SKU: CA.3150049
ISBN 9790007241599. Language: all languages.
Score and parts available separately - see item CA.3150000.
SKU: CA.739300
ISBN 9790007172268. Text language: Latin.
Veni was composed by Kay Johannsen in November 2015. Similar to his 2010 work Et vidimus gloriam eius for four choral groups (SSA, TTB, SATB, SATB) and organ based on the beginning of St John's Gospel, Veni requires a spatial separation of three four-part choirs. The starting point of the composition is the 12th century hymn Veni redemptor gentium by St Ambrose of Milan, which Martin Luther used as the basis of his 1524 hymn Nun komm, der Heiland. The four sections of the cantus firmus are sung in turn by all the basses, altos, sopranos, and tenors, each part at a louder dynamic than the other parts. For the accompanying voices Johannsen uses different principles of canonic technique and motivic variation, with most of the material derived from the cantus firmus. The organ part of this 12-part chorale arrangement provides a harmonic orientation, but is completely independent and introduces both moments of rhythmic accentuation and elements of veiling. The choral writing is also deepened and elevated by the organ sounds derived from the text. Despite all the motivic links between the parts, the music has a direct sensual effect as a sound collage. The work ends with three increasingly distant, homophonic invocations of Veni: the plea Komm occurs at the beginning as at the end.
SKU: CA.1808800
ISBN 9790007188658. Language: all languages.
Sunrise was composed in August 2016 from a concert improvisation. The work is structured as a great crescendo. Although the title refers to the image of a sunrise, the music was not primarily conceived as program music. In one layer of the composition, motoric groups of motifs increasingly condense, beginning in a high register and constantly changing, whilst in a second layer a calm thematic idea is intensified and expanded in barely noticeable alterations. As well as the seamless crescendo from pianissimo to fortissimo, the work uses precisely-notated registrations of color, especially for parts where the chorale-like theme is written in chords in the middle and low registers. The resulting moments of luminescence are emphasized even more through a harmony with bitonally layered major chords. This work is also available on CD (Carus 83.485).
SKU: CA.2719050
ISBN 9790007171766. Text language: Latin.
Carus published the original version of Bruckner's Te Deum for soloists, choir and large orchestra (Carus 27.190) in the fall of 2015. In order to make this work available for performance by smaller-sized ensembles [und einem weiteren Benutzerkreis zuganglich zu machen] Carus now presents it in an arrangement for brass quintet and organ. The brass parts are orientated essentially towards those in Bruckner's orchestral version, while the organ part follows the original string parts. [Damit kann nun auch unter eingeschrankten Bedingungen dieses grossartige Werk in einer adaquaten, stimmigen Form zur Auffuhrung gebracht werden.] As the voice parts (soloists and choir) in this reduced version are identical with those of the original the vocal score and choral score of the latter version can be used. This work is available (in the original version) in carus music, the choir app! Score available separately - see item CA.2719000.
SKU: BR.EB-8041
World premiere: Dusseldorf, May 20, 1978
ISBN 9790004174401. 9 x 12 inches.
During the intensive study of Johann Sebastian Bach's Musical Offering for the creation of a commissioned composition for wind trio, I had the idea of writing a larger organ work on the Royal Theme at the same time. This is how the Three Ricercare came into being. They are multi-part fantasies for organ, which - connected by the frequently transformed thematic material of the Musical Offering and the manifoldly reshaped B-A-C-H motif - alternate between free, rapsodic parts on the one hand and strictly structured parts on the other. For my 60th birthday, W. E. v. Lewinski wrote an appreciation under the title: Music in the span between constraint and freedom. This formulation aptly characterizes the new organ work. (Jurg Baur) CD: Martin Herchenroder CD Koch 3-1846-3 H1 Bibliography: Semrau , Arno: Polpyhone Orgelmusik von Johann Sebastian Bach bis Jurg Baur, Augsburg: Wissner 2001, darin besonders pp. 259-304 und 510-532. Richter , Reinhold: Zwischen Tradition und Avantgarde zwischen Zweifel und Hoffnung. Einige Notizen zur Chor- und Orgelmusik von Jurg Baur anlasslich des 85. Geburtstages im vergangenen November, in: Forum Kirchenmusik 54 (2003), Heft 6, pp. 23-31.World premiere: Dusseldorf, May 20, 1978.
