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| Huit Chansons de Fleurs
High voice, Piano [Score]
Theodore Presser Co.
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890). ISBN 9781491134672. UPC: 680160685264. Whatâ??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021. $21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Buskers Fake Book All Time Hit
Piano solo
Music Sales
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| Violin Concerto in D minor WoO 1
Breitkopf & Härtel
Double bass (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5302-27(+)
Double bass (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5302-27 Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Stapled. Orchester-Bibliothek (Orchestral Library). Schumann's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece! Solo concerto; Romantic. Part. 8 pages. Duration 32'. Breitkopf and Haertel #OB 5302-27. Published by Breitkopf and Haertel (BR.OB-5302-27). ISBN 9790004340059. 10 x 12.5 inches. Between Beethoven and Brahms, a long neglected workSchumann's last work for solo instrument and orchestra was not given its premiere until 1937, at which time it was also released in an editorially inadequate version. A re-evaluation of Schumann's late oeuvre began in the 1980s, in the wake of which the missing link between the concertos of Beethoven and Brahms (Yehudi Menuhin) also drew increasing attention. Since then, those in the know have come to appreciate the work, whose unique musical and technical demands challenge for both interpreter and listener.This new edition of what is perhaps the most underestimated masterpiece of the Romantic era is the first meticulously prepared Urtext edition of the score. Nothing short of incredible is the fact that the composer's own piano reduction from which Clara Schumann and Joseph Joachim played the piece is being published here for the first time! Thomas Zehetmair, who has significantly contributed to the re-assessment of the concerto, assumed the task of providing a sound technical basis to his revision of the solo part.Perhaps this edition will help stimulate awareness and appreciation of this unjustly forgotten romantic violin concerto described by Menuhin as the missing link between the concertos by Beethoven to Brahms. (John Thomson, Stringendo)
Schumann's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece! $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Violin Concerto in D minor WoO 1
Breitkopf & Härtel
Viola (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5302-19 U...(+)
Viola (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5302-19 Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Stapled. Orchester-Bibliothek (Orchestral Library). Schumann's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece! Solo concerto; Romantic. Part. 12 pages. Duration 32'. Breitkopf and Haertel #OB 5302-19. Published by Breitkopf and Haertel (BR.OB-5302-19). ISBN 9790004340035. 10 x 12.5 inches. Between Beethoven and Brahms, a long neglected workSchumann's last work for solo instrument and orchestra was not given its premiere until 1937, at which time it was also released in an editorially inadequate version. A re-evaluation of Schumann's late oeuvre began in the 1980s, in the wake of which the missing link between the concertos of Beethoven and Brahms (Yehudi Menuhin) also drew increasing attention. Since then, those in the know have come to appreciate the work, whose unique musical and technical demands challenge for both interpreter and listener.This new edition of what is perhaps the most underestimated masterpiece of the Romantic era is the first meticulously prepared Urtext edition of the score. Nothing short of incredible is the fact that the composer's own piano reduction from which Clara Schumann and Joseph Joachim played the piece is being published here for the first time! Thomas Zehetmair, who has significantly contributed to the re-assessment of the concerto, assumed the task of providing a sound technical basis to his revision of the solo part.Perhaps this edition will help stimulate awareness and appreciation of this unjustly forgotten romantic violin concerto described by Menuhin as the missing link between the concertos by Beethoven to Brahms. (John Thomson, Stringendo)
Schumann's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece! $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Violin Concerto in D minor WoO 1
Breitkopf & Härtel
Woodwinds (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5302-30 ...(+)
