SKU: AP.12-0571542743
ISBN 9780571542741. English.
Sheku Kanneh-Mason: Song is a kaleidosope of music for solo cello, cello and piano, plus a beautiful cello duet and trio, from the award-winning and internationally acclaimed cellist. This collection presents music from Sheku's third album, Song, which is a very personal collection that refers to the unique singing tone of the cello. Pieces include Deep River by Samuel Coleridge Taylor, Burt Bacharach's I Say a Little Prayer and Parry's Myfanwy, which is arranged for cello trio.
SKU: BT.DHP-1135394-010
9x12 inches. English-German-French-Dutch.
The inspiration for this three-part work goes back to the International European Youth Wind Music Festival, of which the patron has been Jacob de Haan several times. It begins in a festive march tempo, then sacred music, instrumental groups playing off_x001E_stage and a little march for brass and _x001D_flutes. The third movement is a parade in which the various sections of the ensemble head towards the stage from different directions. Even without the effective choreography of the musicians, Call of the Valley is an impressive concert band composition.Jacob de Haan haalde zijn inspiratie voor dit driedelige werk bij het Hessische kuuroord Bad Orb en het tweejaarlijkse Blaasmuziekfestival van de Europese Jeugd, waarvan hij meerdere keren beschermheer was. In het werk verwerkte de componist verschillende e_x001D_ecten die betrekking hebben op het festival. Zo hoort men in de vallei verschillende orkesten door elkaar spelen, een indrukwekkend e_x001D_ect dat ook in de compositie werd verwerkt. Ook kan men ervoor kiezen om tijdens het werk het orkest op te splitsen en het podium te laten verlaten en marcherend weer richting podium te stappen. Een spectaculair en vernieuwend werk!Die Inspiration für dieses dreiteilige Werk geht auf das Internationale Blasmusikfest der Jugend Europas zurück, dessen Schirmherr schon mehrfach Jacob de Haan war. Es beginnt in festlich marschierendem Tempo, gefolgt von sakraler Musik, abseits der Bühne spielenden Instrumentengruppen und einem kleinen Marsch für Blechbläser und Flöten. Der dritte Satz ist eine Parade, bei der sich das geteilte Orchester aus verschiedenen Richtungen auf die Bühne zu bewegt. Auch ohne die effektvolle Positionierung der Musiker ist Call of the Valley ein eindrucksvolles Blasorchesterwerk.Call of the Valley s’ouvre sur un tempo festif en forme de marche. Des sonorités majestueuses dessinent un concert de musique sacrée. Puis deux groupes instrumentaux quittent la scène et exécutent leurs parties distance. Un groupe de saxophones interprète une valse, un autre groupe réunissant cuivres et _x001D_fl tes joue une marche. la fin de l’oeuvre, l’orchestre reprend les thèmes des deux groupes tandis que ceux-ci reviennent vers la scène. Une fois arrivés, ils restent face au public alors que résonne l’accord _x001C_final.Un festival di musica per _x001E_ati per banda giovanile che si tiene a Hesse in Germania, e al quale Jacob de Haan ha più volte partecipato in veste di giurato, è servito da ispirazione per comporre questo brano. L’inizio vede un tempo festivo che simboleggia l’arrivo delle bande. Sonorit maestose disegnano un concerto di musica sacra, seguite da suoni che evocano le interpretazioni di varie orchestre. Un gruppo di sax interpreta un piccolo valzer, un altro gruppo che unisce ottoni, _x001D_auti e ottavino suona una piccola marcia. Nel _x001E_finale dell’opera, l’orchestra riprende i temi dei due gruppi.
SKU: BT.DHP-1135394-140
SKU: BT.DHP-1135394-120
SKU: BT.DHP-1135394-020
SKU: BT.CMP-0259-99-010
GUARDIANS OF PEACE is dedicated to the United States Atlantic Fleet. From their homeport of Norfolk, Virginia, they are ready and able to deploy to any region of the world at a moment’s notice, to help maintain peace and stability throughout the world. They have a long, proud history of service and dedication, and played a major role in the success of Operations Desert Shield and Desert Storm. The level of dedication and self-sacrifice required by this type of service is the highest in all the military, as individuals must be separated from families and loved ones for long periods of time, while placing their lives and well-being in grave danger.
SKU: HL.44002278
UPC: 073999147063. 6.75x10.5 inches.
