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| Chromatic Harmonica Solos
Harmonica [Sheet music + CD] - Intermediate
Mel Bay
by Phil Duncan. For chromatic harmonica. All styles. Level: Intermediate. Book/C...(+)
by Phil Duncan. For chromatic harmonica. All styles. Level: Intermediate. Book/CD package. Solos. Size 8.75x11.75. 76 pages
(2)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Refining The March Style
Concert band - Easy
Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals. Composed by Larry Clark. Collate - FS SWS - spine: 3/4 or .75. Young Performance Series. Set of Score and Parts. With Standard notation. 16+4+8+8+4+10+4+4+8+8+8+12+4+6+2+2+4+2+20 pages. Duration 2 minutes, 53 seconds. Carl Fischer Music #YPS105. Published by Carl Fischer Music (CF.YPS105). ISBN 9780825884870. UPC: 798408084875. 9 x 12 inches. Key: Bb major. Based on our popular New Bennett Band Book series, we have compiled march-style warm-ups in a separate publication so they may be used by all bands wishing to learn from them. These innovative warm-ups and fundamental drills are the ultimate method of teaching and reinforcing the March style.
How To Use the March Warm-upsPlaying in a march style can present difficulties for young students. The most prevalent problem is that students have a tendency to play every note too short. Conversely, accented notes are usually played incorrectly with too much tongue. Do marches contain short notes? Absolutely, but these shortest of notes should be reserved for notes that precede an accent or notes that are specifically marked with a staccato. Think of unmarked notes as being separated, but not short and certainly not clipped or stopped with the tongue. Accented notes should be played with more weight using air and more length, and not just a harder tongue. Accents are given to show emphasis to a note and should be thought of in this manner.The warm-up exercises provided in this collection should give you many opportunities to stress the above-mentioned comments on march performance style. The following gives an explanation on the purpose and use of each of these exercises.No. 1 – Basic Chords and ModulationsOne of the challenges of playing marches with young students is successfully performing the key change at the Trio. This exercise presents the three basic chords (tonic, subdominant and dominant) in each of the three keys in this collection of marches. You can also use this exercise to teach and reinforce the style of accented notes. You may want to have your band play major scales in succession by fourths to reinforce the concept of modulation to the subdominant that occurs at the Trio (i.e. the B≤-major scale, then the E≤-major scale, then the A≤-major scale). I might suggest getting the students to try continuing the pattern all the way around the circle of fourths.No. 2 – March Style in B≤ MajorThis exercise contains many opportunities to teach and reinforce the difference between staccato and accented notes. The melody voices move up and down the B≤-major scale, while other instruments play chords commonly found in the marches in this collection. These include diminished chords, secondary dominant chords (i.e. the V of the V) and other common chromatic chords that Fillmore often used.No. 3 – Cakewalk Rhythm in B≤ MajorThe simple syncopated rhythm in this exercise is common to many marches. This drill gives you the opportunity to teach/ reinforce the standard ar-ticulation and natural accent of this rhythmic pattern. Again, this exercise uses an ascending and descending major-scale pattern as the melodic basis, accompanied by chords commonly found in American- style marches.No. 4 – The March Scale in B≤ MajorI call this exercise “The March Scale,†because often in marches (and especially in these marches) the descending half-step is part of the melodic material. These chromatic figures give the melodies of many marches their charm and flow. Thus, I devised this exercise and others like it in E≤ major and A≤ major to familiarize students with these patterns. I would suggest playing the pattern in a variety of ways different from what is written. Here are some other possibilities:• Tongue one, slur three• Slur two, tongue two• Tongue two, slur two• Tongue one, slur two, tongue oneGradually increase the tempo to the march tempo and the articulation style will fall right into place.Another important consideration is the performance of the bass line and the bass-drum part. Too often, the bass drum and bass instruments play their parts with equal emphasis on both beats in the measure. This is incorrect, and frequently makes the marchNo. 