SSATB choir, 2 trumpets, horn, trombone, tuba, timpani, (alternative wind version: oboe, english horn, bassoon, bass trombone), organ - Level 2

SKU: CA.2707549

Composed by Peter Schindler. Contemporary Choir Music. Organ. Sacred vocal music, Sacred vocal music - Jazz, Masses, Latin. Single Part, Organ. 12 pages. Duration 15 minutes. Carus Verlag #CV 27.075/49. Published by Carus Verlag (CA.2707549).

ISBN 9790007200091. Text language: Latin.

With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score and part available separately - see item CA.2707500.

SSATB choir, 2 trumpets, horn, trombone, tuba, timpani, (alternative blaserfassung: oboe, english horn, bassoon, bass-trombone), organ - Level 2

SKU: CA.2707509

Composed by Peter Schindler. 1x 27.075/31 trumpet 1, 1x 27.075/32 trumpet 2, 1x 27.075/33 trumpet 3, 1x 27.075/34 trombone, 1x 27.075/35 tuba, 1x 27.075/41 timpani. Contemporary Choir Music. Harmony parts. Sacred vocal music, Sacred vocal music - Jazz, Masses, Latin. Set of Orchestra Parts. Duration 15 minutes. Carus Verlag #CV 27.075/09. Published by Carus Verlag (CA.2707509).

ISBN 9790007200084. Language: Latin.

With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score and parts available separately - see item CA.2707500.

SSATB choir, 2 trumpets, horn, trombone, tuba, timpani, (alternative wind version: oboe, english horn, bassoon, bass trombone), organ - Level 2

SKU: CA.2707505

Composed by Peter Schindler. Contemporary Choir Music. Sacred vocal music, Sacred vocal music - Jazz, Masses, Latin. Choral Score. 24 pages. Duration 15 minutes. Carus Verlag #CV 27.075/05. Published by Carus Verlag (CA.2707505).

ISBN 9790007161613. Text language: Latin.

With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score available separately - see item CA.2707500.

Orchestra Cello, Contrabass, Harp, Viola, Violin 1, Violin 2, Violin 3

SKU: CF.AS144

Composed by William Grant Still. Arranged by Todd Parrish. Set of Score and Parts. 10+2+24+16+10+10+16 pages. Carl Fischer Music #AS144. Published by Carl Fischer Music (CF.AS144).

ISBN 9781491160602. UPC: 680160919192.

Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for Full Orchestra, this slightly abridged version for String Orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for Full Orchestra, this slightly abridged version for String Orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for full orchestra, this slightly abridged version for string orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the “Dean of African American Composers”, William Grant Still’s illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimedSymphony No. 1, the Afro-American Symphony (1930), Still’s Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled “Song of a New Race”, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still’s vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for full orchestra, this slightly abridged version for string orchestra includes the original harppart, honoring the legacy of one of America’s greatest composers.

Orchestra Solo Bar, Coro SATB (divisi), Big Band (S-/A-Sax, A-Sax, 2 T-Sax, Bar-Sax, BClt, 5 Tr, 4 Trb, Pfte, Git, Cb, Perc, [2 Fl, 2 Clt]) - Level 4

SKU: CA.2801005

Composed by Wolfram Buchenberg. Sacred vocal music, Masses, Latin. Choral Score. Duration 32 minutes. Carus Verlag #CV 28.010/05. Published by Carus Verlag (CA.2801005).

ISBN M-007-25232-8. Latin.

Wolfram Buchenberg's Missa ad maiorem Dei gloriam in Latin for big band, chorus, and baritone is a good half hour in duration. In the Kyrie the composer takes as his theme people's deep-seated fear and its overcoming through faith; the Gloria and Sanctus/Benedictus express overwhelming joy, and the Dona nobis in the Agnus Dei dies away in a mood of weightless floating. This absolutely thrilling setting of the mass, influenced by Latin jazz, suitable for concert or equally for liturgical performance, requires a large, well-rehearsed chorus and big band.

