SKU: YM.GTP01095202
ISBN 9784636952025.
All songs collaborated Kuraki & Conan from 2000 to 20171. Secret of my heart; 2. Start in my life; 3. always; 4. Winter Bells; 5. Time after time; 6. La la la for winds; 7. Growing of my heart; 8. White Snow; 9. Love for you, every minute; 10. Revive; 11. Togetsu bridge - I Love; 12. YESTERDAY LOVE; 13. SAWAGELIFE; 14. DYNAMITE; 15. Invincible Heart; 16. TRY AGAIN; 17. Fall in Love; 18. Your Best Friend; 19. Tomorrow is the last Time: 20. SUMMER TIME GONE; 21. PUZZLE.
SKU: HL.49019431
ISBN 9790001188890. UPC: 888680077600. 8.25x11.75x0.05 inches. German.
This six-minute madrigal setting was commissioned by the renowned Hanover Girls' Choir and composed on the basis of one of Rainer Maria Rilke's profound poems. It begins as a thanksgiving prayer: for the summer, for the autumn fruits. But the first winds bring along the fear of the cold and loneliness of winter: 'Whoever is alone now will remain so for a long time, will stay up, read, write long letters...'. Eotvos lets the poem unfold twice, each time in a different way, thus intensifying the reflection. The tonality is treated freely, and the choral setting extends the underlying five-part texture, in which the choir's soloists create striking echoes, up to eight-part passages.
SKU: AP.50933S
ISBN 9781470668891. UPC: 038081587776. English.
Depicting a medieval summer fair, All the Lords and Ladies by veteran band composer Roland Barrett evokes imagery of the villagers' stately processional as they slowly gather in the meadow for the annual celebration. An introduction with regal percussion and low winds, tuneful melodies, and solid scoring throughout make this an outstanding teaching piece for your students. (2:10) The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
Available in print and digital formats.
SKU: BR.OB-5188-30
I had really become especially fond of this piece, although it is hardly appropriate for the so-called public; but I liked it..., wrote Mendelssohn about his setting of Psalm CXIV.
ISBN 9790004330272. 9 x 12 inches.
Felix Mendelssohn Bartholdy set the 114th Psalm to music during a summer holiday in Horchheim near Koblenz in 1839. After the world premiere at the Leipzig Gewandhaus, he subjected the score to a thorough revision, altered all the tempo markings and, above all, added a considerable amount of new measures. The result satisfied even the notoriously self-critical Mendelssohn: I had really become particularly fond of this piece, even though it is hardly appropriate for the so-called public; but I liked it...The present Urtext edition follows the first prints which were published simultaneously in Leipzig (by Breitkopf & Hartel) and London.
SKU: BR.OB-5236-30
Hauschild's new edition is based on all the major primary sources: autograph, first edition of the parts, copies of the score supervised by Beethoven, and the first edition of the score.
Have a look into ISBN 9790004335093. 10 x 12.5 inches.
Beethoven's Sixth Symphony (Pastorale) was written in the summer months of 1807 and 1808. The first performance of the work - along with that of the Fifth Symphony - took place on 22 December 1808 as part of a musical Akademie, or subscription concert, in the Theater an der Wien under the direction of the composer.Peter Hauschild's Urtext edition of the Pastorale is based on all the important primary sources: autograph, first edition of the parts (Leipzig: Breitkopf & Hartel, 1809), copies of scores supervised by Beethoven and, finally, the first edition of the score. Hauschild has combined source criticism and the requirements of performance practice while also keeping the Critical Report succinct and easy to grasp; this makes the editorial decisions easy to trace.Hauschild's new edition is based on all the major primary sources: autograph, first edition of the parts, copies of the score supervised by Beethoven, and the first edition of the score.
SKU: BR.OB-16110-30
ISBN 9790004348079. 10 x 12.5 inches.
Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Brahms understood all too little about the instrument. The concerto was composed at Worthersee during the summer of 1878 in collaboration with Joseph Joachim, a leading contemporary violinist. The solo part is extremely demanding, with really unusual difficulties. This circumstance did not go unnoticed by the critics of the first performance: Even to Joachim, the battled-seasoned wrestler, the technically difficult and tricky solo part was to be mastered only with obvious effort. Evidencing this close collaboration between composer and performer is not only the work's genesis and publication history, together with its dedication to Joachim, but also its solo cadenza. Based on the New Brahms Complete Edition, this Urtext edition includes both the printed version of Joachim's cadenza as well as its shorter version arranged in 1885 by the violinist Marie Soldat.