5 – March Style in E≤ MajorThis is a similar to exercise No. 2, but with a different rhythmic pattern. Emphasize the difference between accented and unaccented notes. Also, play the exercise with line direction moving the musical line forward. Experiment and play the exercise with different dynamic choices and with hairpins up and down in different ways.No. 6 – More March Style in E≤ MajorExercise No. 6 comprises more rhythmic patterns and harmonic materials in E≤ major to teach and reinforce the march style. This exercise em-phasizes the sixteenth-note rhythm, as notated in the third measure of the exercise. Young stu- dents have a tendency to “crush†the sixteenths; consequently, they lack clarity. It would be a good idea to work this rhythmic figure on a scale pattern with all of the instruments in the band as an additional warm-up exercise.No. 7 – The March Scale in E≤ MajorSee the information for No. 4 and apply it to this exercise. Use all of the various articulations described above as well.No. 8 – March Style in A≤ MajorSee the information for No. 2 and apply it to this exercise.No. 9 – Cakewalk Rhythm in A≤ MajorSee the information for No. 3 and apply it to this exercise.No. 10 – The March Scale in A≤ MajorSee the information for No. 4 and apply it to this exercise.Other Ideas for March PerformanceA rehearsal practice that has worked very well for me is to start out by having the band play the march very slowly at about Œ = 60 in a chorale/legato style. The slow tempo is a fine opportunity to work on clarity of harmonic move- ment and to work on the balance and blend of the tutti band sound. This will pay great dividends toward improving the sound of your band. Gradually increase the tempo to the march tempo and the articulation style will fall right into place.Another important consideration is the performance of the bass line and the bass-drum part. Too often, the bass drum and bass instruments play their parts with equal emphasis on both beats in the measure. This is incorrect, and frequently makes the march. $70.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Blues Harp - Diatonic and Chromatic Harmonica
Harmonica
Mel Bay
Harmonica - Beginning; Intermediate; Advanced SKU: MB.93814M Diatonic ...(+)
Harmonica - Beginning; Intermediate; Advanced SKU: MB.93814M Diatonic and chromatic harmonica. Composed by Phil Duncan. Squareback saddle stitch, Harmonica: Chromatic, Style, Harmonica: Diatonic, Method. Blues Harp. Book and online audio/video. 84 pages. Mel Bay Publications, Inc #93814M. Published by Mel Bay Publications, Inc (MB.93814M). ISBN 9780786687428. 8.75 x 11.75 inches. Written for diatonic and chromatic harmonica, this is one of the hottest-selling blues harp books available. As usual, Phil Duncans instructions are thorough and easy to understand. One of the best books in this popular harmonica style. The blues technique of playing cross-harp is clearly presented. Chords and melody, bending, tones and vibrato are but a few skills that are taught. No previous musical knowledge is necessary. Includes access to online audio and video.In the companion video, the blues technique of playing cross-harp is clearly presented. Chords and melody, bending, tones and vibrato are but a few skills that are demonstrated. The online video follows the book, helping to ensure accuracy, proper interpretation and ease of learning. No previous musical knowledge is necessary. Includes access to online audio in stereo play-along format. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Introduction and Royal March of the Lions (from Carnival of the Animals)
Orchestra - Intermediate
Alfred Publishing
By Camille Saint-Saëns. Arranged by Michael Story and Michael Story. Orchestra....(+)
By Camille Saint-Saëns. Arranged by Michael Story and Michael Story. Orchestra. For full (bells, timp, suscym/tamb, pno (opt), vln3). Full Orchestra; Masterworks; Part(s); Score. Belwin Intermediate Full Orchestra. Form: March; Transcription. Masterwork; Romantic. Grade 3. 120 pages. Published by Alfred Music Publishing
$58.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Introduction and Royal March of the Lions (from Carnival of the Animals)
String Orchestra [Score] - Intermediate
Belwin
By Camille Saint-SaÌÇns. Arranged by Michael Story and Michael Story. Orchestr...(+)
