| Tuba Concerto Concert band [Score] - Intermediate Anglo Music
Concert Band/Harmonie and Tuba Solo - Grade 5 SKU: BT.AMP-173-140 Compose...(+)
Concert Band/Harmonie and Tuba Solo - Grade 5 SKU: BT.AMP-173-140 Composed by Philip Sparke. Elite Series. Solo & Concerto. Score Only. Composed 2007. 56 pages. Anglo Music Press #AMP 173-140. Published by Anglo Music Press (BT.AMP-173-140). 9x12 inches. English-German-French-Dutch. When writing his tuba concerto, Philip Sparke wanted to create a work which explored the many aspects of the instrument’s technical and vocal qualities but without resorting to caricature. The result is a concerto in two joined movements, which can both be programmed individually, that contains both many lyrical lines together with stunning virtuosic passages. An outstanding concerto that tuba players and brass band audiences alike will enjoy and applaud.
De technische en lyrische eigenschappen van het instrument komen in deze compositie optimaal tot hun recht. De componist wilde er namelijk zeker van zijn dat het werk écht een concerto voor tuba zou worden en dat de muziek zou passenbij het instrument in de solistenrol. De solostem in het tweedelige Tuba Concerto bestrijkt bijna drieënhalf octaaf. Beide delen kunnen afzonderlijk worden geprogrammeerd: een langzaam deel en een scherzo.
Philip Sparke schuf mit seinem Tuba Concerto ganz bewusst ein Stück, das der Tuba als Soloinstrument voll und ganz gerecht wird. Aus diesem Grund deckt die Solostimme fast dreieinhalb Oktaven ab und nutzt die technischen und klanglichen Qualitäten des Instruments voll und ganz aus. Das Konzert besteht aus zwei zusammenhängenden Sätzen, die beide einzeln aufgeführt werden können: einem langsamen Satz und einem Scherzo. Noten für eine Aufführung mit Tuba und Klavier sind ebenfalls erhältlich.
Tuba Concerto est une œuvre de commande pour le facteur allemand Miraphone, spécialisé dans les cuivres. Philip Sparke a composé et dédié cette pièce Markus Theinert, un ami de longue date, qui en a assuré la création le 30 avril 2006 Sigmaringen en Allemagne accompagné par le Brass Band Oberschwaben-Allgäu.L’idée d’un concerto pour tuba a été longuement discutée entre le soliste et le compositeur dont le souci était de créer un véritable concerto développant un matériau parfaitement adapté au rôle solistique de l’instrument, sans tomber dans la caricature. Ainsi, la partie soliste couvre trois octaves et demie et exploite pleinement les qualitéstechniques et expressives de l’instrument.Tuba Concerto est une composition en deux mouvements joints qui peuvent également être joués séparément. Le premier mouvement débute lentement puis s’accélère progressivement. La cadence annonce la réexposition du matériel thématique initial. Le second mouvement, écrit en forme de scherzo, semble plus résolu mais chemine vers plus de légèreté. La reprise du matériel thématique initial offre une conclusion efficace et puissante.Ce concerto est également disponible dans une version pour Tuba solo et Brass Band (AMP 173-030) et Tuba solo et Piano (AMP 187-401). $65.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sublime for Ukulele Ukulele Hal Leonard
By Sublime. Ukulele. Rock. Softcover. 88 pages. Duration 195 seconds. Publishe...(+)
By Sublime. Ukulele. Rock.
