SKU: P2.40006
James Grant says, Slow jazz... What musical language could celebrate more appropriately the lyrical, sensuous, expressive character of the bassoon? The three Chocolates, in this version for bassoon and piano, are torch songs in the tradition of the passionate, tuneful ballads of the American 40s and 50s. The first two Chocolates, Valentine and Bittersweet, offer soulful narratives that speak to devotion, poignancy, romance, uncertainty, longing. The third Chocolate, Triple Mocha Indulgence, is slightly less soul-searching, more ebullient, and progressively becomes more animated (a sugar high, perhaps?) right up to its raucous close. Chocolates was commissioned and premiered in 1998 by violist Michelle LaCourse, to whom this music is dedicated..
SKU: FL.FX073435
Tonal and modal colors give to this composition lightness and clarity. - Rene POTRAT ; A piece to be played for exams from 4 years of instrument practice ; Instruments: 1 Bassoon 1 Piano; Difficuly Level: Grade 3; Duration: 2 mn 30 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Rene POTRAT;.
SKU: HL.253938
9.0x12.0 inches.
Sonata for bassoon and piano is one of Swiders first works for a wind instrument. It was written most probably in the years 1953-1954, under a clear influence of neo-classicist stylistics. The only documented performance took place on 5th May 1955 in Katowice, or Stalinogrod, as such was the name of that city in those days. The first part of Sonata is written in a form of scherzando of a light and witty character, where the composer fully uses the facture and bassoons sound potential. The second part, full of meditation and cantilena, bears a particular expression of lower registers of the instrument. Part three is a traditional minuet in moderato tempo, with stylised folk elements in the middle fragment. The last part resumes the scherzo form, capped by a cadenza written by Marek Baranski, in which attempting to imitate the language of Jozef Swider's compositions that include numerous elements of a synthetic finale he included most music concepts outlined in the entire Sonata.
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