Woodwinds (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5302-30 Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Folder. Orchester-Bibliothek (Orchestral Library). Schumann's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece! Solo concerto; Romantic. Set of parts. 64 pages. Duration 32'. Breitkopf and Haertel #OB 5302-30. Published by Breitkopf and Haertel (BR.OB-5302-30). ISBN 9790004340066. 10 x 12.5 inches. Between Beethoven and Brahms, a long neglected workSchumann's last work for solo instrument and orchestra was not given its premiere until 1937, at which time it was also released in an editorially inadequate version. A re-evaluation of Schumann's late oeuvre began in the 1980s, in the wake of which the missing link between the concertos of Beethoven and Brahms (Yehudi Menuhin) also drew increasing attention. Since then, those in the know have come to appreciate the work, whose unique musical and technical demands challenge for both interpreter and listener.This new edition of what is perhaps the most underestimated masterpiece of the Romantic era is the first meticulously prepared Urtext edition of the score. Nothing short of incredible is the fact that the composer's own piano reduction from which Clara Schumann and Joseph Joachim played the piece is being published here for the first time! Thomas Zehetmair, who has significantly contributed to the re-assessment of the concerto, assumed the task of providing a sound technical basis to his revision of the solo part.Perhaps this edition will help stimulate awareness and appreciation of this unjustly forgotten romantic violin concerto described by Menuhin as the missing link between the concertos by Beethoven to Brahms. (John Thomson, Stringendo)
Schumann's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece! $80.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Violin Concerto in D minor WoO 1
Breitkopf & Härtel
Violoncello (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5302-23(+)
Violoncello (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5302-23 Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Stapled. Orchester-Bibliothek (Orchestral Library). Schumann's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece! Solo concerto; Romantic. Part. 14 pages. Duration 32'. Breitkopf and Haertel #OB 5302-23. Published by Breitkopf and Haertel (BR.OB-5302-23). ISBN 9790004340042. 10 x 12.5 inches. Between Beethoven and Brahms, a long neglected workSchumann's last work for solo instrument and orchestra was not given its premiere until 1937, at which time it was also released in an editorially inadequate version. A re-evaluation of Schumann's late oeuvre began in the 1980s, in the wake of which the missing link between the concertos of Beethoven and Brahms (Yehudi Menuhin) also drew increasing attention. Since then, those in the know have come to appreciate the work, whose unique musical and technical demands challenge for both interpreter and listener.This new edition of what is perhaps the most underestimated masterpiece of the Romantic era is the first meticulously prepared Urtext edition of the score. Nothing short of incredible is the fact that the composer's own piano reduction from which Clara Schumann and Joseph Joachim played the piece is being published here for the first time! Thomas Zehetmair, who has significantly contributed to the re-assessment of the concerto, assumed the task of providing a sound technical basis to his revision of the solo part.Perhaps this edition will help stimulate awareness and appreciation of this unjustly forgotten romantic violin concerto described by Menuhin as the missing link between the concertos by Beethoven to Brahms. (John Thomson, Stringendo)
Schumann's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece! $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Violin Concerto in D minor WoO 1
Breitkopf & Härtel
Violin 2 (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5302-16 <...(+)
Violin 2 (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5302-16 Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Stapled. Orchester-Bibliothek (Orchestral Library). Schumann's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece! Solo concerto; Romantic. Part. 12 pages. Duration 32'. Breitkopf and Haertel #OB 5302-16. Published by Breitkopf and Haertel (BR.OB-5302-16). ISBN 9790004340028. 10 x 12.5 inches. Between Beethoven and Brahms, a long neglected workSchumann's last work for solo instrument and orchestra was not given its premiere until 1937, at which time it was also released in an editorially inadequate version. A re-evaluation of Schumann's late oeuvre began in the 1980s, in the wake of which the missing link between the concertos of Beethoven and Brahms (Yehudi Menuhin) also drew increasing attention. Since then, those in the know have come to appreciate the work, whose unique musical and technical demands challenge for both interpreter and listener.This new edition of what is perhaps the most underestimated masterpiece of the Romantic era is the first meticulously prepared Urtext edition of the score. Nothing short of incredible is the fact that the composer's own piano reduction from which Clara Schumann and Joseph Joachim played the piece is being published here for the first time! Thomas Zehetmair, who has significantly contributed to the re-assessment of the concerto, assumed the task of providing a sound technical basis to his revision of the solo part.Perhaps this edition will help stimulate awareness and appreciation of this unjustly forgotten romantic violin concerto described by Menuhin as the missing link between the concertos by Beethoven to Brahms. (John Thomson, Stringendo)