Softcover. 88 pages. Duration
195 seconds. Published by Hal
Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Violinist’s Daily Warm-Ups and Scale System Violin Carl Fischer
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standard notation. 168 pages. Carl Fischer Music #BF131. Published by Carl Fischer Music (CF.BF131). ISBN 9781491153765. UPC: 680160911264. 9 x 12 inches. Inspired by Clarence Cameron White’s book The Violinist’s Daily Dozen, The Violinist’s Daily Sixteen is a collection of daily exercises compiled by Roland Vamos. Intended for student and professional violinists, the collection provides the performer with a variety of exercises for daily warm-ups. Mr. Vamos also focuses on developing dexterity and flexibility in the fingers and joints, the first and fourth fingers in particular. Each of the sixteen exercises is notated for each of the four strings, and Vamos recommends that the exercises be practiced as warm-ups, choosing a different string for each day of practice.Also included with the Daily Sixteen is a comprehensive set of studies for developing fluency with scales and arpeggios. Mr. Vamos’ unique methodology is to begin with major scales and arpeggios, followed by minor scales and arpeggios, all of which are notated in two, three and four octaves. Alternate fingers are provided, as well as a variety of slurred and mixed bowings using the three parts of the bow whenever feasible. It is a remarkably systematic approach to performing scales and arpeggios on the violin and will surely benefit students and professionals alike. ForewordThis short hand-setting set of exercises was inspired by a book entitled The Violinist’s Daily Dozen, conceived by Clarence Cameron White, a prominent African-American violinist, composer and arranger who enjoyed the bulk of his career in the first half of the twentieth century.I have practiced this set of exercises since I was twelve years old. It has served me as a superb warm-up and hand setting tool. Over the years, I have found that there are some aspects of this warm-up routine that were not given sufficient attention or not addressed at all. Consequently, I have expanded the Daily Dozen to create a new work entitled The Violinist’s Daily Sixteen.I have also paid particular attention in this work as to how these exercises are to be practiced. In exercises one and two, I have indicated some notes to be played before the actual written exercises. This is to ensure that the fourth finger will be over the string in a position ready to strike even though it is not being used. Before playing exercises three, four, nine, ten, eleven and twelve, I have indicated silent fingers to be placed on the notes they would be playing if they were being used.I have replaced Mr. White’s grace notes with notes of specific value and have slowed down the exercises so that the first joint (the joint nearest the string) of each finger can move with flexibility and strength. At no time should the first joint buckle.In Mr. White’s version, the last exercise gave the first finger some very valuable backward extensions. In this exercise (number 14 in this book), I caution the student not to move the hand along with the first finger. The hand should remain in position while the first finger independently moves back and forth.It became obvious to me that if the first finger were given the opportunity to develop the dexterity that Mr. White’s twelfth exercise emphasizes, the fourth finger could benefit from an exercise that gives it a forward extension. Consequently, I added another exercise to create a Baker’s Dozen (thirteen).Several years later, I felt that the second and third fingers should also have an exercise to further develop their dexterity…hence exercise fourteen was added to create a “Vamos Dozen.â€Because the first finger did not have sufficient practice in the development of the first joint in the original version, I have added two exercises to precede White’s fifth exercise. After re-working and re-numbering these exercises, I have come up with a total of sixteen exercises. It is my suggestion that these be practiced as a warm-up, choosing a different string each day.—Roland VamosEvanston, Illinois 2017 PrefaceScales are a means of teaching a person the fingerboard on his or her instrument. The fingers move across the strings and are required to make shifts, all in highly organized patterns. Scales and arpeggios are the foundation upon which our repertoire is built. Many scale books have been written; each one being organized in its own specific way. The Flesch Scale System has been a standard for many decades. It is very comprehensive and systematic. From the point of view of establishing similar patterns, it has one drawback: it is organized by starting with a major key, followed by its relative minor, going through the circle of fifths. I believe that it is more profitable to do only major scales with their arpeggios first, going up chromatically, and then follow them in a similar way with the minor scales. In using this approach, the similarities in fingerings between the various scales are more apparent. It is also profitable to have alternate fingerings whenever possible. My approach to scales and arpeggios includes a variety of slurred and mixed bowings using the three parts of the bow whenever feasible. These bowings are not all-inclusive. Whenever a particularly awkward bowing pattern is encountered in the repertoire, it can be practiced as an additional bowing variation in the scales and arpeggios.   I have chosen to introduce the three and four octave scales by teaching two octave scales across the strings in one position going up chromatically through seven positions; starting on the first, second, third, and finally fourth fingers in major and melodic minor.—Roland VamosEvanston, Illinois 2017. $29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Un siecle de chansons francaises 1969-1979 Piano, Vocal and Guitar [Score] Beuscher | | |
