SKU: BT.AMP-134-030
9x12 inches. English-German-French-Dutch.
The Ukrainian Bell Carol is part of a large choral work entitled Shchedryk by the Ukrainian composer Mykola Dmytrovich Leontovych (1877-1921). The tune is an adaptation of an old 'shchedrivka', a song traditionally sung on Ukrainian New Year's Eve (January 13th) which hopes for good fortune in the year to come. The tune has since been the inspiration for at least four different Christmas carols, of which Carol of the Bells is the most famous. Philip Sparke has sourced the original Ukrainian melody to create this stirring arrangement.De Ukrainian Bell Carol is onderdeel van het grote koorwerk Shchedryk van de Oekra ense componist Mykola Dmytrovich Leontovych (1877-1921). De melodie is gebaseerd op een ‘shchedrivka’, een lied dat van oudsher werdgezongen op de Oekra ense oudejaarsavond (13 januari). In Shchedryk voegde Leontovych de tekst toe over de legende die vertelt dat bij de geboorte van Jezus alle klokken op aarde begonnen te luiden. Sindsdien is deze melodiede inspiratiebron geweest voor ten minste vier verschillende Christmas carols, waarvan Carol of the Bells de beroemdste is. Voor dit meeslepende arrangement heeft Philip Sparke echter de oorspronkelijke Oekra ense melodiegebruikt.Das Ukrainian Bell Carol (Ukrainisches Glocken- Weihnachtslied) ist Teil eines großen Chorwerkes namens Shchedryk vom ukrainischen Komponisten Mykola Dmytrovich Leontovych. Sein Text handelt von der Legende, die besagt, dass zu Ehren von Jesu Geburt alle Glocken läuteten. Aus der Melodie entstand unter anderem auch das bekannte Carol of the Bells von Peter J. Wilhousky. Philip Sparke griff für seine bewegende Bearbeitung jedoch auf die originale ukrainische Melodie zurück.Ukrainian Bell Carol constitue une des parties de l’œuvre chorale Shchedryk du compositeur ukrainien Mykola Dmytrovich Leontovich (1877-1921). La mélodie s’inspire d’un vieux chant traditionnel ukrainien (shchedrivka) chanté le Jour de l’An (célébré le 13 janvier, conformément au calendrier julien) dans l’espoir que l’année venir se présente sous de bons hospices. l’écriture de Shchedryk, Mykola Leontovich a choisi de changer les paroles. Il opte pour la légende selon laquelle, toutes les cloches des églises se sont mises carillonner joyeusement pour annoncer la naissance de Jésus. La mélodie du chant a inspiré au moins quatre noëlsdifférents. Carol of the Bells en est la version la plus célèbre. Elle a été adaptée en 1936 (texte et mélodie) par Peter J. Wilhousky (1902-1978) d’après la version originale de Mykola Leontovich. Philip Sparke s’est basé sur la mélodie du chant traditionnel ukrainien pour réaliser cet arrangement brillant et pétillant. Ukrainian Bell Carol costituisce una delle parti dell’opera corale Shchedryk del compositore ucraino Mykola Dmytrovich Leontovich (1877-1921). Il testo narra una leggenda secondo la quale le campane delle chiese si sono messe a suonare per annunciare la nascita di Gesù. La melodia di Leontovich ha ispirato almeno quattro canti natalizi diversi. Carol of the Bells di Peter J.Wilhousky è la versione più celebre. Philip Sparke ha scelto di ispirarsi alla melodia originale del canto tradizionale ucraino (shchedrivka) per realizzare questo brillante arrangiamento.
SKU: HL.44012861
The Ukrainian Bell Carol is part of a large choral work entitled Shchedryk by the Ukrainian composer Mykola Dmytrovich Leontovych (1877-1921). The tune is an adaptation of an old 'shchedrivka', a song traditionally sung on Ukrainian New Year's Eve (January 13th) which hopes for good fortune in the year to come. The tune has since been the inspiration for at least four different Christmas carols, of which Carol of the Bells is the most famous. Philip Sparke has sourced the original Ukrainian melody to create this stirring arrangement.