Schumann's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece! $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Violin Concerto in D minor WoO 1
Breitkopf & Härtel
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5...(+)
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5317 Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Orchestra; stapled. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Study Score. Duration 32'. Breitkopf and Haertel #PB 5317. Published by Breitkopf and Haertel (BR.PB-5317). ISBN 9790004212356. 6.5 x 9 inches. Between Beethoven and Brahms, a long neglected workSchumann's last work for solo instrument and orchestra was not given its premiere until 1937, at which time it was also released in an editorially inadequate version. A re-evaluation of Schumann's late oeuvre began in the 1980s, in the wake of which the missing link between the concertos of Beethoven and Brahms (Yehudi Menuhin) also drew increasing attention. Since then, those in the know have come to appreciate the work, whose unique musical and technical demands challenge for both interpreter and listener.This new edition of what is perhaps the most underestimated masterpiece of the Romantic era is the first meticulously prepared Urtext edition of the score. Nothing short of incredible is the fact that the composer's own piano reduction from which Clara Schumann and Joseph Joachim played the piece is being published here for the first time! Thomas Zehetmair, who has significantly contributed to the re-assessment of the concerto, assumed the task of providing a sound technical basis to his revision of the solo part.Perhaps this edition will help stimulate awareness and appreciation of this unjustly forgotten romantic violin concerto described by Menuhin as the missing link between the concertos by Beethoven to Brahms. (John Thomson, Stringendo)
Schumann's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece! $18.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Line Games
Guitar
Sher Music Company
(An In-Depth Study of Single-Note Lines for Guitar). By Randy Vincent. For guita...(+)
(An In-Depth Study of Single-Note Lines for Guitar). By Randy Vincent. For guitar. This edition: spiral-bound. Method book. 156 pages. Published by Sher Music Company
$34.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Super Amazing Music Activities Book [Flash Cards & Games]
Heritage Music Press
By Janet Vogt. For Games. General music. Published by Heritage Music Press. (30/...(+)
By Janet Vogt. For Games. General music. Published by Heritage Music Press. (30/2190H)
$44.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| A Night In the House of Usher
Piano solo [Score] - Intermediate
Musik Fabrik
Piano - Grade 4 SKU: FA.MFRO001P Composed by Claude Debussy and Robert Or...(+)
Piano - Grade 4 SKU: FA.MFRO001P Composed by Claude Debussy and Robert Orledge. Rediscoverd Debussy. Classical : Impressionistic. Score. Musik Fabrik #MFRO001P. Published by Musik Fabrik (FA.MFRO001P). 8.27 x 11.69 inches. Over the years 1908-16, Debussy had produced a viable scenario for Usher on his third attempt. Butwhen he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher's long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself. In the process of completing the missing half of the score, I discovered that by reusing Debussy's material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Melisande's theme in his opera Pelleas et Melisande), the only things I really needed to add were linking material and any passages where fast music was required. So the 'nightmare scherzo', and Lady Madeline's escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of 'changing backgrounds', both harmonic and textural, proved extremely useful, as it did to Debussy in his Prelude a l'apres-midi d'un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy's score as A Night in the House of Usher for organ, and subsequently piano--with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010. $16.19 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| 24 Fantasías Románticas, Vol. 2
Guitar
Editorial de Musica Boileau
Guitar - Advanced, Virtuoso SKU: BO.B.3946 The missing link of romanti...(+)
