SKU: UT.HS-223
ISBN 9790215323261. 9 x 12 inches.
SKU: UT.MAG-214
ISBN 9790215316201. 9 x 12 inches.
SKU: UT.NAP-4
ISBN 9790215318373. 9 x 12 inches.
Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e CembaloNicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas. Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.
SKU: UT.CH-209
ISBN 9790215322837. 9 x 12 inches.
Gian Paolo Luppi: AlcorMarco Reghezza: Fuga DodecatonaleAlessandro Spazzoli: Sarabanda all'albaRoberto Tagliamacco: Concerto per la notte di CorelliIn 2013, to celebrate the second centenary of the death of Arcangelo Corelli, I played in an official concert held in his memory in Fusignano, his hometown. Corelli did not write for the guitar, but a few of his compositions were transcribed by some contemporary guitarist and certainly his name has always been associated in the history of music with the theme of the very famous <> (although the origins of this theme go back a long way before Corelli). In the guitar repertoire, well-known cycles of variations on this theme exist. My long history of friendship and working together with important Italian composers has made it possible for me to build a concert program with some new guitar compositions dedicated to Corelli, to which others have been added. They are all together in this anthology, with the exceptions of Corelliana by Davide Anzaghi, Per Arcangelo by Gilberto Cappelli and Corelliana Seconda by Paolo Ugoletti, published separately. The cover picture, specially created by Norma Lutzemberger for this publication, celebrates this meeting between the modern guitar and Arcangelo Corelli.(Piero Bonaguri)
SKU: UT.CSS-41A
ISBN 9790215302389. 9 x 12 inches.
SKU: UT.CH-118
ISBN 9790215316386. 9 x 12 inches.
SKU: KN.17275
UPC: 822795172751.
Although originally named the Infernal Galop from Act II, Scene 2 of Jacques Offenbach's operetta of 1858, Orpheus In The Underworld, this theme has become widely known as the high-kicking Can Can dance. This arrangement is amazing fun for everyone! Duration 2:20.
SKU: UT.HS-12
ISBN 9790215302730. 8.26 x 11.69 inches.
SKU: UT.HS-298
ISBN 9790215326941. 9 x 12 inches.
The four Valtz (plus a fifth in the Appendix, which constitutes the first draft of n. 3) for violin, published here for the first time in their manuscript form, although brief, are important musically since they add to the rich and varied catalogue of works for solo violin by Paganini. The pieces can be found within the manuscript of the Ghiribizzi for guitar M.S. 43. Their musical structure is simple, as is found in this genre of compositions and is mostly divided into a bipartite form (8+8 bars) with ritornelli. These are short but very pleasant pieces, in which it is not difficult to find the spirit of the great Genoese composer of small compositions.
SKU: UT.ACC-67B
ISBN 9790215314344. 9 x 12 inches.
SKU: UT.HS-329R
ISBN 9790215327962. 9 x 12 inches.
Performance Material on Hire[Solo: Bs - Picc.2.2.2.2 - 2.2.2.0 - Str]In the second half of the 19th century, in Italy, melodrama was still the most practised musical genre, but space for instrumental production began to grow, especially thanks to the Quartet societies which tried to reduce the gap remaining compared to other European countries, offering it to the public with an energy which was certainly praiseworthy. However, they were not the only institutions where instrumental music was cultivated. In this context it must be remembered that music conservatories also played an important role, especially through the music recitals given by the best students. In one of these, which was held at the Milan Conservatory on 9 July 1884, the concert piece Andante e Polacca for bassoon and orchestra by Simplicio Gualco (1861-1942) was performed, a piece which aroused a great deal of interest as stated in the ‘Gazzetta Musicale di Milano’ of 20 July of that year. After the recital, the piece ended up in the Conservatory archives and was never played again. It was rediscovered recently, thanks to the research work on the composer by the musicologists Italo Vescovo and Flavio Menardi Noguera, both connected to the composer’s hometown.
SKU: UT.CH-216
ISBN 9790215323131. 9 x 12 inches.
Pippo Molino: Frammento G (Echi da Cenerentola)Marco Reghezza: Divertimento â??Ai capricci della sorteâ??; Fuga â??Languir per una bellaâ??Alessandro Spazzoli: Sogno: il Barbiere (Omaggio a Rossini)Roberto Tagliamacco: Soirée RossiniennePaolo Ugoletti: Fantasia su un tema di Rossini
SKU: UT.FL-8
ISBN 9790215315976. 9 x 12 inches.
Sonata IX per 2 Violini, Flauto Dolce e Basso Continuo; Sonata XVI per 2 Flauti Dolci, 2 Tromboni e Basso Continuo; Canzone X per 2 Violini, 2 Flauti, Trombone, Fagotto e Basso Continuo
SKU: UT.HS-98
ISBN 9790215307421. 9 x 12 inches.
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