SKU: HL.49007938
ISBN 9790001084888. 8.25x11.75x0.222 inches.
SKU: PE.EP7759
ISBN 9790577020914. 297 x 420 mm inches.
Study scoreThis product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: SU.94010400
2,1 2,1 2,1 2,1; 4331; timp, perc(3), cel, hp; stgs Duration: 11' Composed: 2013 Published by: Subito Music Publishing Performance materials available on rental: Alas! Babylon’s Final Sunset is another installment in my series of works that musically comment on the biblical books of Daniel and Revelation. The principal source of inspiration for this works comes from the 18th chapter of the book of Revelation. This chapter states that the career of Babylon the Great is finally coming to an end. The music begins with a mysterious pianissimo tremolo accompanied by tam-tam and bass drum. The initial flourishes in the oboes and English horn serve as the principal motive of warning. As the music continues, there are varying degrees of agitation among the strings and woodwinds. Throughout the work there are rhythmic motives in the brass, percussion, and various woodwind instruments that sing and speak Babylon is Fallen in triple meter. As the tutti ensemble arrives at a climax, the orchestral texture becomes thinner and slightly transparent. As the music continues, the opening motive returns in the oboes, however the counterpoint produces a series of solo laments. These passages are intended to provide picturesque images of these words: And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee. and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev. 18:22-24 The following passages musically comment on the historical career of Babylon with a sense of her impending destruction. The series of laments transforms into the more emphatic rhythmic motive Babylon is Fallen. The orchestral texture begins to become more condense, once again, with the initial flourishes of, but with notable variations. Finally, the celesta, harp, oboes, English horn, and strings sing profundities that are finally transformed into a minor mode tonality that fades away with the ringing of the tam-tam. Babylon has finally seen her last sunset.
SKU: AP.48095
UPC: 038081557120. English.
A lyrical piece in a Viennese waltz style with a lovely, rising main melody, perfect for advanced string orchestras with harp/piano (optional). Grand Ball Waltz by James O. Lockett gives all the instruments moments to shine. Featuring a variety of bowing styles, dynamics, modulations, and coloristic changes, this beautiful waltz will make your students sound like professionals. (3:15) This title is available in MakeMusic Cloud.
SKU: AP.48095S
UPC: 038081557137. English.
A lyrical piece in a Viennese waltz style with a lovely, rising main melody, perfect for advanced string orchestras with harp/piano (optional). Grand Ball Waltz by James O. Lockett gives all the instruments moments to shine. Featuring a variety of bowing styles, dynamics, modulations, and coloristic changes, this beautiful waltz will make your students sound like professionals. (3:15) This title available in MakeMusic Cloud.
SKU: AP.48086
UPC: 038081554372. English.
Not to be confused with the nautical term Ahoy!, the phrase All hands hoay! actually means all hands on deck for some serious work! In other words, string players, it's time to get those fingers moving with this simple, rugged, and modal seafaring melody. Written in the often-inaccessible key of F-sharp natural minor, this fun musical pirate's tale will have your students' little fingers stretching nonstop. The melody is evenly passed around, with a middle section featuring your violas and a jaunty contrapuntal ending. Younger orchestras will have a blast with this exciting original, All Hands Hoay! by Anthony Granata, as they get right down to work! (1:40) This title is available in MakeMusic Cloud.
SKU: AP.48086S
UPC: 038081554389. English.
Not to be confused with the nautical term Ahoy!, the phrase All hands hoay! actually means all hands on deck for some serious work! In other words, string players, it's time to get those fingers moving with this simple, rugged, and modal seafaring melody. Written in the often-inaccessible key of F-sharp natural minor, this fun musical pirate's tale will have your students' little fingers stretching nonstop. The melody is evenly passed around, with a middle section featuring your violas and a jaunty contrapuntal ending. Younger orchestras will have a blast with this exciting original, All Hands Hoay! by Anthony Granata, as they get right down to work! (1:40) This title available in MakeMusic Cloud.
SKU: BA.BA05540
ISBN 9790006497126. 33 x 26 cm inches. Text: Franz von Schober.
In late September or early October 1821 Schubert and his close friend, Franz von Schober, vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle, which belonged to the Bishop of St. Pölten (a close relative of Schober’s), after which they moved on to St. Pölten itself. Roughly a year earlier, two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann, who blamed the press for the indifferent reception the two works were given by the audience. Schubert and Schober now decided, it would seem, to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be.Not until 24 June 1854 was the opera finally performed in Weimar, under the baton of Franz Liszt. It only achieved success, however, in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881–2, allegedly with brilliant acclaim.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: SU.00120043
AVAILABLE FOR SALE TO U.S. CUSTOMERS ONLY Complete set of Harp, Keyboard (Piano, Organ, etc.) and auxiliary parts for The Orchestra Musician's CD-ROM Library�, Volumes 1-5, 7-12 [11 CD-ROMs]. Parts for over 700 orchestral works in thestandard repertoire from the 18th through early 20th centuries. If these parts were purchased separately, this collection could cost several thousand dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Visit for more information
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: HP.8464
UPC: 763628184643.
Lent & Easter Musical This new 45-minute, Easter musical from Jack Schrader utilizes three powerful devices to dramatically portray Christ's passion and glory: well-conceived choral music, scintillating orchestral accompaniment, and passionate narrations, with much detail drawn from the gospels. The story begins before the Triumphal Entry of Christ, and ends, by implication, beyond his Ascension. Chorally you will find many poignant and powerful moments. Talented orchestrator, Mark Kellner, has provided exquisite instrumental mosaics to underscore and support both choir and narration. Yet the simple use of piano accompaniment would also be very satisfying. At the most high and holy time of the Christian year, this musical presentation powerfully proclaims the truth of the Gospel, and confronts listener and performer alike with the claims of Jesus Christ, the Son of God. The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Clarinet, 3 Trumpets, 2 Horns, 2 Trombones, Tuba, Percussion, Timpani, Harp, Violin 1 & 2, Viola, Cello, Bass, Piano, and Electric Bass.
SKU: AP.47425S
UPC: 038081548289. English.
More fantastic entertainment from the world of wizards that gave us Harry Potter! Including a harp/synth part that can be played on harp, synth, or piano, the interweaving lines of this piece are perfect for string orchestra. Beautiful music that will delight audiences and players!
SKU: LO.30-2814L
UPC: 000308131161.
Like the golden rays of sunlight at dawn, we reflect God's glory... Inspired by the beloved text from 2 Corinthians, this glorious Mark Hayes arrangement features a flowing accompaniment with a rainbow of harmonic colors that paints the marvelous picture. Syncopation enlivens the rhythms as Mark's treatment of Handel's counterpoint sounds as if all of God's people are rising up to sing. Instrumentation: 2 Fl, Ob, Cl, Bsn, 2 Hn, 3 Tpt, 2 Tbn, Tuba, Elec Bass, Timp, 2 Perc, Harp, Pno, 2 Vln, Vla, Cello, Bass.
SKU: LO.30-2815L
UPC: 000308131178.
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