Guitar - Advanced, Virtuoso SKU: BO.B.3946 The missing link of romanticism on the guitar. Composed by Jaume Torrent. 21st Century. Score with CD. 88 pages. Duration 63:00. Editorial de Musica Boileau #B.3946. Published by Editorial de Musica Boileau (BO.B.3946). ISBN 979-0-3503-3968-4. 9 x 12 inches. The restrictive use of tonalities has prevented the guitar from accessing the development of the musings of the morphological and formal resources that, since the classical period, has developed instrumental music. The freedom of modulation, thematic transformation or the ability to assume broad development structures are some of the procedures that, historically have been limited by the alleged inability of the guitar to use the full range of tonalities. With these 24 romantic fantasies, this historical prejudice is broken and the guitar is offered the possibility of approaching a wide range of compositional skills and expressive proposals that, until now, had belonged exclusively to the world of piano or chamber music. $28.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| 24 Fantasías Románticas, Vol. 1
Guitar
Editorial de Musica Boileau
Guitar - Advanced, Virtuoso SKU: BO.B.3945 The missing link of romanti...(+)
Guitar - Advanced, Virtuoso SKU: BO.B.3945 The missing link of romanticism on the guitar. Composed by Jaume Torrent. 21st Century. Score with CD. 76 pages. Duration 56:00. Editorial de Musica Boileau #B.3945. Published by Editorial de Musica Boileau (BO.B.3945). ISBN 979-0-3503-3967-7. 9 x 12 inches. The restrictive use of tonalities has prevented the guitar access to the development of many of the morphological and formal resources that, from the classical period, has developed instrumental music. Freedom of modulation, thematic transformation or the ability to assume broad structures of development are some of the procedures that, historically, have been limited by the presumed inability of the guitar to use the full range of tonalities. With these 24 Romantic Fantasies this historical prejudice is broken and the guitar is offered the possibility of addressing a wide range of compositional skills and expressive proposals that until now had belonged exclusively to the world of piano or chamber music. $28.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Begin the Band #1 [Score and Parts] - Easy
Music Sales
Combo - early intermediate SKU: BT.1237-06-070-MS Music for starting P...(+)
Combo - early intermediate SKU: BT.1237-06-070-MS Music for starting Pop Bands. Begin the Band. Set (Score & Parts). Composed 2005. 36 pages. Music Sales #1237-06-070 MS. Published by Music Sales (BT.1237-06-070-MS). ISBN 9789043123259. 9x12 inches. English-German-French-Dutch. Starting a band is always an adventure. Once like-minded, music-loving people have gathered to form a group, it can start. But, wait - there’s still something missing: the music!New music groups whose members do not have much experience on their instruments have special demands. They need not-too-difficult pieces which focus on playing together, and lead quickly to that most motivating of achievements: the band’s first performance.Begin the Band is perfectly designed with these demands in mind. Each book in the series contains four entertaining, great-sounding arrangements and original compositions in pop and jazz styles, with added scope to improvise. Each piece consists ofa vocal part, three accompaniment parts and an easy part for wind players, all in four different keys: C, B flat, E flat and C bass. In addition, there are parts for piano/keyboard/bass and guitar (with chords) as well as drum kit and percussion. All the parts can be combined in any way you like, to form a pop band, jazz combo and so on. The minimal ensemble consists of a vocal part (sung or played by a wind instrument) and one accompanying instrument. Let the adventure begin!Includes songs by: Joss Stone, Christina Aguilera and many more
Een ideale uitgave voor gelijkgezinde muziekliefhebbers die pas een band hebben opgericht - of van plan zijn een band te beginnen. Nieuwe muziekgroepen waarvan de leden nog niet veel ervaring met hun instrument hebben, stellen specialeeisen. Ze hebben eenvoudige stukken nodig die zijn gericht op samenspel en leiden tot de zo motiverende beleving van het eerste optreden. Begin the Band is toegesneden op deze eisen. Elk boek van deze serie bevat vieronderhoudende, goed klinkende arrangementen en originele composities in de muziekstijlen pop en jazz, met de mogelijkheid tot improvisatie. Elk stuk bestaat uit een zangpartij, drie begeleidingspartijen en een ‘easy part’, steedsin C, Bes, Es en C-bassleutel. Er zijn aanvullende partijen voor piano/keyboard/basgitaar en gitaar (met akkoorden), evenals voor slagwerk en percussie. Alle partijen zijn te combineren voor elke denkbare bezetting, van popgroeptot jazzcombo, enz. De minimale bezetting omvat de zangpartij (gezongen of gespeeld door een blaasinstrument) en een begeleidingsinstrument. Laat het avontuur maar beginnen!