Along with the movement In the King's Hall, The Homage March from Act III of Sigurd Jorsalfar remains one of the most popular Scandinavian pieces of classical music. This arrangement has, once again, has been skilfully crafted by Wil van der Beek for a younger Concert Band and will be a popular addition to any concert. Sigurd Jorsalfar ist die Buhnenmusik zum gleichnamigen Drama des beruhmten norwegischen Dichters Bjornsterne Bjornson. Das Werk basiert auf einer altnordischen Sage von zwei Brudern, die beide um den Konigsthron kampfen und einer Frau, die den Streit schlichten soll. Wil van der Beek bearbeitete den feierlichen Huldigungsmarsch aus diesem Werk fur Blasorchester. La Marche d'Hommage de l'acte III de la suite orchestrale Sigurd Jorsalfar d'Edvard Grieg, se trouve a l'oppose des marches au caractere sombre ou martial. L'introduction en forme de fanfare est superbement lyrique. Puis vient l'exposition d'un theme joue cantabile. L'instrumentation developpe quelque peu le theme initial avec des accents rythmiques a la basse. Le theme de la marche est ainsi amorce. Un trio central, lumineux et serein, precede le retour du theme de marche au tutti.
SKU: CA.5003203
ISBN 9790007140090. Language: German. Text: Bonn, Franz. Text: Franz Bonn.
Immediately following his first opera Rheinberger composed a small dramatic cantata for children's voices in 1863. It is based on a story from the Gospel of St. Mark, arranged as a rhymed libretto with various roles by Franz Bonn (1830-1854). Among the highpoints of the cantata are a scene of awakening fashioned as a choral recitative with an expressive piano part and a large final chorus Preist laut den Herr. Both of these helped to make the cantata very popular in Rheinberger's days with boys' and girls' choirs. Rheinberger later arranged it with an accompaniment by a small orchestra. Score available separately - see item CA.5003200.
SKU: CF.YAS246
ISBN 9781491164983. UPC: 680160923892. Key: D minor.
Nikolai Rimsky-Korsakov completed this programmatic overture in the spring of 1888 and dedicated it to the memory of two of his friends who were also prolific Russian composers: Modest Mussorgsky and Alexander Borodin. He utilized original melodies and traditional melodies from liturgical chants of the Russian Orthodox Church. His brilliance as an orchestrator was showcased in this large work for full orchestra and included multiple time and key signatures in addition to various solos and cadenzas.This arrangement stays true to the original key signatures and includes all main melodic and harmonic voices and structure in a continuous performance that is accessible and challenging. Care should be shown to the changes in meter, tempo and key signatures along with techniques such as divisi and tremolo. Subdivision and counting can be reinforced throughout this piece. In addition, suggested fingerings have been given to help navigate chromatic and shifting portions of this arrangement. Enjoy performing this arrangement of Nikolai Rimsky-Korsakov’s masterpiece.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: CF.YAS246F
ISBN 9781491165386. UPC: 680160924295. Key: D minor.
Nikolai Rimsky-Korsakov completed this programmatic overture in the spring of 1888 and dedicated it to the memory of two of his friends who were also prolific Russian composers, Modest Mussorgsky and Alexander Borodin. He utilized original melodies and traditional melodies from liturgical chants of the Russian Orthodox Church. His brilliance as an orchestrator was showcased in this large work for full orchestra and included multiple time and key signatures in addition to various solos and cadenzas.This arrangement stays true to the original key signatures and includes all main melodic and harmonic voices and structure in a continuous performance that is accessible and challenging. Care should be shown to the changes in meter, tempo and key signatures along with techniques such as divisi and tremolo. Subdivision and counting can be reinforced throughout this piece. In addition, suggested fingerings have been given to help navigate chromatic and shifting portions of this arrangement. Enjoy performing this arrangement of Nikolai Rimsky-Korsakov’s masterpiece!
