SKU: SU.28040080
A set of four somewhat neo-impressionistic works for piano solo, inspired by scenes from life in Downeast Maine. The movements are: I. Stopping By the Piano On a Sunny Morning II. Winter Winds III. Two Crows In a Tree Watching Sea Smoke IV. Yes, ReallyPiano Duration: 15' Composed: 2015 Published by: Abierto Music.
SKU: PR.11641373L
UPC: 680160680337.
The concerto has always seemed an especially attractive medium to me, not necessarily because of its expectations of virtuosity (although flaunting it when you've got it certainly has its place), and emphatically not because of the perception of a concerto as a contest, but because so much of what I write feels song-like; I'm very much at home with the age-old texture of melody and accompaniment. I hope, before I move on, to have the opportunity to write concertos for all the major instruments, and perhaps some of the rarer ones as well. The oboe is not only one of the major instruments, it is one of my favorite instruments. I've always loved its sound, but since moving to New York I have gotten to hear and, in some cases, know some extremely fine oboists who broadened my appreciation of the instrument's possibilities. I especially remember a concert, probably in the late 1960's, in which Humbert Lucarelli played a Handel concerto, filling out large melodic leaps with cascading scale passages in a way that raised the hair on the back of your neck, somewhat in the way that John Coltrane's sheets of sound did. The sweeping scales in the second movement of my concerto were definitely inspired by Bert Lucarelli's performance. The first, third and fifth movements of the Concerto for Oboe and Orchestra are song-like, whereas the second and fourth have strong scherzo and dance qualities, including a couple of sections that sound like out-and-out pirate dances to me. The hymn-like tune at the beginning of the middle movement was originally begun as a vocal piece to be sung by my wife, son and daughter at my brother's wedding, but I couldn't come up with good works for it, so it ended up as an instrumental chant. The opening and closing of the concerto make use of the oboe's uniquely soulful singing. I had not heard Pamela Woods Pecha's solo playing in person when she approached me about writing a concerto, but I had heard her fine recording of chamber music for oboe and strings by the three B's (English, that is: Bliss, Bax and Britten) with the Audubon Quartet. I actually already had some oboe concerto ideas in my sketchbooks; although I didn't end up using any of those earlier ideas, it's interesting that most of them tended to share the general feeling and tonality of the eventual opening of the concerto. The work was completed on October 13, 1994. I hate the compromises involved in making piano reductions -- perhaps I would feel differently if I were a more accomplished pianist -- so I often decide to make piano reductions for four hands rather than two. My good friend Jon Kimura Parker is a terrific sight-reader, and I roped him into coming over to my place on February 17, 1995, to help me accompany Pamela on the first read-through of the piece. The first performance of the work took place on July 21, 1995, at the American Music Festival in Duncan, Oklahoma, with Mark Parker conducting the Festival Orchestra.
SKU: BT.DHP-1104915-020
9x12 inches. English-German-French-Dutch.
Pophits.nl is het vervolg op de succesvolle medley Hollandse Hits en bevat weer vier Nederlandstalige nummers. De selectie van deze nummers kwam totstand door middel van een door Kunstfactor uitgeschreven enquête.Deze medley bevat:Lippen opde mijne - Nick & SimonDit nummer werd de vijfde nummer-1 hit voor het duo Nick & Simon.Het nummer heeft een zomerse inslag en eenhoog meezinggehalte. Dochters - Marco BorsatoDochters is de veertiende nummer-1 hit voor MarcoBorsato. Deze gevoelige ballad beschrijft de levensfases van een dochter. Van kind tot aan getrouwde vrouw. Weer een meesterwerkvan de hand van John Ewbank.Mi Rowsu (Tuintje In Mijn Hart) - Jan Smit & DamaruMi Rowsu is een nummer van deSurinaamse zanger Damaru. Hij schreef het nummer voor zijn dochter. Mi rowsu is Surinaams voormijn roos. In Nederland werd dit vrolijke nummer bekend als duet met Jan Smit en haalde binnen korte tijd de nummer-1 notering in de hitlijsten.So Incredible - Ilse de LangeSo Incredible is een single van Ilsede Lange. Dit nummer verscheen op 19 september 2008 en bereikte de nummer-1 positie in de Single Top 100. Het heeft een uitgesproken sound en is de ideale afsluiter van dezeprachtige medley.Deze medley geeft u de gelegenheid weereen aantal bekende Nederlandstalige nummers toe te voegen aan uw concert of optreden. Succes verzekerd bij uw toeschouwers, maar ook bij uw muzikanten!Peter Kleine Schaars schuf dieses Medley aus vier bezaubernden Liedern von holländischen Interpreten, die über die Grenzen unseres Nachbarlandes hinaus bekannt sind: Lippen op de Mijne von Nick & Simon, Dochters von Marco Borsato, Mi Rowsu (Tuintje in Mijn Hart) von Damaru & Jan Smit sowie So Incredible von Ilse de Lange. Ce medley, signé Peter Kleine Schaars, lève le voile sur quatre artistes ou groupes de la scène pop néerlandaise qui connaissent un succès national et international : : Damaru & Jan Smit (Mijn Rowsu), Nick & Simon (Lippen op de Mijne), Ilse de Lange (So Incredible) et Marco Borsato (Dochters).