By Camille Saint-SaÌÇns. Arranged by Michael Story and Michael Story. Orchestra. Full Orchestra; Masterworks; Score. Belwin Intermediate Full Orchestra. Form: March; Transcription. Masterwork Arrangement; Romantic. Grade 3. 12 pages. Published by Belwin Publishing
$7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| March Chromatica
Concert band - Beginner
Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.26802S Composed by Mark Williams. Concer...(+)
Concert Band - Grade 1.5 SKU: AP.26802S Composed by Mark Williams. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Challenger Band Series. Form: March. Meters. Score. 8 pages. Alfred Music #00-26802S. Published by Alfred Music (AP.26802S). UPC: 038081301631. English. Destined to become a standard of the school band repertoire, the melodies of this classic old-time 6/8 march are based on the chromatic scale. In fact, the melodies and countermelodies in the trio section are pure chromatic scales (moving in opposite directions), and the superb harmonization makes it sound fantastic. You have to hear it to believe it! This title is available in MakeMusic Cloud. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Wiregrass March - Intermediate
Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2 and more. - Grade 3 SKU: CF.CPS238F Composed by R. Alan Carter. Sws. Cps. Full score. 16 pages. Duration 2:20. Carl Fischer Music #CPS238F. Published by Carl Fischer Music (CF.CPS238F). ISBN 9781491158173. UPC: 680160916771. 9 x 12 inches. Wiregrass March was written to celebrate the southern portion of Georgia and Alabama known as Wiregrass Country, because of the type of grass that grows in this sandy soil. This march is written in the traditional style of Henry Fillmore. After a short introduction, the first strain has a light, happy melody with a simple flourish from the low brass. The second strain is highlighted by chromatic harmony to add depth. The new melodic content introduced by the low clarinets and euphonium first time through the trio add to the beauty of this march. This is followed by a flourish of brass to the end.
Wiregrass March was written to celebrate the southern portion ofGeorgia and Alabama known as Wiregrass Country, because of thetype of grass that grows in this sandy soil. This march is written inthe traditional style of Henry Fillmore. After a short introduction, thefirst strain has a light, happy melody with a simple flourish from thelow brass. The second strain is highlighted by chromatic harmony toadd depth. The new melodic content introduced by the low clarinetsand euphonium first time through the trio add to the beauty of thismarch. This is followed by a flourish of brass to the end. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| March: Grandioso
Concert band - Intermediate
C.L. Barnhouse
Grade 3 SKU: CL.012-3105-75 Composed by Seitz. Arranged by Glover. Concer...(+)
Grade 3 SKU: CL.012-3105-75 Composed by Seitz. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR325 & CL.WFR316). Oversized, spiral-bound score. Composed 2001. Duration 2 minutes, 48 seconds. Opus III Wind Orchestra Publications #012-3105-75. Published by Opus III Wind Orchestra Publications (CL.012-3105-75). One of the most distinctive marches ever written, this stately standard is a perfect concert or festival selection. Glover's outstanding arrangement is not simplified or abridged in any way, but does offer insightful articulations, clear dynamics and large readable parts for the modern concert band instrumentation. The nature of the opening strains makes this a wonderful vehicle for teaching everyone in the band chromatic scales. Tremendous! Grade 3 1/2. About Heritage of the March Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Entrance of the Gladiators (Thunder & Blazes March) for Trombone Quintet
Trombone ensemble - Advanced
Cherry Classics
Trombone Quintet - advanced SKU: CY.CC2828 Composed by Julius Fucik. Arra...(+)
Trombone Quintet - advanced SKU: CY.CC2828 Composed by Julius Fucik. Arranged by Wes Ballenger. March. Score and parts. Published by Cherry Classics (CY.CC2828). Entrance of the Gladiators is a military march composed in 1897 and soon after was also subtitled Thunder and Blazes. It has become a legendary screamer march for circuses to introduce the clowns.
The march is in three sections with some very lyrical moments followed by the chromatic break section featuring the low brass. The final trio section is also lyrical and chromatic at the same time. When played as a screamer the tempo is often taken to extremes.
