SKU: HL.14026198
UPC: 884088492144. 8.25x11.75x0.191 inches.
Work for Violin and Piano commissioned by Young Uck Kim.
SKU: LM.J31013
ISBN 9790231705218.
RAMEAU : Menuet - CAIX D'HERVELOIS : Air gai - MOZART : Allegretto - FORQUERAY : Rigaudon - SCHUMANN : Reverie - SCHUBERT : Moment musical - WAGNER : Les Maitres Chanteurs - MENDELSSOHN : Romance - CORELLI : Grave - LECLAIR J. M. : Sarabande - TARTINI : Andante cantabile - SCHUBERT : La truite. (recueil en 1ere, 2eme, 3eme et 5eme position, sauf l'Andante Cantabile de Tartini : positions 1 a 6).
SKU: VD.ED11337
ISBN 9790202023372. 11.69 x 8.26 inches.
SKU: HL.48183035
M. Perrin: Reves, Melodie (Violin & Piano).
SKU: HL.48181201
No. 8 from Les Reves de Janceline.
SKU: BA.BA09099-92
ISBN 9790006565733. 31 x 24.3 cm inches. Key: E minor. Preface: Larry R. Todd.
Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (Eng/Ger).
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from B�¤renreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer�s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: CU.EC11711
ISBN 9790215903098.
SKU: CU.EC11829
ISBN 9790215905313.
SKU: CU.EC11803
ISBN 9790215905177.
SKU: CU.EC11726
ISBN 9790215903074.
SKU: CU.EC11774
ISBN 9790215904521.
SKU: CU.EC11727
ISBN 9790215903081.
SKU: CU.EC11827
ISBN 9790215906051.
SKU: CU.EC11828
ISBN 9790215906068.
SKU: CU.EC11775
ISBN 9790215904538.
SKU: CU.EC11776
ISBN 9790215904545.
SKU: CU.EC11802
ISBN 9790215905160.
SKU: BR.EB-9386
ISBN 9790004188569. 0 x 0 inches.
The Violin Sonata No. 1 in E minor, op. 73, a Grand Sonata for Violin and Piano, occupies an important position in Joachim Raff's oeuvre: it reflects numerous artistic, aesthetic, biographical, and reception-historical aspects characteristic of Raff. The work was composed in Weimar in 1854, when Raff was going through a process of artistic self-discovery. He increasingly distanced himself from his mentor Franz Liszt and intensively explored Wagner as well as the ideal of absolute music - this is also reflected in the music of the sonata. While Raff described the first two movements as objectified, he perceived the last two movements as a piece of him, that is, not free of extra-musical influences.The 1st movement, with its expansive main theme, is reminiscent of Mendelssohn; the 2nd movement reveals the refinement of classical-romantic work with musical material. The 3rd movement, with its partly rhythmic, virtuoso accompanying figures and harmonically advanced passages, allows a deeply romantic, almost tormented insight into a soul life a la Sturm und Drang. The partly irascible last movement revisits already familiar themes and thus creates a musical framework.In collaboration with the Joachim-Raff-Archiv Lachen (CH)First Urtext Edition of the Grand Sonata for Violin and Piano.
SKU: HL.50578636
SKU: BT.DHP-1115211-400
9x12 inches. French-Spanish-Italian.
Musical Challenges works alongside the third volume of the violin method Play the Violin!, but it can also be used by intermediate students along with any other method. The pieces are in jazz, pop, world music and classical styles and contain musical as well as technical challenges with some being accompanied by a relevant technical exercise. Many of the pieces have chord symbols or piano accompaniment whilst others are duets. The CD contains all accompaniments and many demo tracks.Musical Challenges sluit aan op het derde deel van Speel Viool!, maar kan ook los van deze methode worden gebruikt. De stukken in de stijlen jazz, pop en klassiek bevatten zowel technische als muzikale uitdagingen, enkeletitels worden voorafgegaan door een technische oefening. Een aantal werken kan als duet worden uitgevoerd en andere stukken zijn voorzien van akkoordsymbolen of pianobegeleiding. Daarnaast kan met de cd, die ook talrijke demo'sbevat, worden meegespeeld.Musical Challenges schlieÃ?t an den dritten Band der Schule Spiel Violine! an, kann aber von allen fortgeschrittenen Geigenschülern verwendet werden. Die Stücke in den Stilen Jazz, Pop, Weltmusik und Klassik enthalten sowohl musikalische als auch technische Herausforderungen; teilweise sind sind sie mit Akkordsymbolen oder Klavierstimmen versehen oder als Duett ausnotiert. AuÃ?erdem kann zu den beiden CDs gespielt werden, die sämtliche Begleitungen und zahlreiche Demoversionen enthalten.Musical Challenges peut être considéré comme lâ??épilogue du deuxième volume de la méthode Je joue du violon! Mais ce recueil peut également être utilisé par les violonistes ayant suivi une méthode dâ??apprentissage différente. Les pièces contenues offrent une grande variété de style et abordent des exercices techniques divers. Certains morceaux présentent une notation dâ??accord ou un accompagnement de piano, dâ??autres sont écrits sous forme de duos. Le compact disc contient tous les accompagnements et de nombreuses versions intégrales.Musical Challenges rappresenta valido materiale complementare da usare assieme (ma anche individualmente) al secondo volume del metodo Suona il Violino! I brani proposti sono in stile jazz, pop, folk e classico (musica originale e non) e contengono sfide musicali e tecniche. Alcuni brani propongono un breve esercizio tecnico, mentre altri contengono i simboli degli accordi o le parti del piano. Sono previsti anche alcuni duetti. E per chi non ha un altro musicista con cui suonare, il CD propone gli accompagnamenti e un grande numero di tracce demo.
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