Die Gründung einer Band ist immer ein Abenteuer. Haben sich erst genügend musizierfreudige Gleichgesinnte zusammen gefunden, kann es losgehen. Aber halt - etwas fehlt noch: die Musik! Neue Bands, deren Mitglieder nicht allzu viel Erfahrung auf ihren Instrumenten mitbringen, haben besondere Bedürfnisse. Leichte Stücke sind gefragt, die den Schwerpunkt auf das Zusammenspiel legen und schnell zum motivierenden Erfolgserlebnis der Gruppe führen: dem ersten gemeinsamen Auftritt! Begin the Band ist genau auf diese Bedürfnisse zugeschnitten. Jedes Buch dieser Reihe enthält vier unterhaltsame, gut klingende Bearbeitungen und Originalkompositionen in den Stilen Pop undJazz, die auch Gelegenheit zur Improvisation bieten. Zu jedem Stück gibt es eine Gesangsstimme, drei Begleitstimmen und einen Easy Part, das Ganze jeweils im C-, B-, Es- und im C-Bassschlüssel. Dazu kommen Stimmen für Gitarre und Bassgitarre (mit Akkorden), sowie für Schlagzeug und Percussion. Alle Stimmen sind beliebig für zahlreiche verschiedene Besetzungen ergänzbar - von einer Minimalbesetzung aus Gesangsstimme (auch von einem Blasinstrument spielbar) mit einer Begleitung, über eine Popband bis hin zur Jazzcombo und vielem mehr. Mit Liedern und Stücken von Christina Aguilera, Joss Stone, Gary Barone und Hans Kerkhoff kann das Abenteuer beginnen!
Monter un groupe est toujours un défi captivant relever. Il suffit de trouver et réunir quelques musiciens passionnés ayant les mêmes go ts et l’aventure peut commencer. D’accord, mais qu’allez-vous jouer ? Les groupes fraîchement constitués dont les membres ont une expérience instrumentale limitée ont besoin d’un répertoire adapté ; des pièces simples axées sur le jeu en ensemble et qui permettent d’atteindre rapidement le but suprême: monter sur scène. Begin the Band a été conçu spécialement pour satisfaire ces exigences. Chaque recueil de cette collection contient quatre superbes arrangements et compositions originales dans les styles pop et jazz qui offrentun espace de liberté propice l’improvisation. Chaque pièce comporte une partie vocale, trois parties d’accompagnement et une version instrumentale de la ligne mélodique (version simplifiée de la partie vocale), le tout dans les tonalités Ut, Si b, Mib et Ut BC. Sont également jointes les parties pour keyboard/guitare basse, guitare (avec accords), batterie et percussion. En combinant les différentes parties selon votre choix, vous obtiendrez un groupe de rock, un combo de jazz ou tout autre formation. L’instrumentation minimale se constitue de la partie vocale (ou version instrumentale de la ligne mélodique) et d’une partie d’accompagnement. Que l’aventure commence !
Formare un gruppo è sempre una sfida accattivante. E’ sufficiente trovare e riunire alcuni musicisti appassionati e con gli stessi gusti e l’avventura può iniziare. D’accordo, ma cosa si suona? I gruppi formati da musicisti con una limitataesperienza strumentale, hanno bisogno di un repertorio adatto: brani semplici concentrati sull’esecuzione in gruppo e che permettano di raggiungere rapidamente l’obiettivo: esibirsi in pubblico. Begin the Band è stato concepito per soddisfare questeesigenze. Ogni raccolta di questa collezione contiene quattro superbi arrangiamenti e composizioni originali adatti all’improvvisazione. Ogni brano comporta una parte vocale, tre parti di accompagnamento e una versione strumentale della lineamelodica (versione semplificata della parte vocale), il tutto nelle tonalit Do, Sib, Mib e Do �. Sono incluse anche le parti per tastiera/chitarra basso, chitarra (con accordi), batteria e percussioni. Combinando le varie parti a scelta,otterrete un gruppo rock, un combo jazz o altre formazioni. La strumentazione minima è costituita dalla parte vocale (o versione strumentale della linea melodica) e di una parte d’accompagnamento. L’avventura può iniziare! VFormare un gruppo è sempreuna sfida accattivante. E’ sufficiente trovare e riunire alcuni musicisti appassionati e con gli stessi gusti e l’avventura può iniziare. D’accordo, ma cosa si suona? I gruppi formati da musicisti con una limitata esperienza strumentale, hannobisogno di un repertorio adatto: brani semplici concentrati sull’esecuzione in gruppo e che permettano di raggiungere rapidamente l’obiettivo: esibirsi in pubblico. Begin