SKU: ND.CBDS39-CSC
SKU: CA.3910511
ISBN 9790007055226. Language: German/English.
The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann's sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 (therefore during the same period as the first performance of Bach's Christmas Oratorio). Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of the choir, and the tenor recitative can be sung by the soprano soloist. This work is now available in carus music, the choir app! Score and part available separately - see item CA.3910500.
SKU: PE.EP68524A
ISBN 9790300759043. Lat.
My Exsultet uses the ancient chant to which the Easter Proclamation is declaimed, normally by a deacon at the start of the Great Vigil of Easter. The chant dates from somewhere between the fourth and seventh centuries and consists of formulaic repetitions of simple phrases. I have elaborated these phrases canonically, melodically, and harmonically into a three-part vocal fabric, accompanied by obbligato instruments. The full text of the original goes on for quite some time. My choral-instrumental version is much shorter.
Commissioned by the Young People's Chorus of New York City for Transient Glory and dedicated to Francisco J. Núñez.
SKU: CJ.A121900903
For 2 treble voices choir and instrumental accompaniment Lyrics and music : Eric NOYER 10 movements : - Banlieue - Kumbaya - Melodie - J'ai reve - La samba du velo - S'ecouter - Doux, doux ! - Un vieil album - Slow - Final. 2 possible performances : 1. Choir, piano, bass and batterie Choir part, 32 pages Full score, 60 pages Bass part, 20 pages Piano part, 28 pages Batterie part, 20 pages 2. Choir and big band For choir (different from the other one), flute and piccolo, oboe and english horn, saxophone alto and baryton, horn, 3 trumpets, 2 trombones, tuba, piano, synthetizer, jazz guitar, bass, drums + vibraph. + xylo, batterie, tape (ad lib.) Choir part, 44 pages Miniscore (choir and piano), 70 pages Full score and instruments for hire.
SKU: CY.CC3145
ISBN 9790530111130. 8.5 x 11 in inches.
Ralph Sauer's landmark new work, Practice With Bach for The Euphonium Volume II, will challenge your technique and musicality with demanding new etudes. Based on the keyboard works of J. S. Bach, each of the Three Volumes is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.). Volume Two contains Twenty-four etudes, based upon the Six Partitas (BWV 825-830).
SKU: CY.CC3151
ISBN 9790530111192. 8.5 x 11 in inches.
Ralph Sauer's landmark new work, Practice With Bach for The Bass Trombone Volume II, will challenge your technique and musicality with demanding new etudes. Based on the keyboard works of J. S. Bach, each of the Three Volumes is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.). Volume Two contains Twenty-four etudes, based upon the Six Partitas (BWV 825-830).
SKU: HL.49032190
ISBN 9790001118040.
SKU: CF.CPS216F
ISBN 9781491153109. UPC: 680160910601.
Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. This fanfare composition would be perfect for opening a concert. It has bold brass fanfare figures over textural woodwinds to start and then takes the listener on a sonic journey through a variation of harmonic colors, tambural and textural shifts.Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. The first, a rather celebratory and triumphant fanfare in Bb major begins with the upper woodwinds and percussion creating a sound-screen, that is a busy texture consisting of a flurry of repeated notes over which the horns and alto saxophones present the opening theme. The sound-screen should be carefully balanced and give way to the melody at m. 5, which should be played extremely marcato. The timpani solo beginning in m. 11 must not be understated. A brief percussion interlude separates a restatement of the opening theme, this time with the addition of the trumpet, tenor saxophone, and euphonium, and a counter melody by the low winds. The percussion interlude is playful, light, but full of vigor and energy. An Ab in the low winds pulls the harmony towards G minor in m. 40 to start the second section, a more serious fanfare. Here, the marimba repeats an ostinato that is complemented by the bass drum and woodblock. The upper woodwinds with the xylophone and snare drum dance over the stern secondary fanfare. A longing call lead by the trombones, interrupted by a subtle snare drum beckons to the clarinets and horn who begin the third section of the piece at m. 68. This haunting melody in C minor is legato, and starkly contrasts all which came before it. A relentless concert tom-tom played with hard mallets keeps the momentum persistent, and a heartbeat-like pulse is felt from the tuba and baritone saxophone. The melody rises towards m. 84 when the brass harken back to the fanfare style before fading back into another lush woodwind strain.A recapitulation of the low winds’ call is heard at m. 100 which in this occasion intensifies into an emphatic statement by the battery percussion instruments. Now in Eb major, the opening fanfare theme is heard again once more before fading into the beginning of the piece’s conclusion.To end, the counter melody from the opening section duels with chromatic tension above before swelling to an arrival in the original key of Bb major. The full ensemble celebrates the piece’s resolution, and after a few crunchy power chords the journey is completed.
SKU: SU.80300218
This sweet--but never drippy--setting of a familiar English folk moves into gentle swing rhythm ostinato patterns, supporting soprano and alto solos. SSAA a cappella; English. Easy-Medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
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