SKU: CA.3600811
ISBN 9790007052973. Key: A minor. Language: German/English.
Score available separately - see item CA.3600800.
SKU: CA.5526003
ISBN 9790007252069. English.
Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. The King shall rejoice was probably played during the crowning of the king in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.
SKU: CA.3105057
ISBN 9790007132279. Key: D major. Language: German/English.
Composed in the late period, around 1740 A lively discussion about the choral movement Nun ist das Heil und die Kraft has been carried on, in which not only all previous assumptions have been called into question-including Bach's authorship-but also show how little we know about the history of this magnificent movement. Even though there is little to refute the 1982 presumption that the work was handed down in the form of an arrangement, the question remains open concerning the identity of the arranger, as well as the alleged form of the original design. Therefore it seemed appropriate to forego any attempts at reconstruction. Rather, for the present new edition the music has been critically examined and commented upon based on the surviving copy from Bach's circle.
SKU: CA.4052912
ISBN 9790007071493. Key: E minor. Language: all languages.
Score available separately - see item CA.4052900.
SKU: CA.3118603
ISBN 9790007188177. Key: G minor / c dorian. Language: German. Text: Franck, Salomo.
Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score available separately - see item CA.3118600.
SKU: CA.5454613
ISBN 9790007226220. Language: Latin.
Among Haydn's over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most Mozartian of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn's most successful and inspired works. This work, which in addition to the usual Salzburg church trio includes two trumpets and timpani, belongs to the category of Missa solemnis. The popular nickname Chiemsee-Messe is bound up with the history of the origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. Score and part available separately - see item CA.5454600.
SKU: CL.026-4681-01
Inspired by a memorable commuter jet trip taken by the composer, Tailspin is an aggressive and hard hitting composition capturing the peril of an airliner in rapid descent. Contemporary harmonies and driving rhythms contribute to the unique and fresh sound of this work. Varied dynamics and textures add to the drama and make this the perfect concert or festival work for young bands. This arrangement for the Build A Band series ensures success with even the most awkward of instrumentations. An optional keyboard/piano part is included. Tailspin Has the excitement and power that students love!
About Build-A-Band Series
The Build-A-Band Series provides educational and enjoyable music for bands with incomplete or unbalanced instrumentation. Written using just four or five parts (plus percussion), these effective arrangements will work with any combination of brass, woodwind, string and percussion instruments as long as you distribute the parts so that each of the five parts is covered. All of the publications in the Build-A-Band Series have been arranged to be playable with any instrumentation as long as each part is used: 1st Part, 2nd Part, 3rd Part, 4th Part, and Bass Part. (Please note: In some of these arrangements the 4th Part, and the Bass Part are the same, making it possible to play those arrangements with only 4 parts.)
SKU: CA.3123813
ISBN 9790007051075. Key: D major. Language: Latin.
Score available separately - see item CA.3123800.
SKU: CA.2044712
ISBN 9790007196004. Key: E phrygian. Language: German. Text: Hegenwald, Erhard.
Score available separately - see item CA.2044700.
SKU: CA.4015413
ISBN 9790007063214. Language: German/English.
Score available separately - see item CA.4015400.
SKU: CA.4003403
ISBN 9790007216979. Key: G major. Language: Latin.
Score available separately - see item CA.4003400.
SKU: CA.3100519
ISBN 9790007135928. Key: G minor. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.
Score and parts available separately - see item CA.3100500.
SKU: CA.328430
ISBN 9790007169190. Key: E minor. Language: German. Text: Luther, Martin. Text by Cornelius Becker.
SKU: CA.2048214
ISBN 9790007196974. Key: A minor. Language: German/English.
No. 1 of the Opus ultimum. Score and part available separately - see item CA.2048200.
SKU: CA.3601812
ISBN 9790007213831. Language: German.
This six-verse hymn is based on the melody Herzlich tut mich verlangen, which Buxtehude used both for the solo cantata Herzlich tut mich verlangen BuxWV 42 and for a chorale prelude entitled Ach Herr, mich armen Sunder BuxWV 178. Apart from the Amen, with coloratura decoration, the text is set in a simple four-part texture. The accompanying violins are used in the prelude and interludes. This piece exists in a tabulatur copied by Duben before June 1687. Score and part available separately - see item CA.3601800.
SKU: CA.3600516
ISBN 9790007052836. Key: D major. Language: Latin.
Score available separately - see item CA.3600500.
SKU: CA.3123605
ISBN 9790007086015. Key: G major. Language: Latin.
Score available separately - see item CA.3123600.
SKU: CA.5525819
ISBN 9790007311056. English.
Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Zadok the priest was performed for the anointing of the new King and more recently for the coronation of Charles III in 2023.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.
SKU: CA.3117719
ISBN 9790007140267. Text language: German/English.
The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and parts available separately - see item CA.3117700.
SKU: CA.326680
ISBN 9790007170318. Language: German. Text: Luther, Martin. Text by Martin Luther.
SKU: CA.3116512
ISBN 9790007209094. Text language: German/English. Text: Franck, Salomo.
The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