SKU: IS.CC7003EM
ISBN 9790365070039.
In 1941, I was invited by Viktor Vaszy to take on a choice double role, as a teacher of composition at the Cluj Conservatory as well as chorus master at the Cluj National Theatre. For me, this meant both an official state appointment and a substantial increase in my income. At the time I was over 35 years old and still without a permanent post. I took up my new duties at the end of the summer. My wife and I felt very much at home in Cluj but the most important for me was that along with my artistic obligations I found time to compose. Unfortunately we do not know why Farkas wrote in 1992 a new version of the Three Burlesques for clarinet quintet and for whom it was intended. The first movement Allegro, arc shaped, is more a succession of rhythmic patterns than melodies, with hectic ostinatos and staccato chords. In the middle of the movement, a short figure, like a second theme, brings a bit of calm and gentleness. The second movement, an expressive Moderato comodo and the final Allegro are shorter and also contrast with staccato chords.
SKU: BR.OB-5373-30
ISBN 9790004341049. 10 x 12.5 inches.
Wolfgang Amadeus Mozart wrote his Hafner Symphony K. 385 in the summer of 1782 on the occasion of the elevation into the nobility of his friend and patron Sigmund Hafner. Next to the well-known movements, this version (A) also contained the March K. 408/2 (385a) and possibly a second, no longer extant minuet. Called Hafner=Musique by Mozart, the work was unquestionably a serenade at first. In early 1783 Mozart then reduced the Hafner Music for his subscription concert at the Vienna Burgtheater on 23 March 1783 to a four-movement symphony. This is the form in which the work was first printed in 1785 (Version B). For a further performance, Mozart added flute and clarinet parts to the symphony. In 1805, this version (C) was published by Andre in Offenbach, who thus began making it known.The primary sources of the present Breitkopf Urtext edition are the autographs to K. 385 and K. 408/2 (385a). It thus becomes possible for the first time to play all three versions of the Hafner Music, since the variants of Versions A and B can be easily discerned through indications in footnotes and notes in small print.
SKU: BR.OB-5237-30
ISBN 9790004331620. 10 x 12.5 inches.
Ludwig van Beethoven conceived his Seventh Symphony in the summer of 1811 in the Bohemian spa of Teplitz. The fair copy of the score autograph was made the following year. The work was heard for the first time on 8 December 1813 in the auditorium of the Vienna University, when the Seventh was given its first, enthusiastically applauded audition - together with the programmatic symphony Wellington's Victory or the Battle of Victoria op. 91.The present Urtext edition is the first to be based on the evaluation of all the sources transmitted for the work.The score contains the complete Critical Report. Observations deemed particularly important, as well as divergences from established editions, are clearly marked within it.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethoven's music. (Kurt Masur, 2006)This is the first new edition of the 7th Symphony for which all surviving sources have been examined. The examination brought up a number of text-critical problems with respect to divergent readings. (Peter Hauschild).
SKU: M7.DUX-611
ISBN 9783934958449.
SKU: CF.PPS49F
ISBN 9781491152614. UPC: 680160910113.
Exemplary is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used with simple rhythms, students and teachers will find many, fun musical challenges that provide opportunities for for growth. As the title suggests, performances of Exemplary should serve as a desirable model, be worthy of imitation, and should represent the absolute best in musicianship.Exemplary is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used, and simple rhythms are used to compose this piece, it has many musical challenges that will enhance students’ musical growth. There are some very musical ideas and sections in this piece that should be explored. Just as this title suggests, Exemplary should serve as a desirable model, be worthy of imitation, and should represent the best possible example of its kind. If you describe something as exemplary, it should be extremely good. With all of these challenges, the piece also has some nice melodies and is fun to play.  Notes to the ConductorThere are marcato and legato styles, many dynamic markings (sometimes different between woodwinds, brass, and percussion) major and minor third intervals, and challenging beginning percussion writing (that should not be overplayed). Four-measure phrasing should be observed. When a crescendo occurs, it should connect to the next note without taking a breath. These are teachable concepts that will benefit the musicianship of the students and take them to a higher level of performance.  .
SKU: CF.PPS49
ISBN 9781491151938. UPC: 680160909438.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
