| In the Bleak Midwinter Choral SATB [Octavo] Hope Publishing Company
Arranged by Joel Raney. For SATB choir. Christmas. Octavo. 12 pages. Publish...(+)
Arranged by Joel Raney. For
SATB choir. Christmas.
Octavo. 12 pages. Published
by Hope Publishing Company
$3.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fancy Pants Jazz Ensemble [Score and Parts] - Intermediate Kendor Music Inc.
Composed by Sammy Nestico. For standard jazz ensemble, 1st alto/opt. flute, trum...(+)
Composed by Sammy Nestico. For standard jazz ensemble, 1st alto/opt. flute, trumpets on flugelhorns. Sammy Nestico Premium Jazz Series. Funky blues. Medium� . Score and parts. Published by Kendor Music Inc
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| My Soul Gives Glory / The King Shall Come Choral 3-part SAB, Piano GIA Publications
(Winter Magnificat). By Rory Cooney. For SAB choir, keyboard accompaniment, flut...(+)
(Winter Magnificat). By Rory Cooney. For SAB choir, keyboard accompaniment, flute. Christ the King, Advent, Visitation, Assumption Day, Annunciation. Celebration Series. Includes guitar chord names. Sacred. Easy. 12 pages. Published by GIA Publications (G. Sacred.
$2.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Little Black Songbook: Ac/dc Music Sales | | |
| 88 Basie Street Jazz Ensemble [Score and Parts] - Advanced Kendor Music Inc.
Composed by Sammy Nestico. For jazz ensemble. Sammy Nestico Premium Jazz Series....(+)
Composed by Sammy Nestico. For jazz ensemble. Sammy Nestico Premium Jazz Series. Basie Style. Advanced. Score and set of parts. Published by Kendor Music Inc
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| My Savior's Love Choral SATB Hope Publishing Company
SATB choir SKU: HP.8704 Composed by Mary McDonald. General Worship. Set o...(+)
SATB choir SKU: HP.8704 Composed by Mary McDonald. General Worship. Set of Instrumental Parts. Hope Publishing Company #8704. Published by Hope Publishing Company (HP.8704). UPC: 763628187040. Rose Aspinall. Lent & Easter Musical From Mary McDonald and Rose M. Aspinall this is a musical treatment of the events of Holy Week. It embraces the love Jesus expressed to us on Calvary through new and familiar texts and tunes. Its purpose is to give pause to those dreadful occurrences but, more importantly, to share the hope and love of our Savior to all who seek him. This 35-minute work features narration for two readers. Mary's piano score can carry the work alone, while Ed Hogan's orchestration powerfully supports the sweep and drama of this thrilling program. Orchestrations consists of: Conductor's Score, Flute, Oboe (or Soprano Sax* or Clarinet*), Clarinet, Horn in F (or Alto Sax* or Clarinet*) 2 Trumpets (or Alto Sax*), 2 Trombones (or Baritone T. C. * or Tenor Sax*), Percussion 1 & 2, Piano, Synth, Electric Bass, 2 Violins, Cello/Basson (or Bass Clarinet*), String Reduction. *Parts are included on the CD-ROM. $275.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Carol of the Bells for Flute Quartet Carl Fischer
Chamber Music flute quartet SKU: CF.MXE92 Compatible with any and all ...(+)
Chamber Music flute quartet SKU: CF.MXE92 Compatible with any and all instruments in this series for quartets. Composed by Peter J. Wilhousky Mykola Leontovich. Arranged by Larry Clark. Fold. Score. With Standard notation. 4 pages. Carl Fischer Music #MXE92. Published by Carl Fischer Music (CF.MXE92). ISBN 9781491145074. UPC: 680160902576. 9x12 inches. Leontovich and Wilhousky's extremely popular Carol of the Bells is now available in Carl Fischer Music's Compatible Series. Arranged by Larry Clark, string and wind players alike can now play this timeless classic together in any configuration. Perfect for use in a school setting, the flexibility of this series will make it easy to program your holiday ensemble events and give students a chance to experiment with different instrument combinations. $4.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| All the While Concert band - Easy Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS198F Composed by Tyler Arcari. You...(+)
