SKU: HL.49044690
ISBN 9790001199209. 7.5x10.75x0.112 inches. Latin.
The five movements of this mass are based on five Songs Without Words from Leos Janacek's piano cycle By Overgrown Paths. Poos describes his work as Parody, Arrangement and Kontrafaktur and a metamorphosis of Janacek's piano pieces.
SKU: HL.144482
ISBN 9781495017582. UPC: 888680062279. 5x5 inches. John Jacobson/Mac Huff.
Hey, what's cookin'? Join Hungry Hank, Famished Fanny, Ravenous Randi, Picky Pete and more wacky characters in this upbeat and tasty musical all about their insatiable appetites! We are fortunate to live in a land of plenty, and as we celebrate food in wonderfully wacky ways with songs like “The Fast Food Tango,” “Chicken Pot Pie,” “My Banana Split” and “Pizza,” we are also reminded to be “Thankful” for the bounty we regularly enjoy. Designed for performers in upper elementary and middle school, this 40-minute musical features six original songs with connecting script and speaking parts adaptable to casts of 20 or more. The Teacher Edition is filled with quality performance material including piano/vocal song arrangements and choreography, script, and helpful production guide. For added value, the ready-to-use student books include songs and script, and will enhance the musical experience for your young aspiring actors/singers!
SKU: SU.80300112
Both sound and sense of the Carmina Burana text on the restful loveliness of moonrise are beautifully set in this lyrical, technically strong piece, first published in 1942. SSA a cappella. Latin. Medium. SSA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: BR.EOS-8063-26
ISBN 9790004789810. 8.5 x 11.5 inches.
The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences.(Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life.My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets.My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably.(Martin Smolka).
SKU: BR.ED-10296
ISBN 9790220101977. 7.5 x 11 inches.
SKU: BA.BA11533
ISBN 9790260108059. 31 x 24.3 cm inches. Preface: Mojzisova, Olga / Macdonald, Hugh.
The first four symphonic poems from Smetanaâ??s six-part cycle Má vlast (My Country) were written in 1874â??75 and arranged for piano duet shortly after the completion of the fourth part, From Bohemiaâ??s Woods and Fields. All six parts were issued for the first time by the publisher Urbánek, beginning with the piano duet arrangements (1879-80).The score of From Bohemiaâ??s Woods and Fields was published by Urbánek in 1881. Owing to its many misprints, Hugh Macdonald has based his new edition on the autograph score while consulting the first edition as well as the autograph and print of the composerâ??s own version for piano duet.
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