Concert Band/Harmonie and Baritone/Euphonium (Score & Parts) - Grade 5

SKU: HL.44011353

Composed by Thomas Doss. Mitropa Music Concert Band. Solo & Concerto. Score Only. Composed 2007. Hal Leonard #149107M. Published by Hal Leonard (HL.44011353).

UPC: 884088892418. 9x12 inches. English(US)/Deutsch/Francais/Nederlands.

Sir Eu was commissioned by the regional music authority of Upper Austria and the brass band SoundINNBrass. The composition was meant to be very virtuoso and was written for the euphonium player Steven Mead, who premiered it and has played it regularly worldwide. The title Sir Eu alludes to the master of the euphonium himself, and also to the concept of Europe. From jazz through romanticism to folkloristic elements - this work offers everything that the musical heart could wish for!

Sir Eu is geschreven in opdracht van de deelstaat Opper-Oostenrijk en de brassband SoundINNBrass. De compositie moest heel virtuoos zijn - toegesneden op de talenten van euphoniumspeler Steven Mead, die de premiere voor zijnrekening nam en het werk overal ter wereld heeft gespeeld. De titel verwijst naar deze meester op het euphonium, maar ook naar het Europese beginsel. Van jazz en romantiek tot folkloristische elementen biedt dit werk alles wat hetmuzikale hart begeert.

Sir Eu wurde von der oberosterreichischen Landemusikdirektion und der Brass Band SoundInn-Brass in Auftrag gegeben. Das Stuck sollte ausserst virtuos und massgeschneidert fur den Euphoniumspieler Steven Mead sein, der es urauffuhrte und bis heute weltweit regelmassig spielt. Der Titel Sir Eu ist eine Anspielung auf den Meister des Euphoniums und zugleich an den europaischen Gedanken. Von Jazz uber Romantik bis hin zu Folklore-Elementen ist in diesem Stuck alles zu finden, was das musikalische Herz begehrt.

Sir Eu est une œuvre de commande conjointe du Comite Regional pour la Musique de Haute-Autriche et du Brass Band SoundINNBrass. Cette composition, taillee sur mesure pour le maitre de l'euphonium Steven Mead, est d'une grande virtuosite. Steven Mead en assura d'ailleurs la creation et la promotion sur les scenes du monde entier. Le titre fait reference a la fois au dedicataire de la piece et au concept europeen. Du jazz aux elements traditionnels en passant par des couleurs plus romantiques, cette piece contient tous les ingredients pour un succes grand public !

Sir Eu was commissioned by the regional music authority of Upper Austria and the brass band SoundINNBrass. The composition was meant to be very virtuoso and was written for the euphonium player Steven Mead, who premiered it and has played it regularly worldwide. The title Sir Eu alludes to the master of the euphonium himself, and also to the concept of Europe. From jazz through romanticism to folkloristic elements - this work offers everything that the musical heart could wish for!

Female gospel soloist, SATB choir & jazz ensemble (pno, bass, drum kit, sax (sop/alto - 1 player), tpt, tbn, timp/perc) - Moderately Difficult

SKU: OU.9780193525658

Composed by Will Todd. Choral Works (inc. Oratorios). Score and parts. 360 pages. Duration 40'. Oxford University Press #9780193525658. Published by Oxford University Press (OU.9780193525658).

ISBN 9780193525658. 12 x 9 inches.

For female gospel soloist, SATB, and jazz ensemble Passion Music continues the fusion of jazz and choral music so successfully blended in Todd's Mass in Blue. The structure highlights different points in the Passion story, including a new setting of 'Greater love has no man' and an evocative Stabat Mater.

Jazz Ensemble plus 5th Trumpet - Grade 3

SKU: KN.61770S

Composed by Jeff Jarvis. Jazz Journey. Kendor Music Inc #61770S. Published by Kendor Music Inc (KN.61770S).

UPC: 822795617702.

