|
| Prima la musica e poi le parole - Easy
Barenreiter
(Divertimento teatrale in one act). Composed by Antonio Salieri (1750-1825). Edi...(+)
(Divertimento teatrale in one act). Composed by Antonio Salieri (1750-1825). Edited by Thomas Betzwieser. For 2 soprano voice solos/2 bass voice solos/2 oboes/2 clarinets/2 bassoons/2 horns/2 trumpets/2 violins/viola/double bass/basso continuo. This edition: Urtext edition. Paperback. Level 3. Piano reduction. Language: Italian/German, Text Language: German/English. Duration 1 hour, 15 minutes. Published by Baerenreiter Verlag
$55.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Battle Hymn of the Republic
Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clari...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Snare Drum, Timpani and more. SKU: CF.J763 Critical Edition for Band. Composed by William Steffe. Arranged by Justin P. Tokke Peter J. Wilhousky. Carl Fischer Classic Band Editions. Set of Score and Parts. With Standard notation. 1+8+8+1+1+2+2+1+8+8+8+4+4+4+4+4+8+8+8+4+4+2+2+6+6+6+4+4+8+1+9+2+28 pages. Duration 5:21. Carl Fischer Music #J763. Published by Carl Fischer Music (CF.J763). ISBN 9781491146248. UPC: 680160903740. 9 x 12 inches. Key: Bb major. Text: Julia Ward Howe. Julia Ward Howe. Made popular by the Mormon Tabernacle Choir's Grammy winning performance in 1959, Peter Wilhousky's famous arrangement of Battle Hymn of the Republic has remained a staple to this day. In this Critical Edition for Band edited by Justin P. Tokke, a new arrangement has been crafted based on Wilhousky's original orchestral scoring. To enhance playability, generous cross-cuing and doubling of the choral parts have been applied in cases where the band version is played without voices. This new arrangement ensures complete compatibility with both the choral and orchestral versions, with matching measure numbers and rehearsal marks, and comes complete with a full score and parts produced with modern engraving standards. This exciting edition is ready to continue Wilhousky's legacy and hopes to inspire future collaboration and new performance opportunities. $110.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| St. John Passion TWV 5:30
Choral SATB - Intermediate
Barenreiter
Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, 3Tenor Voi...(+)
Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, 3Tenor Voice Solo, 3Bass Voice Solo, SATB Choir, recorder-A, 2 Fl, Ob, Ob-dam, bassoon, Trp, Str, Continuo) - Level 3 SKU: BA.BA05310 Ein Lammlein geht und tragt die Schuld. Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Telemann Musical Works. Band 29. 1745. Passionen (Passion Music, Easter). Edition of selected works, Score. Composed 1745. TWV 5. Duration 1 hour, 50 minutes. Baerenreiter Verlag #BA05310_00. Published by Baerenreiter Verlag (BA.BA05310). ISBN 9790006497881. 33.1 x 25.9 cm inches. In the autumn of 1721, when Georg Philipp Telemann became cantor at the Hamburg Johanneum and music director of the city’s five principal churches, he faced the challenge of composing and performing a new Passion setting every year.
The ninety-minute St. John Passion of 1745 was written in a winningly clear and transparent style, with two large choral numbers, six chorales (probably joined by the congregation) and several turbae that pose interesting yet manageable demands on the chorus. The plain and unassuming recitatives and the eleven sharply defined yet contemplative arias give soloists broad leeway for artistic interpretation. This volume follows the Urtext of vol. 29 of the Telemann Edition, thereby offering a reliable text at the pinnacle of modern scholarship.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Acis and Galatea HWV 49b (2nd version)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Solo voices, choir, orchestra (3 Soprano Voice Solo, 3Alto Voice Solo, Tenor Voi...(+)
Solo voices, choir, orchestra (3 Soprano Voice Solo, 3Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir: SATTB, Flauti1(Fl-picc, recorder1, Fl), Flauti2 (Fl-picc, recorder2 , Fl), 2 Ob, 2 Hn, Trp, 2 V, Va, Bassi(Vc, double bass, bassoon)Continuo(Erzlaute, harpisc., Org)) SKU: BA.BA10700 Serenade in three parts. Composed by George Frideric Handel. Edited by Artie Heinrich. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) I, 9.2. 2nd version. Complete edition, Score. HWV 49. Duration 1 hour, 20 minutes. Baerenreiter Verlag #BA10700_00. Published by Baerenreiter Verlag (BA.BA10700). ISBN 9790006550135. 33 x 26 cm inches. Text Language: English, Italian. Preface: Heinrich, Artie. Text: Gay, John / Hughes, John / Pope, Alexander / Giuvo, Nicola. Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid’s “Metamorphoses†a total of three times: in the cantata “Aci, Galatea e Polifemo†HWV 72 (1708), the masque “Acis and Galatea†HWV 49a (1718) and finally the pasticcio-like serenata “Acis and Galatea†HWV 49b (1732) of which the original version is now made available in its complete form for the first time.
A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English, as was required for the first performance. However, Handel’s Italian singers were criticised for their poor command of English, – so in the end, many numbers were sung in Italian.
The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | |
|