Band Concert Band - Grade 2 SKU: CF.YPS198F Composed by Tyler Arcari. Young Band (YPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #YPS198F. Published by Carl Fischer Music (CF.YPS198F). ISBN 9781491152867. UPC: 680160910366. All the While was inspired by a very special person in Tyler Arcari's life. Director's will be happy to find many opportunities for emotional and passionate playing with plenty of fun in the middle for young bands. All the While gives students a number of chances to work on expressive playing during the beginning and ending sections, and offers a light rhythmic middle section for contrast. Program Notes:All the While is a bit of a personal piece for me. I was inspired to write it by a very special person in my life. It might be a young-band piece but I feel that it has the capacity for great emotion and passionate playing as well as a little fun in the middle. Sometimes it is difficult to tell people how you feel, even if you have known them for a long time. I think sometimes we say in our heads that “I have felt this way for a long time,†and all the while never being able to put it to words.About the work:The piece opens with a flute and alto saxophone duet. This melody trades off at m. 10 with the addition of new voices and harmonies building in intensity all the way to m. 28. I personally like to use extended phrases in this section, though it looks like it would just utilize four-measure phrases. I feel this adds to the momentum building in dynamic intensity. Measure 28 is a subito change beginning with a prominent Timpani solo. The following section should be played as lightly as possible to avoid a lumbering feel. In mm. 68- 70, the agogic accents should not be very heavy, but more pointed in their momentum to m. 70.Measures 70–76 should be taken with metric liberty bringing out all of the moving parts in the low brass. The low brass really adds the foundation of momentum for the rest of the band here. Measure 76 to the end, though a repetition of material from the beginning, should be played as the high point of the piece and familiar conclusion. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| All the While Concert band - Easy Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS198 Composed by Tyler Arcari. Youn...(+)
Band Concert Band - Grade 2 SKU: CF.YPS198 Composed by Tyler Arcari. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+8+8+2+4+10+4+2+4+4+8+12+6+3+1+1+4+2+16+4 pages. Duration 2 minutes, 14 seconds. Carl Fischer Music #YPS198. Published by Carl Fischer Music (CF.YPS198). ISBN 9781491152188. UPC: 680160909681. Key: C minor. All the While was inspired by a very special person in Tyler Arcari's life. Directors will be happy to find many opportunities for emotional and passionate playing with plenty of fun in the middle for young bands. All the While gives students a number of chances to work on expressive playing during the beginning and ending sections, and offers a light rhythmic middle section for contrast. Program Notes:All the While is a bit of a personal piece for me. I was inspired to write it by a very special person in my life. It might be a young-band piece but I feel that it has the capacity for great emotion and passionate playing as well as a little fun in the middle. Sometimes it is difficult to tell people how you feel, even if you have known them for a long time. I think sometimes we say in our heads that “I have felt this way for a long time,†and all the while never being able to put it to words.About the work:The piece opens with a flute and alto saxophone duet. This melody trades off at m. 10 with the addition of new voices and harmonies building in intensity all the way to m. 28. I personally like to use extended phrases in this section, though it looks like it would just utilize four-measure phrases. I feel this adds to the momentum building in dynamic intensity. Measure 28 is a subito change beginning with a prominent Timpani solo. The following section should be played as lightly as possible to avoid a lumbering feel. In mm. 68- 70, the agogic accents should not be very heavy, but more pointed in their momentum to m. 70.Measures 70–76 should be taken with metric liberty bringing out all of the moving parts in the low brass. The low brass really adds the foundation of momentum for the rest of the band here. Measure 76 to the end, though a repetition of material from the beginning, should be played as the high point of the piece and familiar conclusion. $70.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lullaby from "The Unicorns" Piano solo Novello & Co Ltd.