SKU: CA.3850119
ISBN 9790007139223. Language: all languages.
Score and parts available separately - see item CA.3850100.
SKU: CA.3550300
ISBN 9790007165161. Text language: Latin.
Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass.
SKU: CA.3550305
ISBN 9790007165222. Text language: Latin.
Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score available separately - see item CA.3550300.
SKU: CA.4067219
ISBN 9790007219970. Key: D minor. Language: Latin.
Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts. Score and parts available separately - see item CA.4067200.
SKU: CA.4067209
ISBN 9790007219925. Key: D minor. Language: Latin.
SKU: CA.1306300
ISBN 9790007167035. Language: all languages.
In the creative output of the Bach pupil Johann Ludwig Krebs, arrangements of chorales and freely composed works for organ and a second instrument occupy an important position. They offer a glimpse into the so-called figural music of the 17th and 18th centuries, which has its roots in Protestant church music and constitutes a major aspect of music and music making in worship services. Until now, Kreb's arrangement of the chorale Wie schon leuchtet der Morgenstern existed only as a fragment. The editor of the present edition discovered the remainder of the arrangement, which was previously missing, and was able to complete the fragment. Thus, the complete chorale arrangement, composed wholly in the spirit of Bach, is now available for performance for the first time.
SKU: CA.3530419
ISBN 9790007134297. Language: German/English.
First version, first performed in Weimar around 1713 by J. S. Bach; from Bach's music library. Third version available under 35.502/00. Version of a performance at the Weimar court from around 1713 by J.S. Bach; from his library of music. It has been proven that J. S. Bach studied the St. Mark Passion of Reinhard Keiser frequently and intensively. At least three performances of this work verify this fact. A new Carus edition presents the 'Weimar' version, since the material is almost complete. Keiser's Passion is well suited for 'normal' conditions, with regard to length, difficulty and scoring. In every respect a rewarding representation of the Passion. Kirchenmusikalische Mitteilungen 3 / 1999. Score and parts available separately - see item CA.3530400.
SKU: CA.4067200
ISBN 9790007164454. Key: D minor. Language: Latin.
Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts.
SKU: CA.4067214
ISBN 9790007219963. Key: D minor. Language: Latin.
Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts. Score and part available separately - see item CA.4067200.
SKU: CA.4067203
ISBN 9790007219901. Key: D minor. Language: Latin.
Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts. Score available separately - see item CA.4067200.
SKU: CA.4067205
ISBN 9790007219918. Key: D minor. Language: Latin.
SKU: CA.4067213
ISBN 9790007219956. Key: D minor. Language: Latin.
SKU: CA.4067211
ISBN 9790007219932. Key: D minor. Language: Latin.
SKU: CA.4067212
ISBN 9790007219949. Key: D minor. Language: Latin.
SKU: BA.BA10158-67
ISBN 9790006491285. 24 x 32 cm inches.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA05099-67
ISBN 9790006531677. 32.5 x 25.5 cm inches.
SKU: BA.BA10039-67
ISBN 9790006541393. 32.5 x 25.5 cm inches.
Partitur siehe TP 1039.
SKU: BA.BA10134-67
ISBN 9790006491100. 23.9 x 32.4 cm inches.
SKU: BA.BA10172-67
ISBN 9790006491445. 23 x 29.7 cm inches. Key: C major.
For the study score, see item BA.TP1172.
SKU: BA.BA10166-67
ISBN 9790006491353. 24 x 32.5 cm inches.
SKU: BA.BA10130-67
ISBN 9790006490936. 32.5 x 25.5 cm inches.
Study score = TP 1130.
SKU: BA.BA10045-67
ISBN 9790006490158. 23 x 29.5 cm inches.
Study score = TP 1045.
SKU: BA.BA05293-67
ISBN 9790006532681. 32.5 x 25.5 cm inches. Key: B minor.
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