SKU: PR.510079380
Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of concert paraphrases. The large-scale concert piece was premiered by Liszt and Chopin on Christmas Day 1834 in a salon in Paris. The Grand duo was not published in Liszt's lifetime, and has survived as a draft.Schubert's Fantasy in C major (also known as the Wanderer Fantasy) was a defining musical experience for the young Liszt. He arranged this masterpiece of Romantic piano literature for piano and orchestra in 1851, at the beginning of his Weimar period, and it was premiered by Julius Egghard in Vienna in December of that year. By 1855, Liszt had transcribed this arrangement for two pianos, because it was played on 22 October 1855 at a concert held in Weimar in honour of his birthday. With the version for piano and orchestra, Liszt attuned the fantasy to the requirements of the concert hall, reinforcing the orchestral effects inherent in Schubert's composition. His aim with the two-piano version was to achieve a similarly grand effect in spaces too small for an orchestra. The arrangement for piano and orchestra appeared in print in 1857, followed by the two-piano version in 1862.This volume comes complete with a detailed preface in English, German, and Hungarian containing new research findings, several manuscript facsimiles, and a critical report in English.
SKU: CA.410505
ISBN 9790007093822.
The three oratorios, the chorale cantatas, the large psalm settings, Lobgesang and other Mendelssohn sacred works with orchestra are famous, last but not least, on account of the variety and beauty of their choral settings. In the 19th century it was already common practice to arrange suitable movements for choir and organ, and to perform them in concert. This new choral collection makes available a wide selection and variety of movements especially suited for sacred services. All of the choral movements are based on biblical texts (most of them from the Psalter), on chorale settings or liturgical texts - these offer a wide range of uses during the church yearand within the framework of the liturgy. Score available separately - see item CA.410500.
SKU: GI.G-J379
ISBN 9781622775255.
This edition includes ONLY the physical book and will not include access to the online audio files.  The third revision of Jump Right In is easier to use and as musical as ever! Highlights include the following: The series is research based and field tested. Appropriate for the following classes: elementary instrumental, general music at elementary, middle school, and high school. Also appropriate for college teachers who teach instrumental methods classes, vocal-general methods, and aural skills classes. There are 42 songs for listening and performing with accompaniments. Songs are notated and performed at musical tempos with characteristic rhythms. Contains recordings and notation for over 300 folk songs and classical melodies from many cultures in a variety of tonalities, meters, and styles. Available in two editions: one with access to Online Audio Files and one without. The audio files include (1) articulation exercises, (2) songs, bass lines, harmony parts, and accompaniments, (3) tonal patterns (neutral syllable and solfège syllables based on function), (4) rhythm patterns (neutral syllable and rhythm syllables based on function), (5) melodic patterns and accompaniments, and (6) musical enrichment (30 songs performed on recorder with accompaniments for students’ performance). Uses major and minor tonalities—G major, E minor, F major, B-flat major, and G minor. Uses both duple and triple meters—2/4, 4/4, cut time, 6/8, 3/8, and 3/4. Includes full range fingering charts based on solfège and note names and a chromatic fingering chart based on note names. Offers in-depth procedures for playing by ear and improvising—a unique and distinctive aspect of the series. The procedures for learning music notation and music theory for reading, writing, arranging, and composing.  Provides procedures for assessing performance (criterion etudes, rating scales, and embedded assessment) and knowledge (multiple choice, true-false, matching, and fill in the blanks) . There is an extensive Teacher’s Guide and coordinating rhythm flashcards and a rhythm flashcard app. This series includes audio files of the highest quality, is adaptable to the individual needs of your students, and features appropriate sequencing of activities to help students progress from sound to sight.
SKU: GI.G-J380
ISBN 9781622774968.
The third revision of Jump Right In is easier to use and as musical as ever! Highlightsàinclude the following: The series is research based and field tested. Appropriate for the following classes: elementary instrumental, general music at elementary, middle school, and high school. Also appropriate for college teachers who teach instrumental methods classes, vocal-general methods, and aural skills classes.àThere are 42 songs for listening and performing with accompaniments.àSongs are notated and performed at musical tempos with characteristic rhythms.àContains recordings and notation for over 300 folk songs and classical melodies from many cultures in a variety of tonalities, meters, and styles. Available in two editions: oneàwithàaccess to Online Audio Files and one without. The audio files include (1) articulation exercises, (2) songs, bass lines, harmony parts, and accompaniments, (3) tonal patterns (neutral syllable and solfège syllables based on function), (4) rhythm patterns (neutral syllable and rhythm syllables based on function), (5) melodic patterns and accompaniments, and (6) musical enrichment (30 songs performed on recorder with accompaniments for studentsââ¬â¢ performance).àUses major and minor tonalitiesââ¬âG major, E minor, F major, B-flat major, and G minor. Uses both duple and triple metersââ¬â2/4, 4/4, cut time, 6/8, 3/8, and 3/4. Includes full range fingering charts based on solfège and note names and a chromatic fingering chart based on note names. Offers in-depth procedures for playing by ear and improvisingââ¬âa unique and distinctive aspect of the series. The procedures for learning music notation and music theory for reading, writing, arranging, and composing.ààProvides procedures for assessing performance (criterion etudes, rating scales, and embedded assessment) and knowledge (multiple choice, true-false, matching, and fill in the blanks) . There is an extensive Teacherââ¬â¢s Guide andàcoordinating rhythm flashcards and a rhythm flashcard app. This series includes audio files of the highest quality, is adaptable to the individual needs of your students, and features appropriate sequencing of activities to help students progress from sound to sight.