Wes Ballenger has done an amazing job of arranging this famous march for a virtuosic Trombone quintet. $32.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| March of the Robot Army
Concert band - Easy
Anglo Music
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-494-140 Composed by Philip ...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-494-140 Composed by Philip Sparke. Debut Series (Anglo). Concert March. Score Only. Composed 2021. 28 pages. Anglo Music Press #AMP 494-140. Published by Anglo Music Press (BT.AMP-494-140). English-German-French-Dutch. March of the Robot Army was commissioned by Linda Anzolin & Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by JUST ITALIA. Campobanda is an Italian summer music camp for 8- to 18-year-olds (held inCamposilvano in 2019) which has a different theme every year. The theme for 2019 was ‘science fiction’, so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromaticfigures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change ofkey introduces a legato ‘trio’ melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting thefirst two themes in new guises before finishing the march with a flourish.
March of the Robot Army werd geschreven in opdracht van Linda Anzolin & Giordano-Bruno Tedeschi voor Campobanda 2019: de financiering werd mogelijk gemaakt door JUST ITALIA. Campobanda is een Italiaans zomermuziekkamp vooracht- tot achttienjarigen (dat in 2019 werd gehouden in Camposilvano) met elk jaar een ander thema. Het thema voor 2019 was sciencefiction, dus besloot componist Philip Sparke een robotmars te schrijven. Na een grilligeinleiding met trompetsignalen en chromatische motieven verschijnt het hoofdthema in mineur op klarinet en tenorsax, waarna het door het hele orkest wordt overgenomen. Een verandering van toonsoort kondigt een nieuw thema aan, weeringeleid door de trompet en herhaald door het volledige ensemble. Een verdere toonsoortverandering introduceert een legato ‘triomelodie’ boven een nogal robotachtige begeleiding: er worden stapsgewijs instrumenten toegevoegd totde muziek uitmondt in een hoogtepunt. Korte figuren uit de inleiding nemen ons dan mee naar een volledige herneming, met een terugkeer naar de eerste twee thema’s in een nieuwe gedaante, waarna de mars in stijl wordt afgesloten.
Der March of the Robot Army wurde von Linda Anzolin und Giordano-Bruno Tedeschi für Campobanda 2019“ in Auftrag gegeben und finanziell von JUST ITALIA unterstützt. Das italienische Sommermusikcamp Campobanda für 8- bis18-Jährige fand 2019 in Camposilvano statt und hat jedes Jahr ein anderes Motto. 2019 lautete das Thema Science Fiction“, daher entschied sich der Komponist Philip Sparke dazu, einen Robotermarsch zu schreiben. Nach einerskurrilen Einleitung mit Trompetenrufen und chromatischen Figuren erklingt in Klarinetten und Tenorsaxophonen das Hauptthema in Moll, das dann vom gesamten Orchester aufgegriffen werd. Ein Tonartwechsel kündigt ein neues Thema an,das von der Trompete vorgestellt und anschließend vom gesamten Ensemble wiederholt wird. Ein weiterer Tonartwechsel führt zu einem melodischen, legato gespielten Trio-Abschnitt über einer roboterhaften Begleitung. Nach und nachkommen weitere Instrumente hinzu, bis der Höhepunkt erreicht ist. Kleine Motive aus der Einleitung führen dann zu einer Reprise, wobei die ersten beiden Themen in neuer Gestalt wieder aufgegriffen werden, bevor der Marsch zum Endehin noch einmal musikalisch aufblüht.
