SKU: CF.CM9716
ISBN 9781491160954. UPC: 680160919550. Key: D minor. Latin. Early Latin Text.
This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section. Translation Dies irae, dies illa: Day of wrath, that day Solvet saeclum in favilla: shall dissolve the world into embers Teste David cum Sibylla: As David prophesied with the Sibyl. Voca me cum benedictis :Call me to be with the blessed. Salva me fons pietatis : Save me, fount of pity. The Sibyl is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars. About the Arranger D. Farrell Smith is the Director of Choirs at Hilldale Middle School, and Hilldale High School in Muskogee, Oklahoma. He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson.This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section.TranslationDies irae, dies illa: Day of wrath, that daySolvet saeclum in favilla: shall dissolve the world into embersTeste David cum Sibylla: As David prophesied with the Sibyl.Voca me cum benedictis :Call me to be with the blessed.Salva me fons pietatis : Save me, fount of pity.The “Sibyl†is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars.About the ArrangerD. Farrell Smith is the Director of Choirs at Hilldale Middle School, and Hilldale High School in Muskogee, Oklahoma.  He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson.
SKU: JK.01584
Ps. 119:105, John 8:12, John 9:5, Alma 38:9, 3 Nephi 11:11.
Original anthem for mixed chorus (SAB) and piano: Tho' I cannot see God has not left me blind; blessed by His holy light.Arranger: David R. Naylor Composer: David R. Naylor Lyricist: David R. Naylor Difficulty: Medium Performance time: 4:00References: Ps. 119:105, John 8:12, John 9:5, Alma 38:9, 3 Nephi 11:11.
SKU: AP.50234
UPC: 038081574042. English.
David Bowie's chart-topping single features an unmistakable '80s dance beat, just right for show choirs and pop groups. Stacked vocal harmonies imitate a horn section throughout this funky rock anthem, driven by a thumping bassline and sparkling retro synthesizers. As the title suggests, be sure to add some choreo!
About Alfred Pop Choral Series
The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.
SKU: JK.01718
Luke 2.
Quiet, lyrical Christmas carol for piano accompaniment and three-part voicing, testifying that nature solemnly adds its declaration that Christ was born in Bethlehem.Composer: David R. Naylor Lyricist: David R. Naylor Difficulty: Medium-easy Performance time: 5:00Reference: Luke 2.
SKU: HL.8621826
UPC: 884088633677. 6.75x10.5 inches.
The exhilarating musical Memphis, about the 1950s birth of rock and roll on the radio, has produced this irresistible production number that will absolutely electrify your stage! From the fist pounding piano introduction to the final raise-the-roof vocals, this powerful selection will be a fantastic closer or concert theme. Available separately: SATB, 3-Part Mixed, SSA, ShowTrax CD. Combo parts (tpt 1-2, tsx, tbn, syn, gtr, b, dm) available as a digital download. Duration: ca. 2:45.
SKU: AP.48862
UPC: 038081561868. English.
After a year with limited music making, there could be nothing better. Imagine throwing open the shutters to sing with your neighbors as this beautiful piece unfolds. It's consistently lyrical and legato, with peaks and valleys built into the dynamics to heighten emotions and capture joy. We love this expressive piano part, especially the delicate music box-inspired introduction. Don't miss the dramatic modulation before the pinnacle refrain crescendos to a big finish.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: BT.MUSM570366101
English.
David Breslin 's Nornir for three voices (SSA). Duration: 10 minutes Composed: 2011 Also published as part of UYMP's Songspin Songbook, ISMN M 57036 603 3. I. Urd II. Verdandi III. Skuld In Old Norse mythology, Norns are maidens who visit everyone at birth to determine the shape of their lives. The three maidens - urd, meaning ‘past’, verdandi, meaning ‘present’, and skuld, meaning ‘future’ - form a trinity of Fates. First performed by Juice Vocal Ensemble on 8th May 2003 at Heslington Church, York, as part of York Spring Festival.
SKU: LO.10-5365S
ISBN 9780787768096.
This energetic hymn anthem by David Kidwell employs the tune ELLACOMBE and Isaac Watts's familiar text. The three-part SAB writing throughout creates a full sound.
SKU: HL.1720682
UPC: 196288267843. 6.75x10.5 inches.
This medley arrangement of “Beautiful Day,” from the Irish band U2, and “Best Day of My Life,” from the American band, American Authors, showcases a universal message to live in the present and enjoy life. Memorable melodies and spirited lyrics make this piece an ideal selection for any choir!
SKU: AP.48309
UPC: 038081551326. English.
This thrilling concert/contest work boasts an array of musical moods and artful contrasts. A striking minor theme opens the piece, enhanced by percussive handclaps and punctuated by emphatic cadences from the piano. In the middle, a lyrical major-key melody surfaces along with beautifully sustained legato choral phrases. A joyful recapitulation ends this tour de force even stronger than it began.
SKU: HL.456277
UPC: 196288067115. 6.75x10.5x0.036 inches.
Rod Hausen was a busy and successful composer, arranger, and orchestrator in New York City. Current New York City and Broadway composer, arranger, conductor and producer David Chase has created this arrangement in honor of Hausen. This is a match that fits like a glove.
SKU: AP.50235
UPC: 038081574059. English.
SKU: AP.46551
UPC: 038081531267. English. David Waggoner.
Upper voices introduce a jubilant refrain, then the entire choir sings it in harmony. A contrasting section offers a gorgeous new motive, followed by a rich harmonization of the new material. The return to the original chorus is heightened by a soaring descant, which builds momentum into an exciting finish.
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