| Yoshiko Kurokawa: Piano Scales on All Keys Complete Book Piano solo - Intermediate Yamaha
Piano - Intermediate SKU: YM.GTP01100873 Composed by Various. Piano Educa...(+)
Piano - Intermediate SKU: YM.GTP01100873 Composed by Various. Piano Educational. Yoshiko Kurokawa. Studies, Exercises. Method Book. Yamaha Music Media #GTP01100873. Published by Yamaha Music Media (YM.GTP01100873). ISBN 9784636106282. The scale training exercise complete book, supervised by Yoshiko Kurokawa. This is a revolutionary collection of all-key scale exercises designed to help both aspiring and practicing pianists practice essential scales efficiently. The major and minor (harmonic and melodic minor) scales in the 12 keys are an important part of the practice for learning tonality and training the muscles and joints of the hand. The human hand is flexible, and the thumb and other fingers bend in different directions, making it easy to turn and play a wide range of notes. However, it is important to learn scales from an early age because the correct playing style is required, such as knowing how to turn the fingers when playing speed is faster, the position of the black keys and white keys, and how to use the wrist. To play scales smoothly with all five fingers (one hand), the turn of the first finger is significant. It is advisable to practice scales from an early age to improve the turns. The fingering of the scale changes depending on the key. It takes a lot of time to learn them because fingering is different for the right hand and the left hand as well. Also, although the scale is written in two-fourths time, if you are not used to it, you may end up playing one octave at a time. Various exercises are described in this book to help you solve these problems. It takes a lot of time to play scales well by nature, but that is why it is important to practice efficiently. $12.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Rusty Bucket Concert band [Score and Parts] Carl Fischer
And Other Juke Joints. Composed by Carol Brittin Chambers. Score and part...(+)
And Other Juke Joints. Composed by Carol Brittin Chambers. Score and part(s). Duration 2 minutes, 44 seconds. Carl Fischer #SPS64. Published by Carl Fischer (CF.SPS64).
$125.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Best of Sublime Piano, Vocal and Guitar Hal Leonard
By Sublime. Piano/Vocal/Guitar Artist Songbook. Punk, Reggae, Rock, Ska. Softc...(+)
By Sublime. Piano/Vocal/Guitar
Artist Songbook. Punk, Reggae,
Rock, Ska. Softcover. Duration
195 seconds. Published by Hal
Leonard
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sublime for Bass Bass guitar Hal Leonard
By Sublime. Bass Recorded Versions Persona. Rock. Softcover. Published by Hal ...(+)
By Sublime. Bass Recorded
Versions Persona. Rock.
Softcover. Published by Hal
Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sublime (Guitar Play-Along Volume 83) Guitar notes and tablatures [Sheet music + Audio access] Hal Leonard
Guitar Play-Along Volume 83. By Sublime. Guitar Play-Along. Rock. Softcover ...(+)
Guitar Play-Along Volume 83.
By Sublime. Guitar Play-Along.
Rock. Softcover Audio Online.
72 pages. Published by Hal
Leonard
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sublime - 40oz. to Freedom Guitar notes and tablatures [Sheet music] Hal Leonard
By Sublime. Guitar Recorded Version. Alternative, Rock. Softcover. With guitar t...(+)
By Sublime. Guitar Recorded Version. Alternative, Rock. Softcover. With guitar tablature. 128 pages. Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Tuba Concerto Concert band [Score and Parts] - Intermediate Anglo Music
Concert Band/Harmonie and Tuba Solo - Grade 5 SKU: BT.AMP-173-010 Compose...(+)
Concert Band/Harmonie and Tuba Solo - Grade 5 SKU: BT.AMP-173-010 Composed by Philip Sparke. Elite Series. Solo & Concerto. Set (Score & Parts). Composed 2007. Anglo Music Press #AMP 173-010. Published by Anglo Music Press (BT.AMP-173-010). 9x12 inches. English-German-French-Dutch. When writing his tuba concerto, Philip Sparke wanted to create a work which explored the many aspects of the instrument’s technical and vocal qualities but without resorting to caricature. The result is a concerto in two joined movements, which can both be programmed individually, that contains both many lyrical lines together with stunning virtuosic passages. An outstanding concerto that tuba players and brass band audiences alike will enjoy and applaud.