March of the Robot Army est une commande de Linda Anzolin et Giordano-Bruno Tedeschi pour Campobanda 2019, gr ce des fonds mis disposition par JUST ITALIA. Destinée aux jeunes de 8 18 ans, Campobanda est une école demusique d’été dont le thème change chaque année. Celui de l’édition 2019 étant « sciencefiction », Philip Sparke décida d’écrire une marche pour robots. Après une introduction insolite rassemblant appels de trompette et figureschromatiques, le premier thème apparaît dans un mode mineur la clarinette et au saxophone ténor avant d’être repris par l’orchestre entier. Un changement de tonalité annonce un nouveau thème, mené par la trompette et repris,encore une fois, par l’orchestre entier. Un autre changement de tonalité introduit une mélodie legato « en trio » sur un accompagnement quelque peu robotique : divers instruments s’y ajoutent progressivement pour aboutir unclimax. Des petits motifs tirés de l’introduction mènent une récapitulation complète qui reprend les deux premiers thèmes sous des formes différentes, avant de conclure la marche avec un bouquet final. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| March of the Robot Army
Concert band - Easy
Anglo Music
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-494-010 Composed by Philip ...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-494-010 Composed by Philip Sparke. Debut Series (Anglo). Concert March. Set (Score & Parts). Composed 2021. Anglo Music Press #AMP 494-010. Published by Anglo Music Press (BT.AMP-494-010). English-German-French-Dutch. March of the Robot Army was commissioned by Linda Anzolin & Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by JUST ITALIA. Campobanda is an Italian summer music camp for 8- to 18-year-olds (held inCamposilvano in 2019) which has a different theme every year. The theme for 2019 was ‘science fiction’, so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromaticfigures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change ofkey introduces a legato ‘trio’ melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting thefirst two themes in new guises before finishing the march with a flourish.
March of the Robot Army werd geschreven in opdracht van Linda Anzolin & Giordano-Bruno Tedeschi voor Campobanda 2019: de financiering werd mogelijk gemaakt door JUST ITALIA. Campobanda is een Italiaans zomermuziekkamp vooracht- tot achttienjarigen (dat in 2019 werd gehouden in Camposilvano) met elk jaar een ander thema. Het thema voor 2019 was sciencefiction, dus besloot componist Philip Sparke een robotmars te schrijven. Na een grilligeinleiding met trompetsignalen en chromatische motieven verschijnt het hoofdthema in mineur op klarinet en tenorsax, waarna het door het hele orkest wordt overgenomen. Een verandering van toonsoort kondigt een nieuw thema aan, weeringeleid door de trompet en herhaald door het volledige ensemble. Een verdere toonsoortverandering introduceert een legato ‘triomelodie’ boven een nogal robotachtige begeleiding: er worden stapsgewijs instrumenten toegevoegd totde muziek uitmondt in een hoogtepunt. Korte figuren uit de inleiding nemen ons dan mee naar een volledige herneming, met een terugkeer naar de eerste twee thema’s in een nieuwe gedaante, waarna de mars in stijl wordt afgesloten.
Der March of the Robot Army wurde von Linda Anzolin und Giordano-Bruno Tedeschi für Campobanda 2019“ in Auftrag gegeben und finanziell von JUST ITALIA unterstützt. Das italienische Sommermusikcamp Campobanda für 8- bis18-Jährige fand 2019 in Camposilvano statt und hat jedes Jahr ein anderes Motto. 2019 lautete das Thema Science Fiction“, daher entschied sich der Komponist Philip Sparke dazu, einen Robotermarsch zu schreiben. Nach einerskurrilen Einleitung mit Trompetenrufen und chromatischen Figuren erklingt in Klarinetten und Tenorsaxophonen das Hauptthema in Moll, das dann vom gesamten Orchester aufgegriffen werd. Ein Tonartwechsel kündigt ein neues Thema an,das von der Trompete vorgestellt und anschließend vom gesamten Ensemble wiederholt wird. Ein weiterer Tonartwechsel führt zu einem melodischen, legato gespielten Trio-Abschnitt über einer roboterhaften Begleitung. Nach und nachkommen weitere Instrumente hinzu, bis der Höhepunkt erreicht ist. Kleine Motive aus der Einleitung führen dann zu einer Reprise, wobei die ersten beiden Themen in neuer Gestalt wieder aufgegriffen werden, bevor der Marsch zum Endehin noch einmal musikalisch aufblüht.
