For Flute, Violin, Viola and Violoncello. By Wolfgang Amadeus Mozart. Edited by H. Wiese. Chamber Music with Winds. Pages: Fl Part = XV and 17 * Vl Part = 17 * Va Part = 17 * Vc Part = 15. Urtext edition without fingering-paper bound. Published by G. Henle.

Book with Online Audio Flute; Flute 1,2; Piano Accompaniment (Flute Duet)

SKU: HL.50607081

Flute Duet and Optional Backing Track or Piano. Woodwind. Christmas. Softcover Audio Online. 28 pages. Hal Leonard #VAM72. Published by Hal Leonard (HL.50607081).

UPC: 196288305828.

Vamoosh Christmas for young Flute players. 12 well known Christmas items arranged for Flute duo with optional accompanying backing-track or piano. Books are compatible with Vamoosh Christmas for Recorder, Violin, Viola, Cello and Double Bass so you can join friends for a Christmas feast of music making. Backing-tracks are available on many online platforms such as Spotify, iTunes, GooglePlay and YouTube. Search for Vamoosh Christmas Backing-tracks.

Chamber Music 2 flutes

SKU: PR.114419140

Composed by Wilhelm Friedemann Bach. Edited by Leone Buyse. Arranged by David Berman. Sws. (very lengthy and formatted, see prefatory pages). Collection - Performance Scores. 48+48 pages. Duration 23 minutes. Theodore Presser Company #114-41914. Published by Theodore Presser Company (PR.114419140).

ISBN 9781491131404. UPC: 680160677283. 9 x 12 inches.

Originally composed for viola duo, W.F. Bach’s THREE DUETS (F. 60, 61, 62) have been transcribed by David Berman, and jointly edited with Berman’s former student Leone Buyse. Buyse and Berman have also offered suggestions and explanations for late Baroque ornamentation and performance style. Two performance scores are provided with the publication.

By Giovanni Battista Viotti (1755-1824). Edited by Jennifer Caesar. For Flute, violin, viola and violoncello. Full score and parts. 55 pages. Published by Edition HH Music Publishers

From 44 Duos for Two Violins. Composed by Bela Bartok (1881-1945). Boosey and Hawkes Chamber Music. Classical. Softcover. Boosey and Hawkes #UE38018. Published by Boosey and Hawkes

Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo

SKU: CA.3840413

Flotenkonzert in D. Composed by Johann Christian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Viola. Single Part, Viola. Composed 1768. Warb C 79. 8 pages. Duration 20 minutes. Carus Verlag #CV 38.404/13. Published by Carus Verlag (CA.3840413).

ISBN 9790007215217. Key: D major. Language: all languages.

Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections/revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude. Score and part available separately - see item CA.3840400.

Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo

SKU: CA.3840409

Flotenkonzert in D. Composed by Johann Christian Bach. Edited by Ulrich Leisinger. 1x 38.404/21 flute, 1x 38.404/31 horn 1, 1x 38.404/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Set of Orchestra Parts. Composed 1768. Warb C 79. 24 pages. Duration 20 minutes. Carus Verlag #CV 38.404/09. Published by Carus Verlag (CA.3840409).

ISBN 9790007215187. Key: D major. Language: all languages.

Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections/revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude. Score and parts available separately - see item CA.3840400.

Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo

SKU: CA.3840419

Composed by Johann Christian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Set of Orchestra Parts. Composed 1768. Warb C 79. Duration 20 minutes. Carus Verlag #CV 38.404/19. Published by Carus Verlag (CA.3840419).

ISBN 9790007144340. Key: D major. Language: all languages.

Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections/revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude. Score and parts available separately - see item CA.3840400.

Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo

SKU: CA.3840411

Flotenkonzert in D. Composed by Johann Christian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Violin 1. Single Part, Violin 1. Composed 1768. Warb C 79. 12 pages. Duration 20 minutes. Carus Verlag #CV 38.404/11. Published by Carus Verlag (CA.3840411).

ISBN 9790007215194. Key: D major. Language: all languages.

Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections/revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude. Score and part available separately - see item CA.3840400.

Chamber Music flute, piano

SKU: PR.114418850

Op. 78. Composed by Robert Schumann. Arranged by Mark Sparks. Set of Score and Parts. With Standard notation. 16+4 pages. Duration 11 minutes. Theodore Presser Company #114-41885. Published by Theodore Presser Company (PR.114418850).

ISBN 9781491113981. UPC: 680160667895.

Originally for Clarinet and Piano, Robert Schumann’s deep yet delightful set of three FANTASIESTÜCKE, Op. 73 has long been a staple of the repertoire, with transcriptions occasionally seeping into other instruments’ libraries as well. The work has been elegantly adapted (into a new key) for Flute and Piano by Mark Sparks, principal flutist of the Saint Louis Symphony.
Notes on the Edition, by Mark SparksThe remarkable and imaginative Fantasiestücke, Op. 73, were originally composed for clarinet and piano during 2 days in February 1849. Schumann indicated that the pieces could also be played on cello or viola. This arrangement for flute and piano has been transposed from the original key of A major to C major in order to limit octave transfer and facilitate performance, while still preserving the original, rather darker-hued timbral character of the work.Flutists will delight in the extremely lyrical and evocative nature of the writing, especially the capricious middle section of the second piece, “Lebhaft, leicht (Lively, light),” and the brilliant, effusive third piece, “Rasch und mit Feuer” (Quick and with fire). The virtuosic practice of repeating the eighth-note in the opening melody of the final piece, adopted from editions for cello, is also well-suited to the flute.Phrases of appropriate length, relatively few potential balance problems, and the accessibility of the pieces for all levels of performers and audiences make the Fantasiestücke a natural, pleasant, and versatile addition to the flutist’s recital repertoire.