SKU: CY.CC2384

New York Philharmonic Assistant Principal Trombonist James Markey's brilliant 2003 recording featuring the following works:
1. Dmitri Shostakovich - Preludes, Op. 34 (1932)
2. Malcolm Arnold - Fantasy, Op. 69 (1969)
3. Percy Grainger - Willow, Willow (1911)
4. Robert Schumann - Romances, Op. 94 (1849)
5. Neal Harnly - Chorale Fantasie (1999)
6. Folke Basta - Basta (1982))
4. James Markey - Theme & Variations on Camptown Races (2001) for Trombone & Brass Quintet

When this recording came out in 2003, it raised the bar for the Tenor Trombone from an artistic & technical level. A must-have for all aspiring brass performers!!

SKU: FL.FX073048

I remember well when I began to write these pieces: I sat down at the piano in the conservatory, which was almost completely empty at the time... and I improvised the first chords of the first piece. After that I wrote the theme. The music rang loudly in that large auditorium and I could hear how it echoed about the empty corridors of the conservatory... it reminded me of the overture from Charles Gounod's Faust, as my hands still played out the melodies, stretching the limits of the theme which would become, in a sense, the introduction to the whole cycle. I could feel that the story was emerging: a story born from within the music. - Anton GLADKIKH ;

Hoffmanniada is a collection of six short pieces for trombone and piano composed in a style inspired by the great Russian composers of the twentieth century. Sometimes melancholic and romantic, sometimes cheerful and virtuoso, the writing subtlety of Anton Gladkikh perfectly exploits the qualities of power and finesse of both instruments. Fabrice MILLISCHER

This original piece is the first opus of FLEX Editions collection directed by Fabrice MILLISCHER. It is built of 6 movements: 1 - Et finalement ca tourne, 2 - Autonomie de la volonte, 3 - Les lettres, 4 - Lilite, 5 - Quand Dieu crea le temps, 6 - Le jeu des Demiurges ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 5.

SKU: LM.27161

ISBN 9790230971614.

SKU: PR.114414450

ISBN 9781598064087. UPC: 680160597635. 9x12 inches.

Inspired by the tale of a legendary folk hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine. This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry. For advanced players. Duration: 13’__________________________________________Text on the scanned back cover:JOHN HENRY'S BIG(MAN vs. MACHINE)FOR TROMBONE AND PIANOInspired by the tale of the legendary hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine.
PROGRAM NOTES by the ComposerJohn Henry was born a slave in the 1840’s or 1850’s. It is important to remember that no one knows for sure if John Henry existed or is a tall tale created by writers. That is one of the things that makes the legend so intriguing.According to the legend, he grew to stand 6 feet tall, 200 pounds – a giant in that day.Though the story of John Henry sounds like the quintessential tall tale, it is certainly based, at least in part, on historical circumstance. There are disputes as to where the legend originates. Some place John Henry in West Virginia, while recent research suggests Alabama. Still, all share a similar back-story.In order to construct the railroads, companies hired thousands of men to smooth out terrain and cut through obstacles that stood in the way of the proposed tracks. One such chore that figures heavily into some of the earliest John Henry ballads is the blasting of the Big Bend Tunnel, more than a mile straight through a mountain in West Virginia.Steel-drivin’ men like John Henry used large hammers and stakes to pound holes into the rock, which were were then filled with explosives that would blast a cavity deeper and deeper into the mountain. In the folk ballads, the central event took place under such conditions. Eager to reduce costs and speed up progress, some tunnel engineers were using steam drills to power their way into the rock. According to the great American tall tales, on hearing of the machine, John Henry challenged the steam drill to a contest. He won, but died of exhaustion, his life cut short by his own superhuman effort.This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry.JOHN HENRY’S BIG was composed for trombonist David Jackson.