Arranged for Solo Piano. Composed by Bear McCreary. Piano Solo Composer Collection. Movies, Tv, Video Games. Softcover. Published by Hal Leonard

Orchestra

SKU: BR.PB-5432

Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432).

ISBN 9790004212790. 10 x 12.5 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Chamber Music String Quartet

SKU: PR.11441387S

Composed by Stacy Garrop. Classical. Full score. With Standard notation. Composed Summer 2008. 56 pages. Duration 31 minutes. Theodore Presser Company #114-41387S. Published by Theodore Presser Company (PR.11441387S).

UPC: 680160585694.

Having performed Garrop's String Quartet No. 2: Demons and Angels with much success, it is only natural that the Biava Quartet would handle the premiere of String Quartet No.3: Gaia. In an email interview with Pittsburgh New Music Net, Biava violist Mary Persin says, in part, We received many very enthusiastic responses from audience members who were struck by the interesting form, as well as the sonorities created by using a good deal of dissonance as well as harmonics. Watch for a recording by the Biava Quartet to be made available soon. For advanced performers. Duration: 32' 30.

By Stacy Garrop. String quartet. For 2 Violins, Viola, Cello. Score and parts. Standard notation. Composed 2004/2005

Deluxe Guitar Play-Along Volume 13. By Various. Deluxe Guitar Play-Along. Pop, Rock. Softcover Audio Online. With guitar tablature. 122 pages. Published by Hal Leonard

Clarinet

SKU: HL.48181301

Composed by Paul Bonneau. Leduc. Classical. Softcover. 7 pages. Alphonse Leduc #AL20708. Published by Alphonse Leduc (HL.48181301).

UPC: 888680867263. 9x12.25 inches.

“French composer and conductor, Paul Bonneau (1918-1995) published his Suite for Clarinet and Piano in 1944, and it remains popular to this day. Bonneau's composing was highly versatile, ranging from over fifty film scores, operettas, songs and other pieces for woodwind, including a concerto. His Suite is highly virtuosic, made up of four movements; 1) Improvisation, 2) Dance of Demons, 3) Complaint, and 4) Playfulness. The work contains typically French characteristics including chromaticism and difficult technical passages. All these elements combined make for an enjoyable and challenging piece for clarinetists.&rdquo.

By Imagine Dragons. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Artist Songbook. Softcover. 82 pages. Published by Hal Leonard

Orchestra 3(1/2/3,Picc).3(1/2/3,CorA).4(1/2/3,BCl/4,BCl).3(1/2/3,Cbsn) - 6.3.3.1 - Timp.3Perc - Str(14.12.10.8.8)

SKU: PE.EP14634

Four Verses for Orchestra and Record. Composed by Arnulf Herrmann. Performance Music Ensemble; Single Titles. Peters Contemporary Library. Classical. Score. 64 pages. Edition Peters #98-EP14634. Published by Edition Peters (PE.EP14634).

ISBN 9790014139414. German.

Dämonen (Ein Kinderlied) – English: Demons (A Children's Song) – by Arnulf Herrmann is a 21-minute work for orchestra and a record with the children's song Die Blümelein, sie schlafen (The little flowers are sleeping). On it, white noise and historical fragments of this song, preserved in various versions, can be heard. The recording is interwoven with the orchestra, sets the tempo and, not least, provides the timeframe by limiting it to the duration of one record side. But the end is only technical: The needle lifts, but the song is not over.

The premiere took place on 16 October 2022 at the Donaueschinger Musiktage, with the SWR Symphony Orchestra conducted by Bas Wiegers.

The full score (EP 14634) is available for sale as part of the Peters Contemporary Library. The performance material can be hired.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

About Peters Contemporary Library

Mark Andre
Milton Babbitt
Daniel Bjarnason
Earle Brown
John Cage
Henry Cowell
James Dillon
Jonathan Dove
Brian Ferneyhough
Roxanna Panufnik
Rebecca Saunders
Erkki-Sven Tuur
Charles Wuorinen

These are just a few of the composers whose most adventurous scores are now available to purchase through the Peters Contemporary Library. A new global initiative of the Edition Peters Group, the Peters Contemporary Library is a project designed to put these bold 20th- and 21st-century works, once available only for rental, into the collections of libraries, performers, scholars, and conductors alike.

Kicked off in 2016, the Peters Contemporary Library already contains many cutting-edge works and is constantly expanding. We are proud to offer these bold new scores for sale, for the first time ever, to modern musicians and students of music all around the world.

(Piano Solo and Piano/Vocal). Composed by Hans Zimmer (1957-). For Keyboard; Piano; Voice. This edition: Piano Solo and Piano/Vocal. Artist/Personality; Book; Piano - Personality Book; Piano Supplemental; Piano/Vocal/Chords. Movie. 144 pages. Published by Alfred Music

By Gregg Allman. Piano/Vocal/Guitar Artist Songbook. Rock. Softcover. Published by Hal Leonard

Band 2 Bassoons, 2 Eup, 2 Oboes, 3 Trombones, 6 Clarinets in Bb, 6 Flutes, 6 Horns in F, 6 Trumpets in Bb, Alto Sax, Baritone Sax, Bass Clarinet (with low C-ext.), Bass Trombone, Contrabass Clarinet, Contrabassoon, English Horn, Piccolo, Soprano Sax, Tenor Sax

SKU: PR.41541141L

A Symphony for Winds. Composed by Carter Pann. Spiral. Contemporary. Large Score. With Standard notation. Composed 2011. 120 pages. Duration 29 minutes. Theodore Presser Company #415-41141L. Published by Theodore Presser Company (PR.41541141L).

ISBN 9781598064476. UPC: 680160610983. 11 x 17 inches.

On the heels of his Slalom, which has enjoyed numerous performances as a new staple for bands, Pann has created a major three-movement magnum opus, a triptych of sound paintings, as he would describe it. My Brother's Brain encapsulates a lifetime appreciation of both uniqueness and similarity in a younger brother, through three stages of growth (child, facing demons, grace). Symphony for Winds My Brother's Brain was a joint commission by more than two dozen wind ensembles throughout the United States. For advanced ensembles.

Piano

SKU: BT.EMBZ14888

Piano pieces for practising polyphony. Composed by Gyorgy Orban. Educational Tool. Book Only. Composed 2014. 80 pages. Editio Musica Budapest #EMBZ14888. Published by Editio Musica Budapest (BT.EMBZ14888).

English-Hungarian.

Aulos to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ágnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z. 14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures(imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play.

Aulos is composed for more advanced students who have studied piano for at least three years. Aim is a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation anddiminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies withdemonstrative illustrations the polyphonic procedure he introduces. Orbáns explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - whilethey perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play.