieder Rempp. Arranged by Paul Horn. For SB vocal soli, SATB choir, 2 oboes, taille (oboe da caccia, english horn), 2 violins, viola, basso continuo. This edition: paperback. Stuttgart Urtext edition. Christmas. Study score. Text language: German/English. Composed 1725. BWV 57. 36 pages. Duration 28 minutes. Published by Carus Verlag

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100613

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Viola Solo + Viola. Composed 1725. BWV 6. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.006/13. Published by Carus Verlag (CA.3100613).

ISBN 9790007041755. Key: C minor / g minor. Language: German/English.

Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100609

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.006/21 oboe 1, 1x 31.006/22 oboe 2, 1x 31.006/23 oboe da caccia. German title: Bleib bei uns, denn es will Abend werden 3. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Set of Orchestra Parts. Composed 1725. BWV 6. 14 pages. Duration 26 minutes. Carus Verlag #CV 31.006/09. Published by Carus Verlag (CA.3100609).

ISBN 9790007041724. Key: C minor / g minor. Language: German/English.

Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and parts available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100612

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Violin 2. Composed 1725. BWV 6. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.006/12. Published by Carus Verlag (CA.3100612).

ISBN 9790007041748. Key: C minor / g minor. Language: German/English.

Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117712

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. Composed 1732. BWV 177. 4 pages. Duration 13 minutes. Carus Verlag #CV 31.177/12. Published by Carus Verlag (CA.3117712).

ISBN 9790007209827. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and part available separately - see item CA.3117700.

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117709

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. 1x 31.177/21 oboe 1, 1x 31.177/22 oboe 2, 1x 31.177/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. Composed 1732. BWV 177. 16 pages. Duration 13 minutes. Carus Verlag #CV 31.177/09. Published by Carus Verlag (CA.3117709).

ISBN 9790007209803. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and parts available separately - see item CA.3117700.