SKU: PR.114419990
ISBN 9781491134825. UPC: 680160685516.
An extraordinary addition to the saxophone repertoire, Pann’s concerto is alternately tender and wild, yet idiomatic even in the most challenging pyrotechnics and altissimo. The four movements show off and romance the soprano saxophone from a remarkable range of angles, while always maintaining beauty. The published piano reduction is fully suitable for public performances.My Soprano Saxophone Concerto (2019) was written for Christopher Creviston and commissioned by Chris, the ASU Symphony Orchestra, and the SUNY Potsdam Symphony Orchestra. The work lasts about 15 minutes and does what it can to show the many sides of one of my favorite musicians on the planet. The work is cast in four movements and makes use of a varied orchestral palette.I. The Old Line (orchestra without brass) presents the soloist almost immediately, akin to the technique in Mendelssohn’s beloved Violin Concerto. The saxophone weaves a song-like melody throughout, often reaching for the highest register of the instrument.II. Aria: Injurious Graffito (full orchestra) was the first movement to be written, inspired by a line in the old television series Frasier. I fell in love with the two words “Injurious Graffito†the way they are delivered on the show. The music, like the TV show, is lofty and somewhat arrogant.III. Jump (full orchestra) is a written-out improvisation on the saxophone. Chris is particularly adept at the leaps and quick changes found throughout the movement, which culminates in a straight-ahead tune incorporating shapes that foreshadow the tune in the last movement.IV. Hymn: A Love Supreme (string orchestra and harp) is a torch song of unabashed sentimentality. A surprising admission: I was not thinking of John Coltrane’s famed album of the same name when naming this last movement. Perhaps it was a subconscious decision, but I was startled to put two and two together upon reacquainting myself with the Coltrane once the concerto was completed.
SKU: BT.MUSMI0370
Italian.
Con non meno di 25 accompagnamenti al Pianoforte per canzoni pop, questo metodo vi divertirà per un bel po’ di tempo!
Ma non solo… In effetti, oltre al piacere di suonarli, questi brani vipermetteranno di far pratica con tutte le tecniche utili per creare accompagnamenti adatti a questo stile: esecuzione con accordi “placcati”, semi-arpeggiati o arpeggiati, formule melodiche per la mano destra con osenza controcanto della sinistra, sincopi ritmiche... c’è di tutto!
L’idea è quindi quella di imparare suonando, progredire divertendosi! Sappiate inoltre che queste 25 canzoni s’ispiranoaipiù grandi artisti e pianisti di ieri e di oggi: The Beatles, Michael Jackson, Oasis, Madonna, Elton John, Mika, Céline Dion, Robbie Williams… Sul disco dati allegato al metodo, troverete diversi file audioe video.
I video (mp4) presentano tramite l’immagine i 25 brani così come devono essere suonati, a velocità normale, poi ridotta. Le registrazioni audio (mp3) invece propongono le basi musicalicorrispondenti, anch’esse a due velocità diverse.
Potrete in questo modo suonare le canzoni proposte sulle basi musicali oppure approfittarne per sviluppare liberamente le vostre proprie idee di accompagnamentoin stile pop.
SKU: BT.DHP-1104915-120
SKU: HL.365091
UPC: 840126960808. 6.75x10.5x0.029 inches. Isaiah 48:16, John 15:26.
This original Christmas offering is centered in the mystery of the Trinity. Somewhat unique for a seasonal selection, the music is traditional in style and filled with expressive hymnlike harmonies. A supportive accompaniment and an easy-to-ring handbell part build texture and depth before giving way to a stunning a cappella treatment. The anthem has an old soul that would be fully at home in a cathedral or a candlelight chapel. Graceful writing and grace-filled message!
SKU: HL.4008548
ISBN 9798350110371. UPC: 196288179177.
Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales don’t they? Andreas Ziegelbäck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universität, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbäck's interest in composing. In 2021, Andreas Ziegelbäck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.
SKU: HL.4008983
UPC: 196288283775.
Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales dont they? Andreas Ziegelbäck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universität, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbäck's interest in composing. In 2021, Andreas Ziegelbäck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.
SKU: HL.49019606
ISBN 9790001187176.
Teachers again and again ask for easy-to-play double bass music suitable for lessons or the competition 'Jugend musiziert'. The composer Peter Wittrich from Munich has undertaken this task and composed a varied cycle of seven easy pieces for double bass and piano. All pieces have been tried and tested in double bass lessons and are well positioned on the instrument. Some can even be played in the first position. The collection covers various styles, including blues, tango and classical. The piano part is more demanding so that the demands made on the ensemble playing are somewhat higher. An interesting addition to the repertoire for lessons and concerts. Contents: Giovannino discovers the Blues • Gostly Cadenza • Walking Bass with Johann Sebastian Bach • Salute to Vienna with a kiss on the hand for Elise • Danse grotesque • Drei Chinesen mit dem Kontrabass (Theme and Variations) • Basso doble.
SKU: HL.4008984
UPC: 196288283782.
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