Piano SKU: HL.234744 For Piano Solo. Composed by Peter Dickinson. ...(+)
Piano SKU: HL.234744 For Piano Solo. Composed by Peter Dickinson. Music Sales America. Classical. Softcover. Composed 2017. 8 pages. Novello & Co Ltd. #NOV166122. Published by Novello & Co Ltd. (HL.234744). 9.0x12.0x0.035 inches. Composer's Note: The Lullaby from The Unicorns arose from an opera libretto I commissioned from John Heath-Stubbs (1918-2006) in the late 1960s. In his story two unicorns are discovered in a remote part of Africa. Both the East and West want to obtain them for research so they send out rival expeditions. The Western technique is to lure the unicorn with a young girl singing a lullaby. Both East and West capture unicorns but the mythical animals escape in the end. I never completed the opera but I made a six-movement suite from it called The Unicorns. There are three songs and three instrumental numbers and the first performance was given with Elisabeth Soderstrom and Solna Brass under Lars-Gunnar Bjorklund at Ekensbergskyrkan, Solna, Sweden on 31 October 1982. This version was recorded and my arrangement of the three songs for voice and piano was recorded by Marilyn Hill Smith. The career of the Lullaby continued with a version for clarinet and piano, which I premiered with Jack Brymer aboard the Sea Princess in the Mediterranean on 29 September 1986. The oboe version was for Sarah Francis, and Duke Dobing and I have recorded it for flute an piano. Lullaby can be played with a variety of solo instruments and is also available for piano left hand and piano solo. $7.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Double Play Violin Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contraba...(+)
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contrabass, Crotales, Cymbals, English Horn, Field Drum, Flute, Glockenspiel, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Piano, Snare Drum, Triangle, Trumpet, Vibraphone, Viola and more. SKU: PR.416411770 For Violin, Piano, and Chamber Orchestra. Composed by William Kraft. Full score. With Standard notation. Duration 17 minutes. Theodore Presser Company #416-41177. Published by Theodore Presser Company (PR.416411770). UPC: 680160091508. I was tempted to call the piece Throw Back because it consciously employs rhythmic and harmonic approaches characteristic of the earlier part of the twentieth century, much of which plays a part in forging my musical personality. Going along with the impetus, I have paid homage by subtly interpolating stylistic or actual references to such unexpected bedfellows as Scriabin, Ravel, Debussy, Piston, Roussel, and Ysaye. I hope I will be musically forgiven. In one continuous movement, there are three definite internal sections: Presto-Largo-Allegro. The first section opens with a very soft percussion cadenza. If the acoustics allow it, the player will use sponge pottery mallets (sponge-headed mallets employed to smooth the interior of a pot as it is being spin-dried). No matter how hard the percussionist strikes the drums, the dynamic cannot go above pp (pianissimo). This cadenza serves as a basis for the first movement. The elements of the cadenza are taken by the orchestra to make the first major statement, similar to the classical concerto; but rather than making a restatement, the soloists, when they come in, begin with variational ideas. The second section is given over to the soloists, and is lyrical. The third section begins with an alternation between strict rhythmic pulsation and free-sounding timbres, as if reluctant to leave the second section behind. The rhythmic aspect takes over more and more as the piece progresses toward its conclusion. Double Play was commissioned by the Saint Paul Chamber Orchestra with financial assistance from the Northwest Area Foundation. It received its premiere on January 7, 1983, in St. Paul, with the St. Paul Chamber Orchestra; Pinchas Zukerman, violinist; Marc Neikrug, piano; and the composer conducting. $26.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Composing for the Solo Recorder Forsyth Publications
Composition SKU: FP.FTJ06 Composed by John Turner. Sheet Music and Books....(+)
Composition SKU: FP.FTJ06 Composed by John Turner. Sheet Music and Books. Recorder virtuosi and composer John Turner's indispensible new guide for composers writing for the solo recorder. This hugely useful book features chapters on the history of recorder composition, as well as the instrument's range, player technique, dynami. Classical, Instructional. Reference Book. Forsyths Publications #FTJ06. Published by Forsyths Publications (FP.FTJ06). ISBN 9780951479537. Composing for the recorder can be intimidating for those with limited or no experience playing the instrument. John Turner's new book is the ideal primer, taking the would be recorder composer on a journey through the history of recorder composition, and onwards to explore player techniques and the musicality offered by this versatile instrument. Each section is extensively referenced to exisiting compositions, providing a fantastic platform for further research by the reader.