De technische en lyrische eigenschappen van het instrument komen in deze compositie optimaal tot hun recht. De componist wilde er namelijk zeker van zijn dat het werk écht een concerto voor tuba zou worden en dat de muziek zou passenbij het instrument in de solistenrol. De solostem in het tweedelige Tuba Concerto bestrijkt bijna drieënhalf octaaf. Beide delen kunnen afzonderlijk worden geprogrammeerd: een langzaam deel en een scherzo.
Philip Sparke schuf mit seinem Tuba Concerto ganz bewusst ein Stück, das der Tuba als Soloinstrument voll und ganz gerecht wird. Aus diesem Grund deckt die Solostimme fast dreieinhalb Oktaven ab und nutzt die technischen und klanglichen Qualitäten des Instruments voll und ganz aus. Das Konzert besteht aus zwei zusammenhängenden Sätzen, die beide einzeln aufgeführt werden können: einem langsamen Satz und einem Scherzo. Noten für eine Aufführung mit Tuba und Klavier sind ebenfalls erhältlich.
Tuba Concerto est une œuvre de commande pour le facteur allemand Miraphone, spécialisé dans les cuivres. Philip Sparke a composé et dédié cette pièce Markus Theinert, un ami de longue date, qui en a assuré la création le 30 avril 2006 Sigmaringen en Allemagne accompagné par le Brass Band Oberschwaben-Allgäu.L’idée d’un concerto pour tuba a été longuement discutée entre le soliste et le compositeur dont le souci était de créer un véritable concerto développant un matériau parfaitement adapté au rôle solistique de l’instrument, sans tomber dans la caricature. Ainsi, la partie soliste couvre trois octaves et demie et exploite pleinement les qualitéstechniques et expressives de l’instrument.Tuba Concerto est une composition en deux mouvements joints qui peuvent également être joués séparément. Le premier mouvement débute lentement puis s’accélère progressivement. La cadence annonce la réexposition du matériel thématique initial. Le second mouvement, écrit en forme de scherzo, semble plus résolu mais chemine vers plus de légèreté. La reprise du matériel thématique initial offre une conclusion efficace et puissante.Ce concerto est également disponible dans une version pour Tuba solo et Brass Band (AMP 173-030) et Tuba solo et Piano (AMP 187-401). $357.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Rusty Bucket Concert band [Score] - Intermediate Carl Fischer
Band Concert Band - Grade 5 SKU: CF.SPS64F And Other Juke Joints. ...(+)
Band Concert Band - Grade 5 SKU: CF.SPS64F And Other Juke Joints. Composed by Carol Brittin Chambers. SWS. Full score. With Standard notation. 24 pages. Duration 2 minutes, 44 seconds. Carl Fischer Music #SPS64F. Published by Carl Fischer Music (CF.SPS64F). ISBN 9781491141106. UPC: 680160629169. 9 x 12 inches. This piece is pure energy from start to finish. If you have ever played the popular Grainger classic Molly on the Shore with your band, think of this as a modern Molly on the Shore! This piece contains lots of pop/rock/Latin infused licks that will showcase the talents of your advanced band. It is a short but fun journey that will bring the audience to their feet. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bel Canto for Trombone Trombone [Sheet music + CD] - Intermediate De Haske Publications
Trombone BC - intermediate SKU: BT.DHP-1084522-400 For Trombone and Pi...(+)
Trombone BC - intermediate SKU: BT.DHP-1084522-400 For Trombone and Piano. By Bertrand Moren. Arranged by Robert van Beringen. Book with CD. Composed 2008. 68 pages. De Haske Publications #DHP 1084522-400. Published by De Haske Publications (BT.DHP-1084522-400). ISBN 9789043130219. 9x12 inches. English-German-French-Dutch. This book contains 20 vocalises originally intended for the development and training of the singing voice, but which will also encourage many aspects of performance for trombone players, such as tone quality and phrasing. These attractive pieces are not only useful as studies, but also work well as performance pieces - either with a piano accompaniment using the printed score, or playing along with the CD. On the CD Ian Bousfield, principal trombonist of the Vienna Philharmonic, plays all the vocalises. In addition, the CD contains the piano accompaniments to play along with.