The Ukrainian Bell Carol is part of a large choral work entitled Shchedryk by the Ukrainian composer Mykola Dmytrovich Leontovych (1877-1921).
The tune is an adaptation of an old 'shchedrivka', a song traditionally sung on Ukrainian New Year's Eve (January 13th) which hopes for good fortune in the year to come. The tune has since been the inspiration for at least four different Christmas carols, of which Carol of the Bells is the most famous. Philip Sparke has sourced the original Ukrainian melody to create this stirring arrangement.
SKU: HL.44012862
The Ukrainian Bell Carol is part of a large choral work entitled Shchedryk by the Ukrainian composer Mykola Dmytrovich Leontovych (1877-1921). The tune is an adaptation of an old 'shchedrivka', a song traditionally sung on Ukrainian New Year's Eve (January 13th) which hopes for good fortune in the year to come. The tune has since been the inspiration for at least four different Christmas carols, of which Carol of the Bells is the most famous. Philip Sparke has sourced the original Ukrainian melody to create this stirring arrangement.De Ukrainian Bell Carol is onderdeel van het grote koorwerk Shchedryk van de Oekraiense componist Mykola Dmytrovich Leontovych (1877-1921). De melodie is gebaseerd op een 'shchedrivka', een lied dat van oudsher werdgezongen op de Oekraiense oudejaarsavond (13 januari). In Shchedryk voegde Leontovych de tekst toe over de legende die vertelt dat bij de geboorte van Jezus alle klokken op aarde begonnen te luiden. Sindsdien is deze melodiede inspiratiebron geweest voor ten minste vier verschillende Christmas carols, waarvan Carol of the Bells de beroemdste is. Voor dit meeslepende arrangement heeft Philip Sparke echter de oorspronkelijke Oekraiense melodiegebruikt.Das Ukrainian Bell Carol (Ukrainisches Glocken- Weihnachtslied) ist Teil eines grossen Chorwerkes namens Shchedryk vom ukrainischen Komponisten Mykola Dmytrovich Leontovych. Sein Text handelt von der Legende, die besagt, dass zu Ehren von Jesu Geburt alle Glocken lauteten. Aus der Melodie entstand unter anderem auch das bekannte Carol of the Bells von Peter J. Wilhousky. Philip Sparke griff fur seine bewegende Bearbeitung jedoch auf die originale ukrainische Melodie zuruck.Ukrainian Bell Carol constitue une des parties de l'œuvre chorale Shchedryk du compositeur ukrainien Mykola Dmytrovich Leontovich (1877-1921). La melodie s'inspire d'un vieux chant traditionnel ukrainien (shchedrivka) chante le Jour de l'An (celebre le 13 janvier, conformement au calendrier julien) dans l'espoir que l'annee a venir se presente sous de bons hospices. A l'ecriture de Shchedryk, Mykola Leontovich a choisi de changer les paroles. Il opte pour la legende selon laquelle, toutes les cloches des eglises se sont mises a carillonner joyeusement pour annoncer la naissance de Jesus. La melodie du chant a inspire au moins quatre noelsdifferents. Carol of the Bells en est la version la plus celebre. Elle a ete adaptee en 1936 (texte et melodie) par Peter J. Wilhousky (1902-1978) d'apres la version originale de Mykola Leontovich. Philip Sparke s'est base sur la melodie du chant traditionnel ukrainien pour realiser cet arrangement brillant et petillant. Ukrainian Bell Carol costituisce una delle parti dell'opera corale Shchedryk del compositore ucraino Mykola Dmytrovich Leontovich (1877-1921). Il testo narra una leggenda secondo la quale le campane delle chiese si sono messe a suonare per annunciare la nascita di Gesu. La melodia di Leontovich ha ispirato almeno quattro canti natalizi diversi. Carol of the Bells di Peter J.Wilhousky e la versione piu celebre. Philip Sparke ha scelto di ispirarsi alla melodia originale del canto tradizionale ucraino (shchedrivka) per realizzare questo brillante arrangiamento.