March of the Robot Army est une commande de Linda Anzolin et Giordano-Bruno Tedeschi pour Campobanda 2019, gr ce des fonds mis disposition par JUST ITALIA. Destinée aux jeunes de 8 18 ans, Campobanda est une école demusique d’été dont le thème change chaque année. Celui de l’édition 2019 étant « sciencefiction », Philip Sparke décida d’écrire une marche pour robots. Après une introduction insolite rassemblant appels de trompette et figureschromatiques, le premier thème apparaît dans un mode mineur la clarinette et au saxophone ténor avant d’être repris par l’orchestre entier. Un changement de tonalité annonce un nouveau thème, mené par la trompette et repris,encore une fois, par l’orchestre entier. Un autre changement de tonalité introduit une mélodie legato « en trio » sur un accompagnement quelque peu robotique : divers instruments s’y ajoutent progressivement pour aboutir unclimax. Des petits motifs tirés de l’introduction mènent une récapitulation complète qui reprend les deux premiers thèmes sous des formes différentes, avant de conclure la marche avec un bouquet final. $130.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Elementary Progressive Exercises, Op. 1
Voice solo
Schirmer
Voice Technique. By Mathilde Marchesi. Vocal Method. Size 9x12 inches. 40 pages....(+)
Voice Technique. By Mathilde Marchesi. Vocal Method. Size 9x12 inches. 40 pages. Published by Schirmer.
$7.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Half Step March
Concert band - Intermediate
C.L. Barnhouse
Grade 3 SKU: CL.012-3895-01 Composed by McKinzey. Concert Band. Symphony ...(+)
Grade 3 SKU: CL.012-3895-01 Composed by McKinzey. Concert Band. Symphony Band Series. Audio recording available separately (item CL.WFR368). Extra full score. Composed 2010. Duration 1 minute, 56 seconds. Opus III Wind Orchestra Publications #012-3895-01. Published by Opus III Wind Orchestra Publications (CL.012-3895-01). Fingers will fly and ears will perk up to this unique quick-step march titled Half Step March by Kyle McKinzey. As the title suggests, it is a flurry of chromatic runs and licks that will make your students WANT to practice, and have your audience’s toes tapping. For many, it will bring back memories of the old circus marches. You will be able to see clowns running about, trapeze artists flying around and much more. A great opener to a concert, or a quick encore piece that will leave them wanting more. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Half Step March
Concert band [Score and Parts] - Intermediate
C.L. Barnhouse
By McKinzey. For concert band. Concert Band. Symphony Band Series. Grade 3.5. Sc...(+)
By McKinzey. For concert band. Concert Band. Symphony Band Series. Grade 3.5. Score and parts. Composed 2010. Duration 1 minutes, 56 seconds. Published by C.L. Barnhouse
$72.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Chromatic Comedy
Concert band - Easy
Opus III Wind Orchestra Publications
Grade 2 SKU: CL.012-1749-00 Composed by Tatgenhorst. Concert Band. Herita...(+)
Grade 2 SKU: CL.012-1749-00 Composed by Tatgenhorst. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR101). Score and set of parts. Composed 1984. Duration 5 minutes. Opus III Wind Orchestra Publications #012-1749-00. Published by Opus III Wind Orchestra Publications (CL.012-1749-00). Here’s a delightful program piece for young bands highlighting the flute and clarinet sections. An effective rhythmic background enhances the melodic material which is definitely the ``Sound of Today.’’ This music is simple, straightforward and fun to play with some nice touches added by the writer. No preparation problems. About Heritage of the March Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style $35.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| March of the Flats and Sharps
Concert band - Easy
C.L. Barnhouse
Concert band - Grade 2 SKU: CL.024-4172-01 Composed by Wampler. Young Con...(+)
Concert band - Grade 2 SKU: CL.024-4172-01 Composed by Wampler. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR380). Extra full score. Composed 2013. Duration 1 minute, 48 seconds. C.L. Barnhouse #024-4172-01. Published by C.L. Barnhouse (CL.024-4172-01). Looking for a piece that introduces the chromatic scale in a meaningful way for the entire band? This lively march gives every player part of the chromatic scale as well as a musical melody and countermelody. Introduce the march form with an intro, 1st strain, transition, 2nd strain, trio and recapitulation. Open your concert with a sound that shows off your band! $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Azalea City March
Concert band - Intermediate
Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone 1 and more. - Grade 3 SKU: CF.CPS193F Composed by R. Alan Carter. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 20 pages. Duration 3 minutes, 17 seconds. Carl Fischer Music #CPS193F. Published by Carl Fischer Music (CF.CPS193F). ISBN 9781491148198. UPC: 680160905690. 9 x 12 inches. Azalea City is an original march that has been composed in the style of famous march composer Henry Fillmore. A tuneful, chromatic melodic figure, fanfare-like themes, and bold, march style harmonies are highlighted in this well-written piece by newcomer Alan Carter. The march is in 2/4 making it more accessible to bands at this level. This piece is perfect for both introducing march styles and for use in your next festival. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Azalea City March
Concert band [Score and Parts] - Intermediate
Carl Fischer
Composed by R. Alan Carter. Carl Fischer Concert Performance Series. Score and p...(+)
Composed by R. Alan Carter. Carl Fischer Concert Performance Series. Score and part(s). With Standard notation. Duration 3 minutes, 17 seconds. Carl Fischer #CPS193. Published by Carl Fischer (CF.CPS193).