Dit boek bevat twintig vocalises - die oorspronkelijk zijn ontwikkeld voor de scholing en training van de zangstem, maar ook veel aspecten van het spel van trombonisten zullen bevorderen, zoals toonvorming en frasering. Deze fraaiestukken zijn nietalleen nuttig als etudes, maar doen het ook goed bij optredens - met pianobegeleiding (die is meegeleverd) of met de cd. Naast de meespeeltracks staan op de cd ook de complete vocalises, ingespeeld door Ian Bousfield, solotrombonist van het WienerPhilharmoniker.
Dieses Buch enthält 20 Vokalisen, die ursprünglich für die Entwicklung und das Training von Singstimmen gedacht waren, aber auch viele Aspekte des Posaunenspiels, wie z. B. Tonqualität und Phrasierung fördern. Die reizvollen Stücke eignen sich nicht nur zum �ben, sondern können auch sehr gut aufgeführt werden - mit einem Pianisten, der aus den Klaviernoten im Buch spielt oder mit der beiliegenden CD. Auf der CD spielt Ian Bousfield, Soloposaunist der Wiener Philharmoniker, alle Vokalisen vor. Au�erdem enthält die CD alle Klavierbegleitungen.
Belcanto for Trombone contient vingt vocalises écrites lâ??origine pour le travail et le développement de la voix chantée. Ces études mélodiques, qui contribuent particulièrement au développement du phrasé et de la musicalité, sont parfaitement adaptées pour le trombone. Plus que de simples exercices, elles constituent dâ??excellentes pièces de récital que lâ??on peut interpréter soit avec un pianiste accompagnateur (accompagnements de piano joints au recueil) soit avec lâ??accompagnement de piano enregistré sur le compact disc. Sur le compact disc inclus, vous trouverez une version intégrale de chaque vocalise, dont lâ??interprétation a été confiée Ian Bousfield,trombone solo de lâ??Orchestre Philharmonique de Vienne.
Bel Canto for Trombone racchiude 20 studi melodici scritti originariamente per la voce. Nel CD incluso è presentata sia la versione integrale di tutti i brani che quella col solo accompagnamento (play-along). Gli spartiti del piano sono inclusi nel libro. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Flat Base Cymbal Stand Hal Leonard
SKU: HL.3725009 Canopus Drum Hardware. Hardware Connectors Fasteners. Hal...(+)
SKU: HL.3725009 Canopus Drum Hardware. Hardware Connectors Fasteners. Hal Leonard #CCS-1F. Published by Hal Leonard (HL.3725009). UPC: 888938000176. 3.0x21.0x2.75 inches. The Canopus original cymbal stand has a simple design with vintage taste. Specially designed leg structure allows for effective cymbal setting and stable fixture, unlike other stands in this category. Joints are covered with nylon bushes for extra strength and protection for all locking parts. This stand is very light weight and compact when folded up. $99.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Charlier Etude No. 20 Piano solo [Score] Balquhidder Music
Chamber Music Piano SKU: CF.BQ160 Par mouvements conjoints et aux ryth...(+)
Chamber Music Piano SKU: CF.BQ160 Par mouvements conjoints et aux rythme varies. Composed by Jean-Marie Cottet. Full score. With Standard notation. Balquhidder Music #BQ160. Published by Balquhidder Music (CF.BQ160). ISBN 9780825898525. UPC: 798408098520. $12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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