the Band è stato concepito per soddisfare queste esigenze. Ogni raccolta diquesta collezione contiene quattro superbi arrangiamenti e composizioni originali adatti all’improvvisazione. Ogni brano comporta una parte vocale, tre parti di accompagnamento e una versione strumentale della linea melodica (versione semplificatadella parte vocale), il tutto nelle tonalit Do, Sib, Mib e Do �. Sono incluse anche le parti per tastiera/chitarra basso, chitarra (con accordi), batteria e percussioni. Combinando le varie parti a scelta, otterrete un gruppo rock, un combojazz o altre formazioni. La strumentazione minima è costituita dalla parte vocale (o versione strumentale della linea melodica) e di una parte d’accompagnamento. L’avventura può iniziare! Formare un gruppo è sempre una sfida accattivante. E’sufficiente trovare e riunire alcuni musicisti appassionati e con gli stessi gusti e l’avventura può iniziare. D’accordo, ma cosa si suona? I gruppi formati da musicisti con una limitata esperienza strumentale, hanno bisogno di un repertorio adatto:brani semplici concentrati sull’esecuzione in gruppo e che permettano di raggiungere rapidamente l’obiettivo: esibirsi in pubblico. Begin the Band è stato concepito per soddisfare queste esigenze. Ogni raccolta di questa collezione contiene quattrosuperbi arrangiamenti e composizioni originali adatti all’improvvisazione. Ogni brano comporta una parte vocale, tre parti di accompagnamento e una versione strumentale della linea melodica (versione semplificata della parte vocale), il tutto nelletonalit Do, Sib, Mib e Do �. Sono incluse anche le parti per tastiera/chitarra basso, chitarra (con accordi), batteria e percussioni. Combinando le varie parti a scelta, otterrete un gruppo rock, un combo jazz o altre formazioni. Lastrumentazione minima è costituita dalla parte vocale (o versione strumentale della linea melodica) e di una parte d’accompagnamento. L’avventura può iniziare! VFormare un gruppo è sempre una sfida accattivante. E’ sufficiente trovare e riunirealcuni musicisti appassionati e con gli stessi gusti e l’avventura può iniziare. D’accordo, ma cosa si suona? I gruppi formati da musicisti con una limitata esperienza strumentale, hanno bisogno di un repertorio adatto: brani semplici concentratisull’esecuzione in gruppo e che permettano di raggiungere rapidamente l’obiettivo: esibirsi in pubblico. Begin the Band è stato concepito per soddisfare queste esigenze. Ogni raccolta di questa collezione contiene quattro superbi arrangiamenti ecomposizioni originali adatti all’improvvisazione. Ogni brano comporta una parte vocale, tre parti di accompagnamento e una versione strumentale della linea melodica (versione semplificata della parte vocale), il tutto nelle tonalit Do, Sib, Mib eDo �. Sono incluse anche le parti per tastiera/chitarra basso, chitarra (con accordi), batteria e percussioni. Combinando le varie parti a scelta, otterrete un gruppo rock, un combo jazz o altre formazioni. La strumentazione minima ècostituita dalla parte vocale (o versione strumentale della linea melodica) e di una parte d’accompagnamento. L’avventura può iniziare! $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| WAVE-EIGHT 8″ Portable DJ Speaker with SonicLink
Hal Leonard
SKU: HL.1418387 AlphaTheta. DJ Gear. Duration 195 seconds. Hal Leonard #W...(+)
SKU: HL.1418387 AlphaTheta. DJ Gear. Duration 195 seconds. Hal Leonard #WAVE-EIGHT. Published by Hal Leonard (HL.1418387). UPC: 841300102410. 16.0x26.5x17.0 inches. Faster and easier Cable-free DJing without sound delays is now possible with the WAVE-EIGHT thanks to SonicLink. This new ultra-low-latency technology wirelessly transmits audio much faster than a Bluetooth connection so only a fraction of a second passes between pressing play on the decks and hearing the track through the speakers, which lets you mix without missing a beat. Take the included transmitter out of its storage compartment on the WAVE-EIGHT and connect it to your DJ gear, and you can instantly create a wireless connection, enabling you to throw a DJ party anywhere you want. And if you combine the WAVE-EIGHT with the new OMNIS-DUO portable all-in-one DJ system, which features battery power, you can play cable-free for total freedom. Professional sound with effortless setup With a