SKU: BT.DHP-1094760-010

9x12 inches.

Izumi Shibata commissioned the Ballad for Bass Trombone as a unique and thoughtful birthday present for her husband, who happens to play this very instrument. Thanks to her gift, bass trombone players around the world received a stunning addition to their repertoire. The ballad will be a welcomed challenge for every soloist and an interesting, though not particularly demanding, job for the accompanying ensemble.

Diese Ballade für Bassposaune“ gab eine Musikerin als originelles Geburtstagsgeschenk für ihren Mann, der eben dieses Instrument spielt, bei Jan Van der Roost in Auftrag. Von diesem Geschenk können nun alle Bassposaunisten, die mit Soloauftritten nicht gerade verwöhnt sind, profitieren. Ballad for Bass Trombone ist ein attraktives Werk: eine Herausforderung für den Solisten und eine interessante Aufgabe für das begleitende Ensemble.

Ballad for Bass Trombone est une pièce charmante qui dévoile le timbre noble et les immenses possibilités de cet instrument a priori pas très virtuose et dont le répertoire ne compte hélas que très peu d’oeuvres pour soliste. Cette composition, pourtant, contient quelques beaux défi s techniques pour le soliste et un accompagnement orchestral relativement peu exigeant.

Ballad for Bass Trombone è un pezzo aff ascinante che rivela il timbro nobile e di enormi potenzialit di questo strumento non proprio molto virtuoso, il cui repertorio non conta, purtroppo, molti lavori per solista. Questa composizione, tuttavia, contiene alcune sfi de tecniche per il solista e un accompagnamento orchestrale leggermente più esigente.

SKU: CN.S11254

Full of intrigue and mystery, Variations on a Bass Theme is a treat for the ears. A plethora of thematic material emerges out of tuba section in the opening bar, creating the jumping off point for the whole work. Lloyd takes the listener down numerous unexpected paths, conjuring many visual images along the way as if watching a movie.

Variations on a Bass Theme was written in 1986 for brass band and the original version was titled Diversions on a Bass Theme. The composer himself wrote: This piece is a set of variations. Traditionally variations were what they said they were, i.e. a given tune was treated in a variety of ways. The pattern of this work is made the other way round: a number of tunes grow out of the first bar, played by the tubas, which provide the motif for the whole work. Arranger's Note: The suggestion to arrange the work for symphonic wind band came from George Lloyd: he felt the piece lent itself to such transcription and asked if I would be interested in undertaking it. Interestingly, he always referred to the piece as his Variations on a Bass Theme and I have reflected this in the title of this concert band version. In all other respects the work is exactly as George Lloyd wrote it.

SKU: CL.012-4201-75

The title certainly tells the story of this delightful march! The lower voices of your band finally have a chance to show off with a march of their own! A wonderful way to showcase the low brass and low woodwinds. It's bass-clef fun from start to finish!

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CN.S11258

Michael Brand's arrangement follows the original dance styles of Warlock's string composition but adds tambour-like drums to accentuate the dance rhythms and steps.

Both title and thematic material of the Capriol Suite are derived from a famous book on dance steps published in 1589 in France. It indicated the rhythms, the steps associated with them, the manner of playing pipes and tabors, and adds nearly fifty dance tunes of the period. It was from these tunes that composer Peter Warlock selected material for his Capriol Suite for String Orchestra.

SKU: BT.GOB-000624-140

Mombassa Beat is an extremely infectious piece composed by Peter Martin, which references the popular light music of Bert Kämpfert. Mombassa is a bustling port in Kenya, and this characteristic can clearly be heard in the music. The bright, fresh sounds of Mombassa Beat are sure to excite and delight performers and audiences alike!

Mombassa. Dat is een levendige havenstad in Kenia. En dát is te merken! Vrolijkheid en opgewektheid zijn de ingrediënten van deze aanstekelijke compositie. Mombassa Beat is een knipoog naar de populaire amusementsmuziek vanBert Kaempfert. Succes verzekerd!

Mombassa Beat ist ein extrem ansteckendes Musikstück von Peter Martin, der darin mit einem Augenzwinkern auf die populäre Unterhaltungsmusik von Bert Kämpfert anspielt. Mombassa ist eine lebendige Hafenstadt in Kenia, was in Mombassa Beat spürbar ist: Fröhliche, frische, aufgeweckte Klänge sind ein Garant für einen erfolgreichen Auftritt!

Mombassa Beat est une oeuvre extrêmement pétillante de Peter Martin, qui y fait un clin d’oeil au célèbre genre musical de Bert Kämpfert. Mombassa est une ville portuaire très active située au Kenya. Cette composition fait ressortir pleinement l’ambiance cosmopolite de la capitale : des sonorités claires, gaies et percutantes. De quoi garantir une ouverture de concert éclatante.!

Mombassa Beat è un brano molto frizzante di Peter Martin che ricorda la popolare musica da intrattenimento di Bert Kämpfert. Mombasa è una vivace citt portuale del Kenia, vivacit che si riflette nella musica di Peter Martin tutta nel segno dei colori africani!

SKU: YM.GPW01096357

ISBN 9784636963571.

English version of the most popular band method edited by Japan Band Clinic Committee. The concept of this method is to provide support from producing sound to musical expression. It covers everything from individual practice and band ensemble to analysis of music performance and will be helpful for all band directors around the world who teach their students.; Study I: Basic knowledge and individual basikc training; Study II: Making sound ind the band and understanding the music; Study III: Making music. You Ri Ben Chui Zou Le Zhi Dao Zhe Wei Yuan Hui Bian Zhu De Ren Qi Le Dui Xun Lian Zhi Nan De Ying Yu Ban Ben . Ben Jiao Cheng Ji You Yan Zou Fang Fa ,You You Yin Le Biao Da ,Nang Gua Liao Cong Ge Ti Lian Xi Dao Le Dui He Zou De Zheng Ti Guo Cheng ,Dui Le Dui Zhi Dao Zhe De Jiao Xue Fei Chang You Yong . Di Yi Bu Fen : Ji Chu Zhi Shi , Dan Du Ji Chu Xun Lian ; Di Er Bu Fen : Zai Le Dui Zhong Yan Zou , Li Jie Yin Le . Di San Bu Fen : Biao Yan Yin Le .

Bass Clarinet part of JBC Band Method.
JBCGuan Le Dui Zhi Dao Jiao Cheng Di Yin Dan Huang Guan .

SKU: FJ.HX102BS

ISBN 9781530867608. UPC: 682500374647. English.

A collection of six charts for small jazz groups at grade 2 - 2.5. All charts are scored in three-part writing, with flexible instrumentation provided by all three parts in each wind book. Solo sections are provided with changes, and also a mini-clinic for each tune with a break down of the spelled-out chord progression and suggested scales to use throughout each solo. Twelve transcribed solos match the recordings note-for-note, and twelve suggested solos give younger players a starting point with themes taken from the recorded solos. 49 downloadable play-along tracks provide every instrument a chance to sit in with the recorded band. Contents Include: Porto Alegre; Time Will Tell; Leap Day; Bohemian Groove; Avalon; Steam Punk Funk.