About the Author:
JOHN TURNER is one of the leading recorder players of today. Born in Stockport, he was Senior Scholar in Law at Fitzwilliam College Cambridge before pursuing a legal career, acting for many distinguished musicians and musical organisations alongside his many musical activities. These included numerous appearances and recordings with David Munrow's Early Music Consort of London, the Academy of Ancient Music, the English Chamber Orchestra, the Academy of St. Martin-in-the-Fields and the English Baroque Soloists. He now devotes his time to playing, writing, reviewing, publishing, composing and generally energising.
He has played as recorder soloist with the Halle Orchestra, the Royal Liverpool Philharmonic Orchestra, the Manchester Camerata, the English Baroque Soloists, the English Chamber Orchestra, and many other leading orchestras and ensembles. Concertos and works with orchestra have been written for him by Gordon Crosse, Anthony Gilbert, Peter Hope, Kenneth Leighton, Elis Pehkonen, Alan Bullard, John Casken, and many other distinguished composers. His recordings include no less than five sets of the Brandenburg Concertos, as well as the F Major version of Brandenburg Concerto No. 4 with Menuhin and George Malcolm, but lately he has madenumerous acclaimed recordings of the recorder’s contemporary concerto and chamber music repertoire, including several concerto discs, all of which have received critical acclaim. In all, he has given the first performances of over 600 works for the recorder, with works by many non-British composers, including Leonard Bernstein, Ned Rorem, Peter Sculthorpe, Douglas Lilburn and Petr Eben.
Many of the works he has premiered have now entered the instrument’s standard repertoire, and these and his own recorder compositions are regularly set for festivals and examinations. He edits series of recorder publications for both Forsyths and Peacock Press, and founded the periodical Manchester Sounds, in response to the perceived threat to music libraries in Great Britain. In addition he was responsible for the rediscovery of several works for his instrument, including the Rawsthorne Recorder Suite, Antony Hopkins' Pastiche Suite, Herbert Murrill’s Sarabande, the Handel F Major Trio Sonata and John Parry's Nightingale Rondo (the only substantial known British nineteenth century work for a fipple flute). He was awarded an Honorary Fellowship by the Royal Northern College of Music in 2002 for his services to British music, and is a Visiting Distinguished Scholar of Manchester University. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Phoenix Rising Violin Theodore Presser Co.