highly efficient Class D amplifier, a newly designed 8-inch driver, and a Vortex Bass Accelerator which delivers clear and powerful bass, the WAVE-EIGHT will bring the vibes and the punch to your party's sound, even in outdoor settings. To cover larger events and spaces, you can easily add more units to your setup with the SonicLink connection: e.g., using 2 speakers in stereo for an expansive experience, or with a third added as a dedicated subwoofer for a club-like heavy bass sound. There are even several modes you can change between with a single switch to create the type of sound you need, including Mono, Stereo, and Subwoofer mode. Battery power and waterproof design for outdoor events A full battery charge gives you 8 hours of music on the WAVE-EIGHT so you can keep the tunes going throughout the evening and night. The unit is also waterproof, with an IPX4 rating, so it's ideal for using outdoors. And, if you need to charge your phone or another device, you can plug it into the USB Type-C port. Find party venues wherever you go The extendable handle, casters, and additional grab handles make it easy to carry the WAVE-EIGHT to any location on your own. There's a pole socket built-in, too, so you can mount the speaker on a stand for extra height, making it ideal for use in a variety of locations. $899.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Super Studies
Saxophone [Sheet music + CD]
Anglo Music
Saxophone. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12...(+)
Saxophone. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12 inches. 48 pages. Published by Anglo Music.
$15.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Super Studies (Flute)
Flute [Sheet music + CD]
Anglo Music
Flute. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12 inc...(+)
Flute. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12 inches. 48 pages. Published by Anglo Music.
$15.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Super Studies
Clarinet [Sheet music + CD]
Anglo Music
Clarinet. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12 ...(+)
Clarinet. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12 inches. 48 pages. Published by Anglo Music.
$15.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Super Studies
Oboe [Sheet music + CD]
Anglo Music
Oboe. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12 inch...(+)
Oboe. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12 inches. 48 pages. Published by Anglo Music.
$15.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Small Preludes
Piano solo [Score]
Breitkopf & Härtel
Piano SKU: BR.EB-6773 Piano Lessons by Johann Sebastian Bach. Comp...(+)
Piano SKU: BR.EB-6773 Piano Lessons by Johann Sebastian Bach. Composed by Johann Sebastian Bach. Edited by Heinz Walter. Solo instruments; Softcover. Edition Breitkopf. Baroque period. Score. 16 pages. Breitkopf and Haertel #EB 6773. Published by Breitkopf and Haertel (BR.EB-6773). ISBN 9790004169728. 9 x 12 inches. The pieces contained in the present volume provide a link between the easy, dance-like movements contained in the Anna Magdalena Bach Book and the two-part inventions. The text corresponds very largely to that of the original source; missing dynamic and tempo markings must be supplied by the player himself in accordance with the character of each piece. The training of the student's feeling for style must begin here, his technical capabilities being taken into account. The occasionally simplified ornaments can also be treated in this manner. The fingerings are intended as suggestions for small hands; they must, of course, be adapted to the particular player's hands, taking tempo and phrasing into consideration. The editor has attempted to solve the problems of phrasing and articulation by means of his own suggestions, but without cluttering the text too much. Various alternative solutions (as indicated in no. 3) are possible, and should - insofar as they make musical sense- be realized in practice. By independently choosing a phrasing and writing it into the music himself, the student improves his unterstanding of the polyphonic structure and the form. Heinz Walter, Salzburg, Spring 1977. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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