SKU: BT.AMP-134-120
The Ukrainian Bell Carol is part of a large choral work entitled Shchedryk by the Ukrainian composer Mykola Dmytrovich Leontovych (1877-1921). It was first performed by students of Kiev University in December 1916. The tune is an adaptation of an old ‘shchedrivka’, a song traditionally sung on Ukrainian New Year’s Eve (January 13th) which hopes for good fortune in the year to come. In Shchedryk, Leontovych added his own the lyrics which concern the legend claiming that when Jesus was born, all the bells on earth started ringing in his honour.The tune has since been the inspiration of at least four different Christmas carols, but Philip Sparke has sourced the originalUkrainian melody to create this stirring arrangement. De Ukrainian Bell Carol is onderdeel van het grote koorwerk Shchedryk van de Oekra ense componist Mykola Dmytrovich Leontovych (1877-1921). De melodie is gebaseerd op een ‘shchedrivka’, een lied dat van oudsher werdgezongen op de Oekra ense oudejaarsavond (13 januari). In Shchedryk voegde Leontovych de tekst toe over de legende die vertelt dat bij de geboorte van Jezus alle klokken op aarde begonnen te luiden. Sindsdien is deze melodiede inspiratiebron geweest voor ten minste vier verschillende Christmas carols, waarvan Carol of the Bells de beroemdste is. Voor dit meeslepende arrangement heeft Philip Sparke echter de oorspronkelijke Oekra ense melodiegebruikt.Das Ukrainian Bell Carol ist Teil eines großen Chorwerkes namens Shchedryk vom ukrainischen Komponisten Mykola Dmytrovich Leontovych. Leontovych ergänzte ein traditionelles ukrainisches Neujahrslied um eine alte Legende, die besagt, dass zu Ehren von Jesu Geburt alle Glocken läuteten. Die Melodie diente inzwischen als Grundlage für mindestens vier verschiedene Weihnachtslieder. Philip Sparke griff für seine bewegende Bearbeitung jedoch auf die originale ukrainische Melodie zurück.Ukrainian Bell Carol constitue une des parties de l’œuvre chorale Shchedryk du compositeur ukrainien Mykola Dmytrovich Leontovich (1877-1921). La mélodie s’inspire d’un vieux chant traditionnel ukrainien (shchedrivka) chanté le Jour de l’An (célébré le 13 janvier, conformément au calendrier julien) dans l’espoir que l’année venir se présente sous de bons hospices. l’écriture de Shchedryk, Mykola Leontovich a choisi de changer les paroles. Il opte pour la légende selon laquelle, toutes les cloches des églises se sont mises carillonner joyeusement pour annoncer la naissance de Jésus. La mélodie du chant a inspiré au moins quatre noëlsdifférents. Carol of the Bells en est la version la plus célèbre. Elle a été adaptée en 1936 (texte et mélodie) par Peter J. Wilhousky (1902-1978) d’après la version originale de Mykola Leontovich. Philip Sparke s’est basé sur la mélodie du chant traditionnel ukrainien pour réaliser cet arrangement brillant et pétillant. Ukrainian Bell Carol costituisce una delle parti dell’opera corale Shchedryk del compositore ucraino Mykola Dmytrovich Leontovich (1877-1921). Il testo narra una leggenda secondo la quale le campane delle chiese si sono messe a suonare per annunciare la nascita di Gesù. La melodia di Leontovich ha ispirato almeno quattro canti natalizi diversi. Carol of the Bells di Peter J.Wilhousky è la versione più celebre. Philip Sparke ha scelto di ispirarsi alla melodia originale del canto tradizionale ucraino (shchedrivka) per realizzare questo brillante arrangiamento.