$95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Zion March
Concert band - Beginner
Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.48112S Composed by Brian Beck. Concert B...(+)
Concert Band - Grade 1.5 SKU: AP.48112S Composed by Brian Beck. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. Form: March. Score. 16 pages. Duration 2:30. Alfred Music #00-48112S. Published by Alfred Music (AP.48112S). UPC: 038081558769. English. Zion March is written in classic march style, using many permutations of quarter/eighth-note rhythms. Though range is limited, the use of many chromatic notes creates interesting harmonies. Groups performing piece will soon become rhythm masters! Correlated to Sound Innovations, Book 2, Level 3. (2:30) This title available in MakeMusic Cloud. $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Zion March
Concert band - Beginner
Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.48112 Composed by Brian Beck. Concert Ba...(+)
Concert Band - Grade 1.5 SKU: AP.48112 Composed by Brian Beck. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. Form: March. Score and Part(s). 152 pages. Duration 2:30. Alfred Music #00-48112. Published by Alfred Music (AP.48112). UPC: 038081558752. English. Zion March is written in classic march style, using many permutations of quarter/eighth-note rhythms. Though range is limited, the use of many chromatic notes creates interesting harmonies. Groups performing piece will soon become rhythm masters! Correlated to Sound Innovations, Book 2, Level 3. (2:30) This title is available in MakeMusic Cloud. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| March of the Aliens
Concert band [Score and Parts] - Beginner
Kjos Music Company
By Barrie Gott. Edited by Bruce Pearson. For concert band. Standard of Excellenc...(+)
By Barrie Gott. Edited by Bruce Pearson. For concert band. Standard of Excellence in Concert. Grade 1.5. Score and set of parts. Published by Neil A. Kjos Music Company
$50.00 $47.5 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| March Of The Aliens - Score
Concert band [Score] - Beginner
Kjos Music Company
By Barrie Gott. Edited by Bruce Pearson. For concert band. Concert Band. Standar...(+)
By Barrie Gott. Edited by Bruce Pearson. For concert band. Concert Band. Standard of Excellence - in Concert. Score. Published by Neil A. Kjos Music Company.
Level: Grade 1.5.