Chamber Music Violin SKU: PR.114422260 For solo violin. Composed b...(+)
Chamber Music Violin SKU: PR.114422260 For solo violin. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 0:09:00. Theodore Presser Company #114-42226. Published by Theodore Presser Company (PR.114422260). ISBN 9781491133866. UPC: 680160683352. 9 x 12 inches. Legends of the phoenix are found in stories from ancient Egypt and Greece. While each culture possesses a range of stories encompassing the myth, these tales tend toward similar traits: a sacred bird with brilliantly colored plumage and melodious call lives for typically 500 years, then dies in a nest of embers, only to be reborn among the flames. Phoenix Rising consists of two movements: I. Dying in Embers represents an old phoenix settling on top of a pile of embers and breathing its last breath; II. Reborn in Flames depicts the newly-born phoenix getting its first taste of flight. Legends of the phoenix are found in stories from ancient Egypt and Greece. While each culture possesses a range of stories encompassing the phoenix myth, these tales tend to share similar traits: a sacred bird with brilliantly colored plumage and melodious call lives for typically five hundred years; then the bird dies in a nest of embers, only to be reborn among the flames.In Egyptian stories, the phoenix gathers scented wood and spices for its funeral/rebirth pyre, then collects the ashes from its earlier incarnation and flies them to the temple of the sun in Heliopolis to offer as a tribute to the sun god.In Greek myths, the phoenix was approximately the size of an eagle and was adorned with red and gold feathers; it would fly from either India or Arabia to Heliopolis to give its offering. The bird’s association with immortality and resurrection are particularly intriguing aspects of these tales, giving numerous writers (including William Shakespeare, C.S. Lewis, and J.K. Rowling) a rich resource for their own stories.Phoenix Rising consists of two movements. I. Dying in embers represents an old phoenixwho is settling on top of a pile of embers and breathing its last breath. II. Reborn in flames depicts the newly-born phoenix getting its first taste of flight.Phoenix Rising was commissioned by saxophonist Christopher Creviston, who has recorded the work on the Blue Griffin label. The composer has also made editions of the work for flute and for clarinet (also available from Theodore Presser Company). $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ritual Concert band - Easy Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.33847S Composed by Chris M. Bernotas. Co...(+)
Concert Band - Grade 2.5 SKU: AP.33847S Composed by Chris M. Bernotas. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Programmatic. Score. 20 pages. Alfred Music #00-33847S. Published by Alfred Music (AP.33847S). UPC: 038081385709. English. The dark sound of the timpani and the ominous flute melody create the mysterious atmosphere for this powerful piece. The intense drone and strong thematic material eventually give way to the excitement of a rhythmic groove which takes us on an adventure. We revisit the mystery of Ritual through a lyrical section that contains ample solo opportunities to feature your students. After a restatement of the original theme, we escape and run to the end. The performers and audience will use their imaginations to create their own thrilling storyline to accompany this dramatic piece! $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ritual Concert band [Score and Parts] - Easy Alfred Publishing
By Chris M. Bernotas. Concert Band. Concert Band; Part(s); Score. Young Symphoni...(+)
By Chris M. Bernotas. Concert Band. Concert Band; Part(s); Score. Young Symphonic. Grade 2.5. 258 pages. Published by Alfred Music Publishing
$52.00 $49.4 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Wind Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Flute 1, Flute...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Trombone 1, Trombone 2, Trombone 3, Trumpet 1, Trumpet 2, Trumpet 3, Tuba and more. SKU: PR.11540208F For Wind Ensemble. Composed by Chen Yi. Sws. Premiered by the Bowling Green Wind Symphony, conducted by Prof. Bruce Moss, at the 31st Annual New Music Festival on Oct. 23, 2010, at the Bowling Green State University in OH. Contemporary. Full score. With Standard notation. Composed 2010. 56 pages. Duration 11 minutes. Theodore Presser Company #115-40208F. Published by Theodore Presser Company (PR.11540208F). ISBN 9781598063202. UPC: 680160597383. 9x12 inches. A prolific composer who blends Chinese and Western traditions, Dr. Chen Yi gives us Wind for the Wind Band Select series. This work uses the Western sound of a wind ensemble to depict the Eastern feeling of the winds, or feng, in two movements: Introduction and Rondo. For advanced players. Duration: 11'. Wind for wind ensemble is premiered by the Bowling Green Wind Symphony, conducted by Prof. Bruce Moss, at the 31st Annual New Music Festival on Oct. 23, 2010, at the Bowling Green State University in OH.  “Windâ€, or “the winds†means “view, folk songs, style and manner†in Chinese. I used a western wind ensemble to sound the eastern feeling of the winds in my piece. Wind consists of two movements: Introduction and Rondo.—Chen Yi. $40.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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