SKU: GI.G-J380T
ISBN 9781622776016.
The third revision of Jump Right In is easier to use and as musical as ever! Highlights include the following: The series is research based and field tested. Appropriate for the following classes: elementary instrumental, general music at elementary, middle school, and high school. Also appropriate for college teachers who teach instrumental methods classes, vocal-general methods, and aural skills classes. There are 42 songs for listening and performing with accompaniments. Songs are notated and performed at musical tempos with characteristic rhythms. Contains recordings and notation for over 300 folk songs and classical melodies from many cultures in a variety of tonalities, meters, and styles. Available in two editions: one with access to Online Audio Files and one without. The audio files include (1) articulation exercises, (2) songs, bass lines, harmony parts, and accompaniments, (3) tonal patterns (neutral syllable and solfège syllables based on function), (4) rhythm patterns (neutral syllable and rhythm syllables based on function), (5) melodic patterns and accompaniments, and (6) musical enrichment (30 songs performed on recorder with accompaniments for students’ performance). Uses major and minor tonalities—G major, E minor, F major, B-flat major, and G minor. Uses both duple and triple meters—2/4, 4/4, cut time, 6/8, 3/8, and 3/4. Includes full range fingering charts based on solfège and note names and a chromatic fingering chart based on note names. Offers in-depth procedures for playing by ear and improvising—a unique and distinctive aspect of the series. The procedures for learning music notation and music theory for reading, writing, arranging, and composing.  Provides procedures for assessing performance (criterion etudes, rating scales, and embedded assessment) and knowledge (multiple choice, true-false, matching, and fill in the blanks) . In addition to the Teacher's Guide, the series includes a coordinating rhythm flashcard app, rhythm flashcards, and tonal flashcards. This series includes audio files of the highest quality, is adaptable to the individual needs of your students, and features appropriate sequencing of activities to help students progress from sound to sight.
SKU: ST.W231
ISBN 9790220224133.
Often sung congregationally to BERKSHIRE, CHURCH TRIUMPHANT, DEVONSHIRE or DUNELM, Charles Wesley's much-loved Christmas hymn receives a new setting from Nigel Ogden. His skills as an outstanding performer, best known perhaps as host of the evergreen Radio 2 series The Organist Entertains, guarantee both a light touch and a serious musical content. Eminently practical, To us a Child of Royal Birth may be performed by single voices or SATB choir without divisions. The music artfully distributes the four verses between full chorus, upper voices, lower voices, and then tutti again. Ogden's winning command of a popular musical idiom is everywhere in evidence, in the beautifully resolved seventh and ninth chords, and in the assured movement of the anthem from its opening key of E flat to its conclusion in a bright and warm resolution of C major.
SKU: HL.14010611
ISBN 9788759852897. English-Danish.
Programme Note: The name Event Horizon was coined by the brilliant British physicist Stephen Hawking to describe the circumference of a so-called black hole, the remains of a collapsed star with a gravity-pull so powerful, so that not even light can escape from it. This 5-minute study for piano has - needles to say - nothing to do with black holes, but the term event horizon fascinates med and strikes me as near-perfect description of virtually any stretch of organized sound evolving in time, e.g. a musical composition with a strong linear focus. So - Event Horizon it is, as seamless composition of high density, evolving in three parts: swinging-ricocheting-sweeping, amusical journey of speed, from fast to furiously fast, a study based on a high economical compositional material constantly renewing itself, the hands running parallel, separating, meeting again. The discreetest use of pedaling is advised ... Poul Ruders May 2001.
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