SKU: BP.HB567

Arranged for 3 to 5 octave handbell choir with optional B-flat 2 and optional F8. Level 3. An opening, chant-like mood - designed to evoke the ancient origins of the Church - sets the stage for this arrangement of the hymn tune HOLY MANNA. The piece utilizes changing moods, harmonizations, and styles to follow the Church (and all those who have ever met to worship) through the ages before a final verse in a sprightly 6/8 ushers us into the modern day and looks forward to all those who will worship in the future. A fitting choice for any worship or concert setting.

SKU: BP.HB568A

Arranged for 3 to 6 octave handbell choir, optional 3 to 6 octaves of handchimes and optional flute, windchimes and bongo drum. Level 3. With a mysterious and evocative opening, this arrangement of a French carol is sure to add an element of the ethereal to your worship or concert setting. The theme becomes more insistent and energetic with each successive verse, before culminating in an almost-raucous final iteration. Optional percussion drives the piece along, and the optional flute provides interesting, bird-like ornamentation. A treat for listener and ringer alike!

SKU: BP.HB606

Written for 3 to 6 octave handbell choir and optional 2 octaves of handchimes. Level 4. A haunting, lyrical section opens this original tune from Brenda Austin before giving way to an energetic and driving motif which once more returns to the lyricism of the opening. Though scored entirely in five-four time, the middle section is conducted in an uneven four, giving ringers the chance to practice asymmetric meters. A great choice for advanced choirs in either worship or concert.

SKU: MN.30-823

UPC: 688670308239.

William Payn is recognized as one of the finest contemporary composers of handbell music. This is a classic William Payn piece and will be a welcomed addition to the handbell repertoire. The piece begins with a brisk eighth note pattern in both treble and bass bells and is followed by the introduction of a theme presented in the bass bells. The theme is developed and moves through three key changes before giving way to a peaceful middle section. Both themes are combined in the finale. A challenging piece well worth the work. For church or concert use. 5 octaves (58 bells).

SKU: BP.HB512

UPC: 748769305126.

An original composition by Michael Helman. 3-5 octave handbell choir with optional 3-5 octaves of handchimes. Level 3. Full of syncopation and energy, this original composition is destined to be a hit with ringers and audiences alike. A slower, flowing middle section allows ringers a chance to showcase their musicality, before the original theme and feel return for a final drive to the finish. Appropriate for church or concert at any time of year, this selection would make a particularly good choice for worship during Eastertide.

SKU: BP.HB69

Arranged for 3-4 octave handbell choir. Level 2+. Charles H. Gabriel. Doug Wagner's arrangement of this familiar hymn is both simple and heartfelt. With few bell changes and no tricky rhythms, this piece is an ideal choice for the developing choir. Perfect for a moment of quiet contemplation in any service or concert setting.

SKU: BP.HB495

UPC: 748769304952.

3-5 octave handbell choir with optional D8 and F8, level 3. This fun, light arrangement of the well-known Christmas tune will bring a smile to your audience's faces. While the harmonies are straightforward, the frequent interwoven staccato sections add a lighthearted feel to the piece. Bell changes are kept to a minimum, even including a key change halfway through the piece. Perfect for worship or concert use during the Christmas season.

SKU: BP.HB607

Arranged for 3 to 5 octave handbell choir. Level 3-. Anna Laura Page's arrangement of Flee As a Bird is both lyrical and yearning. Flowing eighth notes accompany the simple melody, which grows in intensity and strength through to a final climax before dying away to a gentle finish. A perfect choice for a reflective moment in concert or worship.

SKU: BP.HB570

Written for 3 to 5 octave handbell choir and optional 3 octaves of handchimes. Level 3. Patrick Meyer makes his debut in the Beckenhorst catalog with this upbeat and bouncy original work, suitable for worship or concert use. Set in a lilting six-eight time, the melody moves throughout the ensemble, giving all ringers the chance to shine. The middle section introduces a countermelody in the high treble bells, giving ensembles a chance to work on the balance of parts and musicality. The closing verse returns to the original key for its celebratory conclusion.