SKU: SU.94010400

2,1 2,1 2,1 2,1; 4331; timp, perc(3), cel, hp; stgs Duration: 11' Composed: 2013 Published by: Subito Music Publishing Performance materials available on rental: Alas! Babylon’s Final Sunset is another installment in my series of works that musically comment on the biblical books of Daniel and Revelation. The principal source of inspiration for this works comes from the 18th chapter of the book of Revelation. This chapter states that the career of Babylon the Great is finally coming to an end. The music begins with a mysterious pianissimo tremolo accompanied by tam-tam and bass drum. The initial flourishes in the oboes and English horn serve as the principal motive of warning. As the music continues, there are varying degrees of agitation among the strings and woodwinds. Throughout the work there are rhythmic motives in the brass, percussion, and various woodwind instruments that sing and speak Babylon is Fallen in triple meter. As the tutti ensemble arrives at a climax, the orchestral texture becomes thinner and slightly transparent. As the music continues, the opening motive returns in the oboes, however the counterpoint produces a series of solo laments. These passages are intended to provide picturesque images of these words: And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee. and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev. 18:22-24 The following passages musically comment on the historical career of Babylon with a sense of her impending destruction. The series of laments transforms into the more emphatic rhythmic motive Babylon is Fallen. The orchestral texture begins to become more condense, once again, with the initial flourishes of, but with notable variations. Finally, the celesta, harp, oboes, English horn, and strings sing profundities that are finally transformed into a minor mode tonality that fades away with the ringing of the tam-tam. Babylon has finally seen her last sunset.

SKU: AP.48095S

UPC: 038081557137. English.

A lyrical piece in a Viennese waltz style with a lovely, rising main melody, perfect for advanced string orchestras with harp/piano (optional). Grand Ball Waltz by James O. Lockett gives all the instruments moments to shine. Featuring a variety of bowing styles, dynamics, modulations, and coloristic changes, this beautiful waltz will make your students sound like professionals. (3:15) This title available in MakeMusic Cloud.

SKU: AP.48086S

UPC: 038081554389. English.

Not to be confused with the nautical term Ahoy!, the phrase All hands hoay! actually means all hands on deck for some serious work! In other words, string players, it's time to get those fingers moving with this simple, rugged, and modal seafaring melody. Written in the often-inaccessible key of F-sharp natural minor, this fun musical pirate's tale will have your students' little fingers stretching nonstop. The melody is evenly passed around, with a middle section featuring your violas and a jaunty contrapuntal ending. Younger orchestras will have a blast with this exciting original, All Hands Hoay! by Anthony Granata, as they get right down to work! (1:40) This title available in MakeMusic Cloud.

SKU: HP.8464

UPC: 763628184643.

Lent & Easter Musical This new 45-minute, Easter musical from Jack Schrader utilizes three powerful devices to dramatically portray Christ's passion and glory: well-conceived choral music, scintillating orchestral accompaniment, and passionate narrations, with much detail drawn from the gospels. The story begins before the Triumphal Entry of Christ, and ends, by implication, beyond his Ascension. Chorally you will find many poignant and powerful moments. Talented orchestrator, Mark Kellner, has provided exquisite instrumental mosaics to underscore and support both choir and narration. Yet the simple use of piano accompaniment would also be very satisfying. At the most high and holy time of the Christian year, this musical presentation powerfully proclaims the truth of the Gospel, and confronts listener and performer alike with the claims of Jesus Christ, the Son of God.

The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Clarinet, 3 Trumpets, 2 Horns, 2 Trombones, Tuba, Percussion, Timpani, Harp, Violin 1 & 2, Viola, Cello, Bass, Piano, and Electric Bass.