SKU: CL.032-4476-00
Yes! Feature your guitar or vibes player on this cookin' F blues shuffle with a nod to the late great B.B. King. The bari sax part takes a prominent blues band role within the rhythm section. Open up the improv solo section to feature any instrument. Tablature and fingerings for appropriate slides, bends, hammer-ons, pull-offs, and chord shape/performance suggestions are included in the solo guitar part. Playable with limited instrumentation. A real band and crowd pleaser!
SKU: KN.52465
UPC: 822795524659.
Dedicated to and recorded by trumpeter Nicholas Payton on Gumbo Nouveau (Verve), this familiar melody takes on new life in this refreshing swing treatment by Doug Doug Beach and George Shutack. Scored at the medium level, the rhythmic and harmonic twists in this arrangement complement the hard-driving groove. Duration 4:45.
SKU: CL.032-2553-01
Make no mistake about it, this is an incredibly funky chart by a talented writer. The energy created right from the start with some really hot licks for alto sax continues throughout this piece on top of a groove that just won't quit. Tasty writing for all sections plus a couple of written out feature spots for alto sax give this chart a contemporary sound.
SKU: CL.032-2553-00
SKU: CL.031-0254-01
A swinging type riff tune with a solo for trumpet (cued for tenor) and piano. You just can’t go wrong with this Lennie Niehaus classic from the Barnhouse catalog.
SKU: CL.031-0254-00
SKU: CL.030-2137-00
Here's a terrific little light rock tune with that unmis takeable Bob Lowden touch.
SKU: KN.TJK2301
12 x 9 inches.
Well here's a blues chart that will surprise you at every turn! Vince has taken the traditional 12 bar blues and turned it sideways in this clever composition. Definitely a hip chart to look at if you need something that colors outside the lines!
SKU: KN.52355
As recorded in 1972 by the Thad Jones-Mel Lewis Orchestra on their album Suite For Pops, this solo feature for scat vocalist or guitar opens with a big, full-band intro in slow swing before the 'funky 4 feel' takes over. Punctuated by screaming brass parts, ad lib solo fills by trumpet and tenor, and an optional solo cadenza before the final chord, this tribute to Louis 'Pops' Armstrong is intended for experienced bands only. Duration 11:30.
SKU: KN.52245
In this breezy bossa-rock for developing groups, 1st Tenor takes a solo chorus before being joined by 2nd Tenor in a unique call-and-response solo section that may be repeated according to the director's discretion. Rhythm section parts are notated with chords cued, and use of the percussion part for vibes and tambourine enhances the Latin flavor.
SKU: CL.032-4968-00
I Saw Three Ships is not only an absolute perfect chart for your December concerts, but it’s so much fun to play that you should program it anytime! This 17th century English carol takes on a whole new life reset in a New Orleans second-line style groove. There’s plenty of ensemble work for each section and solo space in the middle for your lead alto and lead trombone. Don’t miss a chance to jam out on this one! Great fun!
SKU: CL.SCM-1100-00
A great new chart of Freddie Hubbards’ great Blues For Miles that really cooks! Freddie describes this tune as Hip Hop Funk on the original CD also entitled Blues for Miles. Mike’s solid arrangement starts out with the trumpets introducing the very funky unison melody followed by a stop time chorus for the saxes. Solos follow for the soloists of your choice on slightly altered Bb blues changes and then an exciting rock flavored shout chorus takes us back to the head. Includes an optional flute part. An outstanding choice for almost any performance opportunity that your students will really enjoy playing.
SKU: CL.SCM-1100-01
SKU: CL.030-2203-01
This Andy Clark swinger is a very nice teaching vehicle for basic swing concepts, and takes alot of work out of your rehearsal time. Very useful chart!
SKU: CL.030-2203-00
SKU: XC.ZJE2301
This dreamy Brazilian samba sets the haunting melody of Chopin’s Prelude #4 as a background to a beautiful Trombone feature that takes us through a lushly-scored journey of a life well lived, as it soars to a joyous, half-time funk groove before winding back down to an introspective end will truly leave the audience floating. All rhythm parts are completely written out, with suggested solos included.
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