$5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Barnstormers March
Concert band - Easy
C.L. Barnhouse
Grade 2 SKU: CL.011-3721-01 Composed by Orcino. Young Concert Band. Comma...(+)
Grade 2 SKU: CL.011-3721-01 Composed by Orcino. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR359). Extra full score. Composed 2008. Duration 1 minute, 50 seconds. C.L. Barnhouse #011-3721-01. Published by C.L. Barnhouse (CL.011-3721-01). The golden age of daredevil pilots comes to life in Len Orcino’s delightful Barnstormers March. This rousing march begins with a ratchet as the cranking of the propeller. The engine sputters to life and off the listener goes on his free ride into the air, as the music emulates the biplane and all its loops, dives, tricks and stunts. This open-air cockpit ride creates its thrills with musical devices. Parallel chromatic and diminished seventh chords will add new sounds to your bands vocabulary. You’ll label this one a real toe-tapper. It’s sure to become a pops concert standard. About C.L. Barnhouse Command Series The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Citation March
Concert band - Intermediate
Claude T. Smith Publications
Grade 3 SKU: CL.CTS-7700-00 Composed by Claude T. Smith. Concert Band. Sc...(+)
Grade 3 SKU: CL.CTS-7700-00 Composed by Claude T. Smith. Concert Band. Score and set of parts. Composed 1990. Claude T. Smith Publications #CTS-7700-00. Published by Claude T. Smith Publications (CL.CTS-7700-00). Smith’s first published march. A bravura opening fanfare punctuated with the percussion forces open this march. The first strain gives us a jaunty tune with baritones and trombones playing the countermelody. The second strain refers back to the opening fanfares with percussion section soli banding about. A reserved trio tune played by clarinets, first horn and baritone are assisted with chromatic runs played by flute, oboe, muted first trumpet and bells. The opening fanfares return in the break strain, which then gives us a terrific trio strain. Accessible and playable for all musicians! $85.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Essential Technique (Original Series)
Clarinet - Intermediate/advanced
Hal Leonard
Clarinet SKU: HL.863548 Bb Clarinet. Essential Elements. Instructi...(+)
Clarinet SKU: HL.863548 Bb Clarinet. Essential Elements. Instruction. Softcover. 48 pages. Published by Hal Leonard (HL.863548). ISBN 9780793569793. UPC: 073999635485. 9.0x12.0x0.125 inches. Original series (black cover) Intermediate to advanced studies featuring full band chorales, chromatic exercises and articulation studies, color woodwind trill charts, a wide variety of multicultural songs, and much more. Authors: Tom C. Rhodes, Donald Bierschenk, Tim Lautzenheiser. About Essential Elements Band Method About Essential Elements Band Method: Essential Elements Band Method provides a complete system of books and accompanying materials that make the educator's job easier, and the students' learning more thorough and enjoyable. By Tom C. Rhodes, Donald Bierschenk, Tim Lautzenheiser, John Higgens, Linda Petersen. $6.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Liberty Loan
Concert band [Score and Parts] - Intermediate
Willow Blossom Music
(March). Composed by John Philip Sousa (1854-1932). Arranged by Brion. For conce...(+)
(March). Composed by John Philip Sousa (1854-1932). Arranged by Brion. For concert band. Sousa Legacy. Grade 3.5. Score and parts. Duration 3 minutes, 35 seconds. Published by Willow Blossom Music
$72.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Citation March
Concert band - Intermediate
Claude T. Smith Publications
Grade 3 SKU: CL.CTS-7700-01 Composed by Claude T. Smith. Concert Band. Ex...(+)
Grade 3 SKU: CL.CTS-7700-01 Composed by Claude T. Smith. Concert Band. Extra full score. Composed 1990. Claude T. Smith Publications #CTS-7700-01. Published by Claude T. Smith Publications (CL.CTS-7700-01). Smith’s first published march. A bravura opening fanfare punctuated with the percussion forces open this march. The first strain gives us a jaunty tune with baritones and trombones playing the countermelody. The second strain refers back to the opening fanfares with percussion section soli banding about. A reserved trio tune played by clarinets, first horn and baritone are assisted with chromatic runs played by flute, oboe, muted first trumpet and bells. The opening fanfares return in the break strain, which then gives us a terrific trio strain. Accessible and playable for all musicians! $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Bel Canto: A Theoretical and Practical Vocal Method
Voice solo [Textbook]
Dover Publications
By Mathilde Marchesi. For voice. Band/Orchestra. Size 9 3/8 x 12 1/4. 108 pages....(+)
By Mathilde Marchesi. For voice. Band/Orchestra. Size 9 3/8 x 12 1/4. 108 pages. Published by Dover Publications.
(1)$19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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