SKU: FJ.ST6351S
English.
The nonstop movement of a millipede takes center stage in this piece that focuses on eighth notes and bow arm technique. Using simple finger patterns, this piece shares a humorous take on the misunderstood millipede and is sure to be a favorite of your beginners. Impressive, fun, and very millipede-istic!
About FJH Beginning Strings
Appropriate for first year string students. All instruments stay in first position, and optional third violin (viola) parts and piano are included to aid in rehearsal and performance situations. Grade 1 - 1.5
SKU: AP.36674S
UPC: 038081418100. English.
This catchy tune lets the band cut loose with a strong jump beat powered by an old school bass line and active percussion. A dynamic introduction leads to the melody presented by the trumpets and then repeated by the rest of the band. The solo tom-tom leads to the give-and-take middle section that builds into a repeat of the melody. A short coda section provides a big finish to this exciting piece. Careful attention to articulation markings will add even more energy to the rhythmic patterns throughout the piece. This title is available in MakeMusic Cloud.
SKU: BR.EB-9408
ISBN 9790004188828. 9 x 12 inches.
Helmut Lachenmann wrote his Toccatina for the volume Studien zum Spielen Neuer Musik fur Violine (EB 8356) edited by Igor Ozim and published by Breitkopf & Hartel in 1986. No one could foresee back then that this Etude for violin solo would take on an active life of its own. The piece was first seen as a model of new string techniques, as David Alberman explained in his 1998 essay Beyond the Conventional, published in the journal The Strad. But in the meantime, Lachenmann's Toccatina, which truly does abound in unusual techniques, appears increasingly often on the programs of international festivals of contemporary music. This does justice to the work, which is, in effect, a delicate, fragile and introverted recital piece. Its title contains the word toccare (Italian for to touch); the composer took this definition literally and transposed it impressively into his piece. CDs : ensemble phorminx CD WER 6682 2 Aisha Orazbayeva (violin) CD NONCLASSICAL NONCLSS013 Melise Mellinger (violin) CD Montaigne Auvidis MO 782075 Mariette Leners (violin) CD WERGO WER 6682 2 Eric Rynes (violin) CD Albany Records TROY1614 Bibliography : Reudenbach , Michael: TOCCATINA. Eine Erinnerung, in: auf (-) und zuhoren. 14 essayistische Reflexionen uber die Musik und die Person Helmut Lachenmanns, hrsg. von Hans-Peter Jahn, Hofheim: Wolke 2005, pp. 55-64.
SKU: PR.UE036618
ISBN 9783702473396. UPC: 803452070511.
Gottwald has a knack for bringing contemporary classics to multi-part unaccompanied chorus of voices. For Webern's Im Sommerwind, he has taken all of the singable bits and assembled them into a surprisingly articulate and sensible transcription. With the voices approximating instrumental melodic lines in this lush, layered setting, the listeners can forget that they are listening to voices alone. For advanced choirs.
SKU: SU.80101188
This anthem, with a text by John Thornburg, is based on John 10 and the metaphor of the Good Shepherd. Suitable for Good Shepherd Sunday or many other times through the church year. It is taken from the chamber opera See the Promised Dawn Arise. The flute part is available as a free PDF download from the Zimbel website (http://www.zimbel.com/) 16 pages Published by: Zimbel Press.
SKU: CF.BF160
ISBN 9781491162170. UPC: 680160920921.
The 26 masterworks contained in this collection have been carefully arranged for any combination of string duet. The selections appear in chronological order. They span nearly 200 years with 22 composers and feature works from the Baroque, Classical and Romantic periods of music. The arrangements are drawn from a variety of sources, including piano and chamber works. However, the majority of works were taken from actual duets originally written for two instruments by the composers themselves. Each work was selected for its quality, musical interest, and appropriateness. Arranged specifically for a chamber setting, the duets may be performed at recitals, adjudications, weddings, and social events. The various moods created through these works will compliment any occasion.
SKU: CF.BF161
ISBN 9781491162187. UPC: 680160920938.
The 26 masterworks contained in this collection have been carefully arranged for any combination of string duet. The selections appear in chronological order. They span nearly 200 years with 22 composers and feature works from the Baroque, Classical, and Romantic periods. The arrangements are drawn from a variety of sources, including piano and chamber works. However, the majority of works were taken from actual duets originally written for two instruments by the composers themselves. Each work was selected for its quality, musical interest, and appropriateness. Arranged specifically for a chamber setting, the duets may be performed at recitals, adjudications, weddings, and social events. The various moods created through these works will compliment any occasion.
SKU: CF.BF162
ISBN 9781491162194. UPC: 680160920945.
The 26 masterworks contained in this collection have been carefully arranged for any combination of string duet. The selections appear in chronological order. They span nearly 200 years with 22 composers and feature works from the Baroque, Classical, and Romantic periods. The arrangements are drawn from a variety of sources, including piano and chamber works. However, the majority of works were taken from actual duets originally written for two instruments by the composers themselves. Each work was selected for its quality, musical interest, and appropriateness. Arranged specifically for a chamber setting, the duets may be performed at recitals, adjudications, weddings, and social events. The various moods created through these works will compliment any occasion.
SKU: WD.080689771125
UPC: 080689771125.
Kathie Hill has done Christmas forward, and now, backwards! Instead of ending with the nativity, Christmas in Reverse starts at the manger, then rewinds to explain the significance of the events leading to the first Christmas. Teaming with co-writer Melody Morris (Fish Tales, Promise U, Christmas SOCCER Team) Kathie provides a wealth of musical settings and simple narrations for this meaty musical. And long before the nativity characters return to the manger, you will be touched (for the first or umpteenth time) by the significance of Jesus' birth. So if you think you've chosen your children's musical for this year, it's time to rewind and take a look at Christmas in Reverse. Ages: 2nd - 8th grades Speaking Parts: minimum 5 children / 3 - 4 Adults or children.
SKU: PE.EP73404
ISBN 9790577018348. 297 x 420 mm inches. English.
Rihards Dubra (born Latvia, 1964) wrote his Symphony No. 2 in 2014. It is a large-scale work, over 30 minutes long, in three movements (titled 'Visio', 'Cantus', 'Et vidi...'), for large orchestra comprising triple wind and brass, percussion and harp.
Speaking of symphonic writing, the composer says: 'I don't think a symphony should speak about small, everyday things and issues; it should speak of global, fundamental and substantial things. Only then does it justify the name 'symphony'. It must be something serious.'
This full score (EP 73404) is now available as part of the Peters Baltic Library.
SKU: LP.765762115729
UPC: 765762115729.
Come and See is an invitation for each of us to experience Jesus as He enters Jerusalem; to witness His betrayal by a friend; to endure with Him the suffering and death of a sinless Savior; and finally to behold His empty tomb. Through the eyes of a blind beggar, we're taken through these events and more by way of a powerful and moving dramatic script, and energetic choral arrangements carefully designed for smaller choirs by two-time Dove Award winning writers, Dennis and Nan Allen. With a run time of 36 minutes, this dramatic musical includes popular worship songs Come and See and Sing to the King and the classic Wayne Watson song Friend of a Wounded Heart. Also included is a beautiful arrangement of the hymn I Saw the Cross and a new tune to the great hymn text Beneath the Cross of Jesus. Musically, this work is highlighted by settings that any choir can comfortably attain. Several opportunities for congregational involvement are included. For the full drama version, a small cast is required, and Nan Allen has written creative and very useful production notes to assist in both staging and costuming. The narrator version requires two narrators and is equally moving. This Easter, come and see what Jesus did for you.
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