SKU: BT.AMP-134-020
SKU: BT.AMP-134-010
SKU: BT.AMP-134-140
SKU: FG.55011-390-9
ISBN 9790550113909.
Scherzo from Op. 4 is a charming presto for string orchestra. It is based on the third movement of Sibelius's String Quartet B-flat major, on which the composer added a double bass part. The premiere of the string orchestra version took place on 17 February 1894 in Turku, composer conducting. Reviews were enthusiastic: Sibelius's music appeared in its most beautiful splendor and instrumental brilliance in the Presto movement, where the singing motive was carried out with charm and beauty - -, cascades of diligently and brilliantly composed scherzo-figures and melodies [give a] thoroughly delightful and frisky, lively character..
SKU: BR.DV-32027
ISBN 9790200425192. 9 x 12 inches.
Bicinia - unaccompanied duos - have been known to us from the fifteenth century onwards. So quite early on it was customary tu practise this type of musical exercise, which later, especially during the Romantic period, achieved great popularity as the duo or duett. Equal numbers of this sort of instrumental duo were composed for nearly all wind and string instruments. On the other hand, only a small amount of compositions for two trumpets have come down to us. In order to play any music which progresses beyond pure fanfare on a natural (valueless) trumpet, it is necessary to make use of the clarion register (the top third of the natural harmonic). And if such a melody is to be accompanied by a second part, only the few natural notes lying below it are left, or else this high register itself, which calls for great virtuosity on the part of the trumpeter. As well as this, we must remember the fact that trumpet-playing was only allowed for the trumpeters of a royal court, army, staff, or for the field-trumpeter of a prince, plus a few council, city, and church musicians, who were bound by strict guild and corporation rules. Thus in spite of the preference for its festive sound, the spread and handing down of trumpet music was almost reduced to nothing under these circumstances. As well as this, pride of place and profession rivalry and envy amongst musicians contributed in large part. In England the situation was somewhat freer. Here pretty little trumpet duos originated, including, amongst others, those written by Handel for his master-trumpeter Valentin Snow and the Royal Sergeant-trumpeters of the Shore family. An especially happy exception was the diocese of Olmiitz. Here there was a capable group of musicians of the chapel royal with the brilliantly talented group of trumpeters and the field-trumpeter Pavel Vajvanovsky, who also composed himself. These trumpeters in the service of his prince-bishop played many sacred and secular pieces, all for several instruments. It was for them also that Heinrich Ignaz Franz Biber wrote the 12 double trumpet sonatas we present here. On the other hand, the representatives of the authorities in Germany ensured strict observation of all edicts and regulations. Even the celebrated Bach-trumpeter and towm-piper Gottfried Reiche was never allowed to be portrayed with a proper trumpet due to the priveleges of court and field trumpeters. In order to represent him as one of the greatest masters of his time and art, however, the painter placed an instrument similar to a corno-di-caccia in his hand, together with a sheet with a small piece for virtuoso clarion. When we try in spite of these difficulties and adverse circumstances to gather a collection of musically valuable and characteristic examples of popular pieces for two trumpets from the seventeenth and eighteenth centuries, it is in the first, place in order to acquaint modern trumpeters with something of the wealth of music, which can also be well played on a modern trumpet with valves. The originally used trumpets correspond to modern ones in the keys of C and D, but this does not mean that many of the pieces cannot be transposed to a more comfortable register. On top of this, we have tried to give a picture of the baroque court and field trumpeter, as well as of the mysterious clarion trumpeter, with the help of musically popular material. The origin of most of the pieces used is no longer clearly discernable. In most cases we possess second- or third-hand copies which have been handed down, and show signs of frequent use. A few cases where modernization of the second part obviously did not take place until the invention of stops, have been re-shaped into their supposed original form. A series of further dynamic details were left, and marked as optional suggestions in brackets. Kurt Janetzkyz.T. mit Pauken und B.c.
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