SKU: TM.10814SET
Sc:Chrysander; prts:Novello (V.S. sold separately).
SKU: BT.DHP-1094818-401
ISBN 9789043132770. 9x12 inches. English.
ESSENTIAL CLASSICS is a collection of pieces ideally suited to introduce beginning bands, whether in or outside of school, to the classical repertoire. The easy arrangements make the most popular melodies of all time accessible to young musicians, without the frustration of playing music that is too difficult for them. Now they can enjoy music from instrumental works and operas to oratorios and lieder, from Tylman Susato to George Gershwin. The pieces are arranged in ascending order of difficulty, coinciding with the progress students are making in Volumes 1 and 2 of ESSENTIAL ELEMENTS the complete method for music education in schools and bands. But even without ESSENTIALELEMENTS, ESSENTIAL CLASSICS is an excellent source of repertoire by itself. In addition to the music the individual parts contain short snippets of information about the music, composer and genre, written in a style younger players will understand. The full score contains more in-depth information on the music. No matter how you use ESSENTIAL CLASSICS with your band, your players will love all the fun and engaging arrangements it as to offer. Die deutschsprachige Ausgabe dieser Reihe ist unter dem Titel Bläserklasse Klassik erhältlich. De Susato Gershwin, de l’oratorio au lied en passant par l’opéra et autres genres, Essential Classics propose une plongée dans l’univers classique. Les arrangements suivent la progression des recueils Essential Elements (Vol. 1 & 2), mais peuvent également être utilisés de façon indépendante. La version intégrale de chaque arrangement est disponible sur le compact disc d’accompagnement vendu séparément. Sommaire : La Mourisque (Susato) • Le Printemps (Vivaldi) • Musette (J.-S. Bach) • Le gai laboureur (Schumann) • L’Innamorata (Gastoldi) • 2e mouvement du Quatuor « L’Empereur » (Haydn) • 4e mouvement duQuintette « La Truite » (Schubert) • Ouverture de Guillaume Tell (Rossini) • Le beau Danube bleu (J. Strauss II) • Trumpet Voluntary (Clarke) • Alléluia du Messie (Haendel) • La lettre Élise (Beethoven) • Capriccio italien (Tcha kovski) • 4e mouvement de la Symphonie du » Nouveau Monde » (Dvoøák) • Une petite musique de nuit - 1er mouvement (Mozart) • Danse hongroise n° 5 (Brahms) • Land of Hope and Glory (Elgar) • La donna è mobile (Verdi) • Marche Nuptiale (Wagner) • Cancan (Offenbach) • Symphonie n° 1 - 3e mouvement (Mahler) • Summertime (Gershwin). ESSENTIAL CLASSICS è il materiale ideale per far familiarizzare le bande principianti o junior con il repertorio della musica classica. Gli arrangiamenti, ideati in ordine progressivo di difficolt , sono ideali per sviluppare le prime conoscenze gi acquisite e rinforzare la capacit di applicazione in un contesto strutturato in maniera pedagogica e motivante. Da Susato a Gershwin, dall’oratorio al lied, passando per l’opera e altri generi musicali, ESSENTIAL CLASSICS propone un’immersione nell’universo classico. La versione integrale di ogni arrangiamento è disponibile sul CD di accompagnamento venduto separatamente.
SKU: ST.R9001
ISBN 9790220207204.
No. 3 in A; No. 10 in G minor; No. 12 in F; No. 1 in D minor The numbering of the sonatas in this completely new edition by Michael Pilkington follows that of Chrysander.
SKU: TM.01872SET
Score (Abridged) = Chrysander; Parts = Peters edition (Abridged). Score has more movements than the parts; some differences between score and parts, especially the recitatives.
SKU: BT.DHP-1094815-401
ISBN 9789043132749. 9x12 inches. English.
SKU: BT.DHP-1094817-401
ISBN 9789043132763. 9x12 inches. English.
SKU: BT.DHP-1094822-401
ISBN 9789043132817. 9x12 inches. English.
SKU: TM.04692SET
Chrysander. Score in German.
SKU: TM.03163SC
Transposed: Cl 1&2, Hn 1-4, Tpt 1&2, Tbn 1&2. Original Cl in A. Score = Chrysander Edition; Parts = Novello Edition. Score shows instr=0.2.0.0/0.2.0.0,timp,pf,str; set of parts has more parts (see instrumentation).
SKU: TM.07160SET
Sc is Chrysander edition - words in German only. Score with words in German AND English available on special request.
SKU: BT.DHP-1094809-401
ISBN 9789043132688. 9x12 inches. English.
SKU: TM.07044SET
1-Largo 2-Allegro 3-Largo 4-Allegro. Cem in set. Matches the Concerto No. IV in Opera Terza, included in Walsh's Select Harmony 3rd edition in 1734, and reprinted as Balfour 145 No. IV. See #05308 for popular edition published by Chrysander Vol. 21 of Handel's Complete Works, and reprinted as Balfour 146.
SKU: BT.DHP-1094813-401
ISBN 9789043132725. 9x12 inches. English.
SKU: TM.01868SET
Sc and prts Chrysander edition.
SKU: TM.07160SC
SKU: TM.01870SC
Organ in score. Score = Chrysander edition; Parts = Novello edition.
SKU: PR.11442041S
UPC: 680160687022.
In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.In one of the dedicatory poems to his verse play “The Shadowy Waters†(1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?â€How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?†into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,†to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.
SKU: BR.EB-6310
ISBN 9790004166444. 12 x 9 inches.
Im Gegensatz zu seinem Zeitgenossen Joh. Seb. Bach hinterliess Georg Friedrich Handel kaum Werke fur die Orgel. Ausser den bekannten Konzerten fur Orgel und Orchester schrieb er 6 Fugen, die diese Ausgabe der Praxis erschliessen mochte. Der Grund, dass Handel sich in seinem kompositorischen Schaffen in so geringem Masse der Orgel zuwandte, ist nicht in erster Linie in seinem kunstlerischen Aufgabenkreis zu suchen, sondern liegt wohl hauptsachlich an der primitiven Beschaffenheit der englischen Orgeln seiner Zeit. Weithin fand man das Pedal entbehrlich und liess es weg. Fr. Chrysander berichtet: (,,G. Fr. Handel III, S. 218) ,,Handel, dessen Ohr an die deutschen Orgelbasse gewohnt war, nahm zu einem Stuck Blei Zuflucht, um einen tiefen Ton fortklingen zu lassen und beide Hande frei zu haben..
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