Given the widespread popularity of Jeff Jarvis' Critical Mass, Honk, and Slingshot, you're going to love his latest funk original for advancing groups. A solid, catchy funk groove coupled with a rich chord progression gives it plenty of audience appeal. Solos are offered to 2nd and 4th Trumpets. Each set also includes a guitar chord chart by Jim Greeson, and rhythm section parts are partially notated with chords cued. Duration 4:55. Available in SmartMusic.

Guitar

SKU: BT.VOLMB587

Arranged by Alex Stornello and Massimiliano Chiaretti. Studies & Exercises. Book Only. 266 pages. Volonte e Co #VOLMB587. Published by Volonte e Co (BT.VOLMB587).

ISBN 9788863885866. Italian.

Uno studio approfondito sullimprovvisazione jazz a note singole per chitarra, con una straordinaria quantit di informazioni utili (spiegazioni, esempi, tecniche e applicazioni) di grande aiuto per i chitarristi che vogliono avvicinarsi allo studioe alla pratica della musica jazz.Un libro unico nel suo genere, così definito da tanti grandi chitarristi jazz, quali Kenny Burrell, Ben Monder, Vic Juris, Bruce Saunders, Henry Johnson.

SATB choir

SKU: CA.2706500

Aus: Missa in Jazz. Composed by Peter Schindler. Contemporary Choir Music. German title: Agnus Dei (Arr.). Mass sections. Full score. Composed 2001/2012. 8 pages. Carus Verlag #CV 27.065/00. Published by Carus Verlag (CA.2706500).

ISBN 9790007141172. Language: Latin.

Orchestra (Solo Bar, Coro SATB (divisi), Big Band (S-/A-Sax, A-Sax, 2 T-Sax, Bar-Sax, BClt, 5 Tr, 4 Trb, Pfte, Git, Cb, Perc, [2 Fl, 2 Clt])) - Level 4

SKU: CA.2801003

Composed by Wolfram Buchenberg. Vocal score. Duration 32 minutes. Carus Verlag #2801003. Published by Carus Verlag (CA.2801003).

ISBN 9790007296629. Latin.

An absolutely thrilling setting of the mass, influenced by Latin jazz, for large chorus, big band, and baritone. The composer takes as his theme people's deep-seated fear and its overcoming through faith. Suitable for concert or equally for liturgical performance

SATB choir, cantor, voice solo, assembly, piano accompaniment, guitar - Beginning

SKU: GI.G-7519

Composed by Paul Melley. Advent 2 C, Lent 5 C, Ordinary Time 30 B. Leavensong Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #7519. Published by GIA Publications (GI.G-7519).

UPC: 785147751908. English. Text Source: Psalm 126:1–6, NAB, ref.: Lectionary for Mass Scripture: Psalm 126:1–6.

This setting of Psalm 126, expressing the melancholy of captivity as well as thanksgiving for deliverance, is more syncopated and upbeat than most. The melodic repetition in the refrain makes it easy for the assembly to respond, and the harmonization is jazzy and wistful. Youth and adult choirs will love this piece, plus there's a chance for solo or section to shine on the verses. Appropriate for Advent, Lent, and Ordinary Time (30B). For cantor or soloist.

8-part Trombone Ensemble - int to advanced

SKU: CY.CC2972

Composed by John Frith. Latin Rock/Jazz. Score and parts. 24 pages. Cherry Classics #2972. Published by Cherry Classics (CY.CC2972).

ISBN 9790530057919.

BIG RIFF is a new work by John Frith for 8-part Trombone Ensemble. It was written as the opening Anthem for Trombonanza 2017, which is a festival takes place annually in the town of Santa Fe, Argentina.
Mr. Frith was commissioned to compose this work to open the Festival.
The music is about 5 minutes in length and features strong Latin rhythms throughout. The work builds and builds as it adds layers of complexities including a jazz solo for one of the players.
The all the middle parts are playable by intermediate performers. Part 1 can be performed on alto or tenor and goes up to high f's. Part 8 is quite low.
The work ends in a big climax after building up throughout. Very fun work to perform with a massed group.